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LP version. On their second album Material, originally released on Sky Records in 1981, Moebius & Plank ventured far, far away from the double coordinates of the Harmonia world and pop music cosmos. Amazingly, they did not find themselves floating in space, but made an exemplary landing, avoiding getting caught between a rock and a hard place. Material saw them generate a form of genre-busting electronic music, more radical than anything one might have expected to come out of Germany, not even f…
By the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. Here Come The Warm Jets is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of Needles in the Camel's Eye' or the Spector / Velvet Underground trad-rock-ism of Cindy Tells Me,' the album displays an unabashed love of quirky, catchy pop. Savage guita…
Continuing the twisted pop explorations of Here Come the Warm Jets, Brian Eno's follow up album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states. Eno's richly l…
Completing the essential quartet of Brian Eno's early vocal albums is 1977's Before and After Science. The first half is vibrant, rhythmically complex songs (No One Receiving, Kings Lead Hat etc) before slipping into gentle relective moods for the second half. Cluster's Moebius and Roedelius, Can's Jaki Liebezeit, Phil Collins, Robert Fripp, Fred Frith, Fairport's Dave Mattacks, Phil Manzanera etc are amongst the players.
Necessary, 1st-ever vinyl issue of Colin Potter’s fizzing post-punk & avant-pop experiment, The Scythe (1981), repackaged with a handful of alternate mixes and a cut from Nightshift, plus new sleeve design by Jonathan Coleclough, who also did the original tape artwork.
Leading on from Deep Distance’s 2013 reissue of Two Nights, which was also made and first issued in 1981, The Scythe finds the Nurse With Wound member really indulging and exploring his thang for krautrock, dub and noisy ele…
During a research in his archive Giancarlo Toniutti found two unfinished compositions recorded with Tiziano Dominighini in 1981-1982. Those compositions were mostly made of improvisation sessions using synthesizers and a guitar. Giancarlo Toniutti decided in 2013 to complete the compostions and recorded new material througout 2013 and 2014. The new compositions were made of several field recordings made in the countryside nearby a highway road. All the compostions were then mixed together in 201…
The full recording of the first meeting between Bill Orcutt (USA) and Okkyung Lee (South Korea). Individually these players have focused on an idiosyncratic approach to their chosen instruments and technique. Okkyung is one of the most singular voices to compromise the cello's classical origin, while Orcutt has spent many years developing a unique abstraction of traditional guitar blues. Live at Cafe OTO is an uncompromising combination of these individual elements and an ecstatic improvised ass…
Born in 1964, Yukihiro Isso is a Japanese Noh flutist (hayashikata fuekata) from a family that has been playing this instrument since the 16th century. He received his initial instruction in flute playing from his father, Yukimasa Isso, and performed on the Noh stage for the first time at the age of nine. Beginning in his middle school years, he began listening to a variety of different kinds of music and studying new instruments including the recorder and piano. An acclaimed performer of classi…
Born in Tbilisi, Georgia, Nargilә Mehtiyeva aka Aşıq Nargilә has been playing saz (long-necked lute) and singing since the age of 15. Fluent in Azerbaijani, Georgian, and Russian, Nargilә represents the cosmopolitan heritage of old Tbilisi, a city once known as a meeting point for multilingual aşıq bards who would travel through the region serving as conduits for news, ideas, music, and culture. Nargilә is currently the only female aşıq living and performing in the ethnic Azeri region of Georgia…
An Overview of Experimental and Electronic Music in Turkey: this anthology features 29 turkish artists: from the electronic music of the '60s to all forms of experimental music of the '10s. This is the second volume of an exploration by zone or sphere of influence.
The constellation built between 2000 and 2012 with the seven-part series An Anthology of Noise and Electronic Music continues to expand through the Early Electronic collection (consisting mostly of tracks composed between the 50's an…
P version. Covering a large pan of genres, Ultraphallus defines their sound with some accents from different styles including western music, death-metal, doom-rock, avant-garde, psychedelia and electronic soundtracks, as a tribute to rock culture. Seven tracks were recorded in four days at Drop Out Studios, South London, with Tim Cedar (Part Chimp leader, Hey Colossus). Tracks are inspired by The Residents, Marc Bolan, Mark Frechette and Zabriskie Point, Swans, Autechre, David Bowie, Eva Ion…
Double LP version. Cristian Vogel\'s best techno tracks from the \'90s, remastered in 2015. All tracks originally recorded between 1993 and 1998 in Brighton, UK. Cristian Vogel is a composer and music producer, known for his DJ sets and live performances as well as his studio composition and production (having worked with artists such as Radiohead, Maxïmo Park, Chicks on Speed, and Thom Yorke). Vogel was born in Chile 1972 and grew up in the UK; he has been touring consistently since 1992 as DJ …
1980s music from former Yugoslavia has always been a special affair. Even pop was not the same as pop, if you understand. REX ILUSIVII is the brainchild of composer Mitar Subotic and will go well with fans of dark synthie pop and atmospheric gothic stuff. There are four shorter tunes to be found on the A side of this record and this is as pop as pop could go if you wish to play it in a gloomy and more experimental style. Bowie would have been proud of this music if it was his. It is dark …
Masterpiece!! Voice Is The Original Instrument was the first record released by Joan La Barbara in 1976 on Wizard Records. This is the first time the original LP, with artwork, has been made available again. It has since become iconic as one of the initial examples of extended vocal techniques in experimental music. The human voice is the only instrument on the recordings.
The works on Voice is the Original Instrument were some of Joan's earliest compositions, researching the possibilities of th…
Honey ant dreaming is the third full-length album by this Italian combo, following the release of the 7 inch split-series they shared with Yannis Kyriakides, Oren Ambarchi & Steve Roden. The music on this album is muscular, dreamy, evocative and occasionally percussive: this is an initiatory journey inspired by the strength of the Honey Ant Mural painted in 1971 by Papunya’s aborigines, an immersive trip through six tracks, created with a blend of guitars, electronics, percussions, beats and vib…
Gaudenz Badrutt electronics & analog synthesizer Christian Müller electronics & contrabass clarinet
"X" as the unknown, "X" as a reference to time. "X" as a definite position between possibility and contingency. The album X by the Swiss band Strom works with remix as a method, explores the potential of the origin. Or the result's? The work on the concept album started with an improvised piece by Gaudenz Badrutt (analog synthesizer) and Christian Müller (contra bass clarinet and live effects). In…
Keith Rowe electronics, guitarMartin Küchen alto- and baritone saxophones, radio, iPod
Keith Rowe was invited to a residency that Martin Küchen, through support from the Swedish Arts Council, was granted a few weeks in the autumn of 2013 at the Vor Anker artist residency, Vienna, Austria. The artist Johannes Heuer and his wife Sandra Baer had invited Martin Küchen for this residency. The artist studio is located in the old Anker bread factory complex in Vienna. During these weeks work included r…
Kurt Liedwart, lloopp, electronics, percussion. Phil Raymond, computer, percussion. Phil Raymond lives in Moscow and has been working with microlevels of sound for ten years. In 2009 he worked mainly with electroacoustic manipulations of percussion using different methods of computer processing and recording. 'Rim' is his second recording released by Mikroton family of labels following critically acclaimed 'Absence' released by Mikroton Digital in 2008. In 2009 he joined his forces with Kurt Lie…
Bitter Earth is the much anticipated, long-in-the-making new album from John Duncan joined by a broad cast of adroit collaborators; Oren Ambarchi, Jim O’Rourke, Smegma, Chris Abrahams, Joe Talia, CM Von Hausswolff, Eiko Ishibashi, France Jobin - all written in dedication to Mika Vainio (who, for avoidance of doubt, is not dead!). It's a remarkable suite of cover versions - from The Gun Club to Nina Simone and Iggy Pop - and original material by an arch experimenter who continues to explore unfa…
Serge Baghdassarians, mixing desk, delays, electric guitar. Boris Baltschun, computer, sampler. Burkhard Beins, percussion, zither. The three gentlemen formed a live performing electroacoustic work unit throughout the first decade of this century, exploring hybrid musical areas shaped by digitized samples, analogue circuits and acoustically produced sounds stemming from a diverse range of materials and objects. This first phase has been documented on the 'Labor' compilation (Charhizma, 2003) and…