Si Faustine
Pigeons is Wednesday Knudsen and Clark Griffin, from Bronx, NY. After flirting with lo-fi psychedelic-leaning Francophile pop on their two previous full-lengths, Liasons and Si Faustine (both from 2010), the pair have shifted into more dense, heady modes for their new record, They Sweetheartstammers. Heavy doses of melody & dissonance carry free-form songs like "Lauren" and "Behind the Reeds" into Broadcast and Meddle-era Floyd territory. The more-straightforward "Red Friend" and "Tournoi…
Carved Into Roses / Infinityland / Singles
Deluxe triple-pack CD that restores two classic Skullflower albums to print, with a bonus disc of contemporaneous singles. Recorded together and originally conceived as a double CD back in the dark ages of 1995, "Carved Into Roses" and "Infinityland" find the band making a transition from the "heavy" riffs of their early days to a more free-form sound that continues to this day to drive leader Matthew Bower's many guises (Skullflower, Sunroof!, Hototogisu, Mirag, etc). Sporting a revamped …
Dharma Warriors
Far-out garage blues from the unpredictable talent of Henry Flynt, here in collaboration with C.C. Hennix. The two lengthy improvisations here straddle the borders between unrefined bluegrass and free-jazz improv. Flynt's freetime chord phrasings are given some context by the elaborately off-kilter beats supplied by Hennix, but the overall feel here is one of primordial, rock & roll chaos. While you'd expect a certain amount of soloing in such long-form improv workouts, expectations are subverte…
Hamamatsu Power!
Fantastic meeting between Tokyo’s heroes Up-Tight and cosmic traveller Anla Courtis. Recorded February 18th, 2011 at Lucrezia in Hamamatsu, Tokyo, here you have the rare chance to listen to these folks jamming completely free and at monstrous volume, perfectly alternating great explosions of electricity and quiet moments of dream-like psychedelia, for the real deal celestial burn-out! Limited to 200 numbered copies, with handmade covers.
Niente
** restocked, last copies around, sold out at source ** Mindblowing limited vinyl reissue! Founded in Rome in 1964, ‘Il Gruppo Di Improvvisazione Nuova Consonanza’ was a collective of noted and noteworthy composers who challenged the very structure and performance of music itself. Today the most renowned of its members would be film scoring genius Ennio Morricone (indeed “Il Gruppo…” performed on many celebrated Morricone scores of the 1960s and 1970s) but each contributor has an intriguing hist…
Catalyse
The origins of Ame Son go back to the mid-sixties, when Bernard Lavialle (guitar), Bernard Stisi (guitar, vocals), Patrick Fontaine (bass) and Marc Blanc (drums) formed Les Primitivs circa 1965. They took the Parisian stages with a Yardbirds/Pretty Things inspired wild R&B set, and they kept active until Stisi left in 1967. At that point they changed their name to Expression, and with a more experimental approach they took their newly find free rock sound a la Soft Machine to night clubs …
24-24 Music
Though classically trained Arthur Russell's major contributions to the music world is in the dance genre. Despite the fact that his pioneering work in the late '70s and on through the '80s was only quietly acknowledged at the time, his long term impact is best described as formidable. Russell's innovative; left field dance records flew way ahead of what people were used to hearing at the time, due in part, to his involvement in New York's downtown avant-garde music scene. He scored severa…
Exile
A Charalambides album is always an event in our book, and this new one on Kranky is superb stuff, arguably taking their fizzy, fuzzy psychedelic pop and drone-folk sound to a whole new level. It's mad to think that Tom and Christina Carter have been making music together for 20 years now, but it shows in the coherence of Exile, their first LP since 2007's Likeness. It begins cautiously, with the uber-minimal twanger 'Autumn Leaves', like Richard Chartier scoring a spaghetti western, but t…
Field
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
On Metal Shore
The idea for "On Metal Shore" goes back to the 2008 collaboration "Vista" with Boston artist Asher. The genesis of this piece was early morning recordings I made on the shores of the Lake of Zurich in 2007, where I played some very resonant steel railings with my hands. There was something magical for me about being down by the water an hour or so before sunrise. My hands were freezing and as I played a flock of birds in a tree nearby would fly away from my noise (even though I wasn't playing ve…
Sacred & Profane Love
We haven’t made any secret of our love for Estonian Producer Maria Minerva, and this latest offering for 100% Silk might just be her finest yet. She’s had to bat off plenty of comparisons with Nite Jewel, Glass Candy and others from the nu-disco set, and this collection of six tracks should be where those comparisons end. Here Minerva explores a wider range of dancefloor styles, beginning with woozy late night Chicago gloom on ‘A Love So Strong’ with its detuned vocal hook and punchy bas…
Space Primitive
Peaking Lights return with a follow up EP to their excellent Night-People full length Imaginary Falcons and a teaser to lead into their killer next full length album set to drop on Not Not Fun later this winter. Space Primitive was originally released as a limited cassette on Fuck It Tapes but needed a bit more shelf life so Night-People set to work to make this release a reality on vinyl. Aesthetically very similar to Imaginary Falcons, the same haunted low fi electronics surfacing thr…
Enlightenment / Phrenesia
Holy Strays follows up his scuzzy debut tape for NNF with two surprisingly lush and undeniably ace electronic trips. The meld of sparse, reverberating drums and plangent psych licks on 'Enlightenment' calls to mind Forest Swords jamming with a lo-fi Raime, on some sweet Hoffman's in a cabin in the Alps, after listening to loads of Amon Duul. Flipsude 'Phrenesia' is a moodier counterpoint, sucking us in with wormholing synthline while blunted programmed beats and a lone rave mistress vocal…
Silent Partner
There’s probably not much to say about punk’s continued existence. Like jazz or sitcoms or party politics, it just carries on eating and breathing and shitting and propogating. It’s only interesting when someone comes along trying to advance the form. Like “Arrested Development” or Dennis Kucinich, they’re usually forgotten.
This would all be relevant if Neptune were a punk band, which we’re not at all sure is the case. They create a sense of undermining the status quo, which is pretty pun…
Shadowland
The new material on Shadowland takes inspiration from the devotional sounds of Popol Vuh and Alice Coltrane and also possesses the pitch black weightlessness of Fushitsusha and early Tangerine Dream. With waves of guitar soaring over liquid synthesizers tones, Barn Owl combine lush, melancholic serenity with cacophonous, deconstructed guitar to exhibit a visceral meeting of light and dark. Cyclical themes were explored heavily: mantric guitar processions, swelling bass waves, and flutteri…
Mtt
Incus Records is proud to present this stunning live performance of the MTT trio. The Dance Hakushu Festival in the farming village of Hakushu, 800m high in the mountains of Yamnashi Prefecture is a unique event and this DVD captures these three formidable artists bringing their individual qualities into play to create a dynamic and electrifing whole.Live performance at Dance Hakushu Forest Stage, August 18, 2006 Hakushu Town, Yamanashi, Japan.Running time : 45' 55” Produced and presented by Dan…
Bronze Age Subway
"Fruitful meeting of two very consistent mainstays in the southern drone hemispheres... The recordings took place in Buenos Aires when Antony recently was on a trip to South America.. Dark and broodling, yet also soothing and narcoleptic drone works from these two masters of their fields.. Guitars, violins and organs create buzzing forcefields and nocturnal sonic transfixions.... Top shelf trans-continental drone extravaganza from these highly prolific gentlemen. Don't miss out!"
Accidental guitars
restocked, last copies - geoff mullen presents a new side of his ever-changing and open language, dealing here with his rawest material to date, and in many ways finding himself in a homecoming to the guitar. on Ôaccidental guitars' geoff expands his instrumental language with his unique variety of invented, accident-prone technique. re-contextualized live performances are filtered through an intuitive sense of form and pretexts, leaving us with an intense, jarring, pointed, and textural c…
Dreamweapon II
Quoting Lou Reed, “Angus MacLise was the Velvet Underground’s first drummer. He withdrew when he found out that at a paying job he had to start and stop playing when told to. No one told Angus to stop playing. So the job of a working musician was impossible for Angus, and he taught us all a lesson about purity of spirit.” Angus MacLise was an American polyglot and foundational multi-media artist. Working in dream-like calligraphy, poetry, small press publishing, and musical composition, he was …
The Almond
The Almond started as a short study for trumpet for the British website Compost and Height. Nate Wooley, a rising young composer known mostly for his radical recontextualization of the trumpet in improvisation and jazz music, was, at the time, feeling constricted by the sound based language he had been using up to that point in both his live solo playing and his earlier solo records. His goal was to make a true solo trumpet record, using only the trumpet as it was intended to be played with no e…