Jazz /
Ride The Wind
On Ride The Wind, Roscoe Mitchell scales up the chamber‑like intensity of his Conversations work, setting it inside a 20‑piece Montreal–Toronto ensemble that treats his textures as weather systems to move through, reshape and suddenly ignite.
Four Ways
On Four Ways, Roscoe Mitchell joins Stephen Rush’s shape-shifting Yuganaut trio for an electrically unstable encounter, where reeds, synths and oddball acoustics melt into one long, multi-hued improvising organism.
Celebrating Fred Anderson
On Celebrating Fred Anderson, Roscoe Mitchell honors a fellow Chicago giant with a live quartet that turns remembrance into motion, weaving Fred’s themes and Mitchell’s originals into long, tensile arcs of chant, swing and open-form ritual.
Before There Was Sound
On Before There Was Sound, Roscoe Mitchell’s 1965 quartet with Fred Berry, Malachi Favors and Alvin Fielder captures the AACM language in embryo: sharp themes, free rhythm and a restless sense of form already pushing past hard‑bop borders.
N.Y.C.
One of the most distinctive and influential instrumental ensembles of the 1980s, Steps Ahead injected urgently needed vitality into a stagnating fusion landscape with their own brand of intelligent, living jazz. With N.Y.C., their debut for Intuition…
Sueño
Eddie Palmieri stands among the most influential pianists and arrangers in salsa and Latin jazz history. His singular voice fuses the rhythmic urgency of his Puerto Rican roots with the harmonic sophistication of jazz visionaries like Thelonious Monk…
Snurdy McGurdy And Her Dancin' Shoes
On Snurdy McGur dy and Her Dancin’ Shoes, Roscoe Mitchell launches the Sound Ensemble with a volatile mix of abstraction and groove, folding AACM rigor into slyly funky frameworks that keep tilting from tight forms into open risk.
All Music
Recorded in Chicago in 1976, All Music catches Warne Marsh in lucid, late-middle form: a cool-toned tenor moving with dry wit and quiet daring through Tristano-school material, buoyed by Lou Levy, Fred Atwood and Jake Hanna’s alert swing.
Non Basta
Cucoma Combo are back with their impetuous and political sound, an urgent need to communicate in order to awaken consciences and react to the sick immobility of our times. Captain Marco Zanotti (Classica Orchestra Afrobeat/Lolo) once again gathers hi…
In Concerts
On In Concerts, Mujician - Keith Tippett, Paul Dunmall, Paul Rogers and Tony Levin - are caught across 17 years of pure, pre‑verbal improvisation, four voices moving as one organism, forever searching and sometimes touching the truly uncanny.
Indian Summer
On Indian Summer, Eddie Johnson lets his late‑era Chicago tenor glow with undimmed warmth, spinning swing‑era lyricism and speech‑like nuance over a veteran quartet that treats time as something to lean into, not chase.
Tetragon
On Tetragon, Joe Henderson sharpens his post‑bop language to a diamond point, driving a powerhouse band through knotty tunes and reworked standards that already hint at the spiritual depths he’d soon explore more fully.
Tähtisilmä
Hot Heros once again bring a raw jazz grit to the heart of Finnish folk. Their latest LP, Tähtisilmä, explores the compositions of the master fiddler Konsta Jylhä through a modern, improvisational lens. Deepened by the rich, mournful tones of cellist…
Have No Fear
On Have No Fear, Von Freeman turns a 1975 marathon session into a fiercely personal manifesto, his elastic Chicago tenor pouring blues, bravado and vulnerability into performances that sound both off‑the‑cuff and obsessively shaped.
6 Duos (Wesleyan) 2006
On 6 Duos (Wesleyan) 2006, Anthony Braxton and John McDonough turn a teacher–student bond into a finely wired brass–reeds colloquy, shuttling between Braxton systems, McDonough themes, open improvisation and Sousa with disarming clarity and wit.
Spontaneous Music Ensemble
On this meeting with the Spontaneous Music Ensemble, Bobby Bradford steps into John Stevens’ London laboratory and, alongside Trevor Watts, Julie Tippetts, Bob Norden and Ron Herman, turns free improvisation into a fiercely alert, shape‑shifting cham…
Numbers 1&2
On Numbers 1 & 2, Lester Bowie joins Malachi Favors, Joseph Jarman and Roscoe Mitchell in a pre‑Art Ensemble crucible where AACM discipline, raw timbral play and open‑form swing coalesce into a blueprint for the Chicago future.
Ptah, The El Daoud
2026 repress * Grey-area LP reissue, perfect replica of the original * Ptah, the El Daoud, recorded and released in 1970, is the third solo album by Alice Coltrane. The album was recorded in the basement of her house in Dix Hills on Long Island, New …
Tauhid
Recorded November 15, 1966 at Van Gelder Studios, Englewood Cliffs - New Jersey, Tauhid is one of the most iconic album recorded by the tenor saxophonist Pharoah Sanders. On his debut for Impulse ! the leader assembled an extraordinary line-up, defin…
Karma
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 3…