Jazz & Improvisation / All styles

Ernesto Rodrigues, harp and objects. Katsura Yamauchi, alto saxophone. Carlos Santos, computer.    

Stunning new jams by the trio of Ben Hall (Graveyards), C. Spencer Yeh (Burning Star Core) and Mike Khoury. Two violins and incendiary drums for a serie of dialogues that magically combine intensity and introspection, rhythm and silence, discipline and ‘fire’. When imagination meets instinct, music is free. A rare gem, a gift by gifted musicians.150 copies with handmade covers.

After two albums with electroacoustic compositions and turntablism, Corvo Records releases as its seventh LP the piano opus by Austrian composer and performer Ingrid Schmoliner. Inspired by the saga of the Percht, a female pagan godess which appears on midwinter and whose origins reach back to the Stone Age, still present in the very remote mountain areas of the Austrian alps, this album of Ingrid Schmoliner is a suite of powerful prepared piano music. It is witch music in its best sense. And it…

Truly an outstanding live document, by the trio comprising Peter Kowald (1944 - 2002), doublebass. Daunik Lazro, alto & baryton saxophones. Annick Nozati (1945 - 2000), voice. Recorded in Instants Chavirés, Montreuil, February 2000 by Jean-Marc Foussat. Duos, trios and one solo from Annick Nozati. The only time they did play together.

Awesome collective improvisation. "The fundamental tension between freely improvised music’s momentary existence in performance and the monumentalizing impact of media becomes more nuanced with each new delivery system. While MP3 files lack the totemic mass of box sets of discs, they nevertheless have a compensating spectral power. The rise of the archival recording compounds this tension, particularly when one is proffered to be the long-missing puzzle piece that completes the picture of how an…

Founded in the Italy centre town of Ancona, Agorà curiously debuted with a live album instead of a studio one: they played an almost-instrumental typical jazz-rock, and they were invited to play at the famous Montreux Jazz Festival in Switzerland (a place that is most remembered for the fire that inspired Deep Purple's "Smoke on the Water"). That's where "Live in Montreux" was recorded, a four-track LP, one of which has been cut in two parts on the two sides of the album.Music, as specified in t…

South African pianist and composer Abdullah Ibrahim (aka Dollar Brand) featuring Hamiet Bluiett (baritone sax) and Don Cherry (trumpet). Exact repro, originally released in 1977.

Cool dubbed out percussive afro tribalism with a free jazz spirit like Roland Kirk meeting Fela Kuti. Include vibraphone, saxophone, drum and you get da spiritual fonkjazz! Very cool authentic reissue to save you a few hundred bucks over the stoopid rare original.

Legendary japanese musician Akira Sakata (active in various groups since the early 70s) teams up with Berthling of Fire and Nilssen-Love of The Thing. Akira Sakata, alto saxophone, clarinet, voice. Johan Berthling, double bass. Paal Nilssen-Love, drums & percussion.

Music From Tomorrow's World is a fascinating document and a boon to Sun Ra collectors. It gathers previously unheard tapes from two sources: one from the Wonder Inn club and one from Majestic Hall, probably a rehearsal. Both were recorded in 1960, toward the end of the Arkestra's Chicago period. The Wonder Inn tape is especially revealing, as it presents the Arkestra in front of a crowd. And although Saturn album releases from the period feature Ra compositions almost exclusively, this set shows…

A fascinating live document that captures Sun Ra & his Arkestra performing an eclectic set for a Cleveland audience in 1975. Though the recording quality leaves something to be desired, this remains an inspired performance and includes a chaotic take on Duke Ellington’s “Sophisticated Lady” as well as “Astro Nation,” a clamorous foray into disco rhythms that anticipates Ra’s pioneering 1978 effort Lanquidity. (AMG)

The Paris concert was supposed to be the last of this ill-fated tour -- but at the last minute, Sun Ra decided to go to Egypt. Someone had tipped him off to cheap airfare from Copenhagen to Cairo and a handful of gigs in Denmark were cobbled together to pay for a trip to the Land of the Pharaohs (see Campbell & Trent p.178). Egypt was a place of obvious spiritual importance to Sun Ra, but half of the rapidly shrinking Arkestra bailed out and returned home. Nevertheless, the core musicians dutifu…

A very "jazzy" performance of uninterrupted Sun Ra's standards diluted with "Prelude to a kiss" by Duke Ellington and "Blue Lou". An excursion into the history of jazz encouraged by an ecstatic crowd.

Tzadik introduces its new Spectrum series with a very special and exciting new group featuring three of the most creative wind players in new music. Friends and colleagues since the ’70s, these three musicians share a vision of improvisation and composition that is unique, virtuosic and cooperative. Performing compositions and collective improvisations, they sculpt sound and silence with masterly assurance. Surprising yet completely inevitable, this is an essential document of improvisational mu…

I got to know Joe Sachse's playing through the band Doppelmoppel. The jazz scene in the former GDR created a special music that expressed an independence and pleasure in playing. Our idea of playing together as a duo has now become reality and from the very first moment playing together was easy and inspiring. There happened to be a recording of this first concert and listening to it we wanted to have it published. Thanks to Jazzwerkstatt this wish has now also become reality. - Nils Wogr…

This discography of musical work by the bassist Peter Kowald, who died in 2002, was compiled in honor of his 70th birthday. It includes an alphabetical catalogue of all 143 published recordings up to 2014 by and with Peter Kowald, as well as the cover designs and additional information relevant to the discography. The 208-page book also contains an index of all the films that Peter Kowald was involved in, texts by Bert Noglik, Floros Floridis, Wolfgang Schmidtke and Günter Baby Sommer, and sever…

"Cosmos" is a hard-to-find, alternately chaotic and tightly organized mid-'70s session that was issued on the Cobra, and then Inner City labels. Sun Ra provided some stunning moments on the Rocksichord, while leading The Arkestra through stomping full-band cuts of atmospheric or alternately hard bop compositions, peeling off various saxophonists for skittering, screaming, at times spacey dialogues. (AMG)

In the late '50s, Sun Ra emerged from big band to modern/progressive big band status, began to employ electronics, and used a more Afro-Centric percussive focus. This recording perfecly demonstrates those qualities, and more. There are several definitive themes from The Arkestra included, such as "Plutonian Nights," "Nubia," "Africa," "Watusa" and "Aethiopia." Dig for this one on vinyl if you can (the cover art is stunning,) but it is nigh impossible to find on Saturn Research. (AMG)

Sun Ra's Angels & Demons at Play is a diptych created by merging two recording sessions. The first is a laid-back introspective affair ("angels?") recorded in 1960. Even frolicsome, these bouncy melodies follow the percolating rhythms with a gently leading reed, as Marshall Allen exemplifies on flute in "Tiny Pyramids." Also dating from before the truly experimental Sun Ra period, the last three tracks were recorded at RCA Studios in Chicago in 1956. Still very accessible, here several horns, am…

The Sun Ra Arkestra looks both forwards and backwards in time on this obscure small label LP. Ten years earlier, one could not have imagined Ra and his men romping through "On the Sunny Side of the Street" or reinventing "Flamingo." However, those versions certainly sound quite original, and there is no mistaking the band for any other orchestra on "Space Fling," "Manhattan Cocktail" and the trademark "Space Is the Place." The music on this album features a version of the Arkestra consisting of …

The excellent Live at Montreux set from 1976 was released on vinyl by both Saturn and Inner City before disappearing from print for many years. In 2003, the set was reissued by both Universe/Akarma and P-Vine. A full 20-member Arkestra (plus dancers) turns in a typically freewheeling set. From "Take the 'A' Train" (featuring a killer solo from Marshall Allen), to the gospel-influenced "El Is a Sound of Joy," to the almost exotica "Lights on a Satellite," to the free and raucous "Gods of the Thun…

More stuff from Sun Ra's archives, this time focusing on his work with doo wop groups. Sun Ra had a home tape recorder early on, and most of these are previously unissued home rehearsals. The sound is generally excellent given that these are '50s home recordings (except for the studio tracks released on Saturn as singles and their studio rehearsal counterparts). Sun Ra clearly knew and loved this type of vocal music and probably could have had a career cranking out doo wop numbers (he wrote most…

Long out of print, few copies available. Beautiful material from this legendary Bay Area soul jazz combo! The Sons & Daughters of Lite have an incredibly spiritual sound – one that sounds sort of like the best groups on the Strata East label, with touches of Roy Ayers or James Mason-esque soulfulness, but with a little less polish. Many of the cuts have sweet female vocals in the lead – with backing that includes vibe, electric piano, tenor, alto, and percussion by Babatunde. The record's a grea…

There is only one prior release existing of Brötzmann and Sharrock as a duo (vinyl-only on Okka Disc 2003). This live recording from the archives of Peter Brötzmann was mixed by Lou Malozzi in Chicago, mastered by Martin Siewert in Vienna. Sonny Sharrock was one of the first American free-jazz guitarists. He played in the '60s with Miles Davis, Pharoah Sanders, Roy Ayers and many other greats. His career started again in the beginning of the '80s when he met Bill Laswell, who hired him to form t…

The interplanetary jazz travelers of Sun Ra's Arkestra reached transcendent heights over the many decades their free music spanned. Live in Nickelsdorf 1984 finds a particularly spirited lineup of the Arkestra simmering through an almost three-hour set at an Austrian jazz festival. The band, featuring key Arkestra players John Gilmore, Marshall Allen, Rollo Radford, Don Mumford, and of course Ra himself, runs through brilliant versions of almost 30 tunes. The set is heavy on improvisation and al…

26 copies only, numbered, on special orange paper with very small red/green dots (same style as the one used for the Qbico Omicron/Omega box set) with:- front artworks by Mike Johnston (two vvariations) hand-made frame by ep along Mike's arttwork, on interstellar metallic bronze paper (all different = each box is unique) signed print by Don Barber of originall inner sleeve cover photograph- color insert printed on quality paper (front & back) with rare & beautiful images of the band- an extra on…

Remembering his old friend and the days when this live recordings were taken, says Hartmut Geerken: "When John came to visit us in Afghanistan and in Greece, where we lived in the 70's and 80's, my wife Sigi had to extend his bed always with fruit boxes. His height didn't fit into a normal sized bed as well as his musical dimensions were too far out to fit into the mainstream taste of the masses. It was wonderful to hike with him in the Hindukush mountains up the Salang Pass. Afghanistan was a v…

Gatefold double LP version. It can't be easy gathering 28 of Northern Europe's finest jazz and improvising musicians in one place at the same time, which is why Sweden's Fire! Orchestra has been one of the continent's best-kept secrets so far. After playing rare shows a handful of times a year, this incredible mass ensemble is getting ready to unleash its full power with Enter, its first studio recording. This isn't jazz: this is Nordic dynamite. Fire! originated as the trio of Swedish …

Masahiko Satoh, piano. Paal Nilssen-Love, drums, percussion. Tokyo pianist Masahiko Satoh recorded these two extended improvisations with Norwegian drummer Paal Nilssen-Love in concert at Shinjuku Pit Inn, Tokyo in 2013, a remarkable dialog of intense technical power and creative passion.  

A quartet session bringing together players from Northern Europe, Japan, and Chicago : Akira Sakata (reeds), Fred Lonberg-Holm (cello & electronics), Ketil Gutvik (electric guitar) and Paal Nilssen-Love (drums & percussion) for an intense and joyful free jazz.

A sweaty summer session or radical free music! Recorded in July 2012 close to a nice small lake in the North of Italy, at the beautiful Sauna Studio (yes, even the studio name is as hot as the music!).Featuring Peter Evans as special guest, and an unusual  tuba instead or a more expected double bass, Piero Bittolo Bon’s Lacus Amoenus delivers a brilliant, adventurous ensemble sound,  full of raw, daring improvised music.  Certainly not your usual easy listening jazz music, “The Sauna Session” is…

Peter Brötzmann, alto & tenor saxophone, bass clarinet, Bb-clarinet. Paal Nilssen-Love-drums, percussion. Recorded October 2008 in Oslo, Norway.Second album from the godfather of European free-jazz, Peter Brötzmann and Norwegian virtuos Paal Nilssen-Love. This is the follow-up to 'Sweet Swea' from 2007. Woodcuts is another free jazz mastodont from the two masters. This is European free-jazz at its best. Recorded live in concert at Kampen in Oslo, Norway. 

This was a project a long time in the making - Xavier Charles is a not a person you can rush; he has very clear objectives that need the time that they take. When he took interest in the sounds of the appliances in his kitchen, daily sounds that remain unnoticed to most of us, he was to explore listening and perception as part of his music making. Typically, Xavier has worked here with the ambient noise in his recording environment, something he has been exploring and refining for many years now…

A 2 CD issue of the 2013 LP with 78 additional minutes, from the two day residency at UK's Cafe Oto of Decoy with special guest Joe McPhee on pocket trumpet and alto sax.

The final night of Otomo Yoshihide and Sachiko M's first residency in 2009 saw the pair joined by the long-running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko and joined the quintet for a rousing sextet: stunning twin saxophone interplay, the unparalleled openness of the Marsh/Edwards rhythm pairing, Sachiko's deft high-frequency interventions and Otomo's guitar at the center -- moving between abrasive textural …

'Rimski' with Mats Gustafsson, tenorsax, sopranino. Wolfgang Fuchs, bass clarinet, sopranino. Sven-Ake Johansson, drums vocal. Recorded by Christian Fnghaus, (Audionauten) Berlin 6.9.1990. 'Erkelenzdamm' with Richard Teitelbaum, piano, electronics, and Sven-Ake Johansson, drums, accordeon. Rec. at Institut Unzeit, Berlin 1985. 'Splittersonata' with Günther Christmann, trombone. Wolfgang Fuchs, bass clarinet, sopranino. Sven-Ake Johansson, vocal, accordeon, percussion. Torsten Müller, double bass…

"An often inspired study in post-noise atmospherics, Malus brings together three pioneering improvisers in their late thirties. Nate Wooley deploys vocalisation and extreme extended technique to turn his trumpet into a hissing steam engine and a bubbling cauldron, channelling electricity to create groggy lo-fi textures. Chris Corsano is in a reflective, exploratory mood, dragging objects across amplified skins to create queasy high-pitched drones and dull metallic rings. Double bassist Hu…

Bassist Jason Ajemian composed these 8 works performed with the Chicago/NY band of Tony Malaby on tenor sax, Rob Mazurek on cornet & electronics, and Chad Taylor on drums, a dynamic set of music that varies through a spectrum of styles while staying true to its jazz roots."Jason Ajemian can always be counted on to offer up way more than just the usual set of avant and improvised music – and as with some of his other recent albums, this set shows a range of imagination that just seems to be…

The Freedom Principle is an album crackling with energy.  Consisting of three long tracks, none shorter than 11 minutes, the album is full of bristling creativity and expression, never feeling tired or lost. Rodrigo Amado is a musician and photographer from Lisbon, Portugal (check out his artist home page; in addition to his discography, he had a link to his pictures and a photo book, all very nice), who was involved in the burgeoning free jazz scene there in the mid to late 90's.  The start of …

Insane Bobetomagus wax! Full-Blast-Borbeto jazz/noise recorded live in Helsinki Finland in 2005... Mix-maximized by Tommi Keränen. Beautiful 2 color silkscreened and hand-glued covers by Sami Pekkola. Titled inspired by the romantic M. Apsa video included with the gigs opening act. Those in the know will know. Grab it! Edition of 300."Thunderous new limited to 300 copies live LP from the killingest trio of horn/guitar thinkers this side of judgement day: recorded live in Helsinki in…