Jazz & Improvisation / All styles

The first and only recorded meeting between two absolute giants of the soprano saxophone - Steve Lacy and Joe McPhee - finally sees the light of day after 36 years! On June 9, 1977, Lacy and McPhee shared a double bill in Basel, Switzerland. Lacy invited McPhee to join him for a duet to close his set, and McPhee brought out his own soprano saxophone for what would become a historic encounter. The main part of Lacy's performance was issued on the classic Clinkers LP back in the day, but this fina…

Triple LP version. Housed in a deluxe triple gatefold sleeve with download card for the entire album. Jazzman Records presents the fourth volume in their Spiritual Jazz compilation series. It's well-known that throughout the 20th century, fed up with poor working conditions and racism in their home country, many American jazz musicians chose to leave the U.S. in order to live and work in Europe. What's less well-known is how their music developed and evolved during their time on the conti…

Inframince / Immensity spotlights two pairs of improvisers at the root of Berlin’s experimental scene. “Inframince” finds Michael Thieke and Olivier Toulemonde submerged in analog exploration: Thieke’s clarinet curls and pulses in slowarcs, sometimes phrased, sometimes breathy and indefinite, while Toulemonde’s acoustic objects - whisks, plates, springs, marbles - flicker between percussion and mechanical sound, never quite settling into simple gesture. The deliberate pacing of their forty-three…

Public Private assembles two improvising groups from divergent scenes: Barcelona’s Atolón and London’s Chip Shop Music. The album opens with “Public,” a 44-minute collective improvisation by Atolón: Ruth Barberán (trumpet/objects), Alfredo Costa Monteiro (accordion/objects), and Ferran Fages (turntables/electronics). Their sound is tactile and elemental, privileging raw timbre - breathing through trumpet bells, scraping on glass, whirring turntable motors, hissing air, and the elemental processe…

Released 10 March 2013. The album combines the inspired play of Eric Vagnon (saxophone) with a solid rhythm layer driven by the double bassist Eric Brochard and legendary drummer Nicolas Lelièvre. So good...

"Boneshaker are Mars Williams (reeds, toy instruments), Paal Nilssen-Love (drums & percussion) and Kent Kessler (bass), three prolific powerhouse musicians, carrying among them a Grammy nomination and decades of experience with the top ensembles in the world.Norwegian phenomenon Paal Nilssen-Love has established himself over the last decade as one of the most important voices in improvised music from his generation. A powerful drummer of unbounded energy, he shows an ongoing ability to br…

Concert film by Pavel Borodin featuring the Peter Brötzmann Chicago Tentet benefit concert at the Music Unlimited festival in Wels. Guests: Toshinori Kondo, Michiyo Yagi, Yoshihide Otomo and Akira Sakata It was a special wish of the curator of the 2011 Music Unlimited Festival (Wels, Austria), Peter Brötzmann, to organize a charity concert in aid of the Fukushima nuclear disaster recovery effort. For that purpose, the Chicago Tentet, one of Brötzmann's main bands since 15 years, invited f…

World Premiere!! Available for the 1st time, this legendary live set by the near-mythical Roy Brooks' Sensational Aboriginal Choir. which used to be one of the highlight of the Montreux/Detroit Jazz Festival. unique & special ?! kind of.After the Improvisational Sphere & the Artistic Truth Roy Brooks recast his Artistic Truth band with a formidable, all-Detroit lineup and quickly established it as one of the region’s top groups. He teamed with established local jazz godfathers such as Kenny Co…

180g LP in fine paper silkscreen printed cover. Recorded in London, December 2011 and in Milwaukee, October 2011. A solo album by saxophone virtuoso John Butcher featuring some of his most exceptional extended techniques which he has been developing during his career as a soloist as well as a member of some significant collaborative projects. Playing tenor & soprano saxophones, Butcher has developed a very unique style in free improvised music and composition, mostly by engaging with a se…

Live in Zurich 1984. Reissue of a double vinyl publish on the same label. Donald Miller, guitar, alto saxophone (on one track). Jim Sauter, tenor, alto, baritone saxophones. Don Dietrich, tenor, alto saxophone, guitar (on one track). 'First off, there is this huge saxophone sound, the bells of the two saxes often jammed against each other with a microphone dropped inside, and then there is the guitarist as a generator of sounds more crazed than anything that has ever come out of the instr…

CD edition. Great work from this heavy heavy trio – a group that features the talents of probably the three greatest living avant saxophonists in the world – Peter Brotzmann on tenor, alto, clarinet, and tarogato, Ken Vandermark on tenor and clarinet, and Mats Gustafsson on baritone sax! The trio have worked together countless times over the past two decades – and together have an affinity that not only results in some of the most amazingly adventurous improvisation you'll ever hear from …

180 gram vinyl reissue of German free improvisation pianist and composer Alexander von Schlippenbach's The Living Music, originally released on his own Quasar label in 1969. Recorded by Conny Plank, it features Peter Brötzmann (tenor & baritone saxophone), Manfred Schoof (cornet, flugelhorn), Michael Pilz (bass clarinet, baritone saxophone), Paul Rutherford (trombone), Buschi Niebergall (double bass, bass trombone) and Han Bennink (drums, percussion). The Living Music remains one of the paramoun…

**Tri-fold digicase with 20-page booklet of liner-notes and photos** Kris Needs repositions the roots of Sonny Blount aka Sun Ra on three discs (60 tracks) spanning his earliest 1933 recordings of big band jazz and be-bop, thru the birth of Sun Ra and the "future shock" of his later visions. "CD1 (Pre-flight) features Sun Ra’s earliest recordings from the 1940s, playing piano for Wynonie Harris and Lil Green, jamming with Stuff Smith, and coaching or arranging for artists such as Andrew T…

If jazz, as the eminent critic Whitney Balliet once wrote, is the “sound of surprise,” Cuts, an intensely cathartic, fiercely turbulent collaboration between Japanese noise purveyor Masami Akita (aka Merzbow), Hungarian drummer Balazs Pandi and Swedish saxophonist Mats Gustasfsson, is the “sound of shock and awe.” A sonic assault of epic proportions, it blends the bombast of Merzbow’s grinding white noise barrages with Pandi’s thunderous pulse on the kit and Gust…

At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European free jazz, delivered in1967 by the saxophonist's first classic trio featuring drummer Sven-Ake Johansson and bassist Peter Kowald. Initially issued in a tiny private run on Brötzmann's own BRO label -- silkscreened cover designed by Brötzmann, with h…

Reissue of a very obscure free music document, recorded in Cambridge, MA, sometime in 1970. Notable for it's Saturn-esque paste-on cover artwork (eloquently reconstructed here), and general cosmic vibe, this record harkens back to days when "out" was merely a place people went to buy a sandwich. A trio, led by drummer Ertunc, with Michael Cosmic (as, cl, fl, bcl, sop, piccolo, organ, perc.) & Phill Musra (ts, ss, fl, zurna, cl, perc.). The albums features long tracks: "The Creator Spaces"…

Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-piercing. At times, the music seems to lead us to a meaning that is deeper than the textual level. or is it the depth of another possible song? That's when the music takes us to areas that seem perpetually urging, more than their simple addition of voi…

A study of free-form improvisation, rhythm and language using vocalizations, cello and analog electronics. These recordings in two movements can be taken as, on the one hand, pieces for two voices and improvisation chamber orchestra (which is what the musicians felt throughout the recording session) and, on the other hand, pure free improvisation. Both voices in interaction, perpetually urging the other on, producing more than their simple addition, producing a third voice -- like a semi-au…

Kari Rønnekleiv, violin. Ole-Henrik Moe, viola. In 2011 Rønnekleiv/Moe released the album “A summer’s night at the crooked forest” on SOFA. The London based music magazine WIRE wrote that the album is a technical tour de force. And a musical one, too, each track structured with composerly precision. On this sequel we meet an extraordinary duo with an almost telepatic interplay. Recorded in the middle of the forest in a cabin with no electricity (the recording equipment was run on solar en…

Edition of 300 (coproduced with phase records & mafia). 'it was in dhalgren that i had read about a father getting fired, and who trying not to depress his family about it, wakes up every day, shaves, dresses himself up, has breakfast and leaves for his work. where does he spent his almost 8 to 10 hours? a mystery. perhaps crying on a park's bench or drinking or whatever. however, there are times when reality creates even more dystopian images than those in sam delaney's aforementioned o…

A Saturn release from the 1960's featuring a wide-range of pieces from studio recordings, rehearsals, and live concerts that are all heart-felt and made in the traditional Sun Ra style, starting with eight delirious minutes of kora and piano frame -- almost certainly the Strange Strings instruments, whatever they were. And then Ra's signature clavinet of the period and an unidentifiable double-reed instrument, probably played by Marshall Allen. Enter the xylophone. I sense you're getting the …

As a duo Tim Catlin and David Brown aka Candlesnuffer come together as 'Helium Clench' and boast long histories in the Melbourne and international avant-garde music world. Both have independently developed a fascination with microtonal sound, in particular through Catlin's construction of harmonic overtone guitars and metal rod instruments tuned in just intonation, and in Brown's case through his explorations using the quartertone bass guitar. 'Sieve', their first duo recording is a stud…

Guitarist and founding member of Maajun in 1969 (That released one album under the Vogue label), Cyril Lefebvre recorded three beautiful albums during the Seventies. Cocaïne Blues, the second one, is one of the finest achievements of the Golden Age of the musical underground in France. Here is an unclassifiable and pataphysician music based on a traditional repertoire, drawing briskly in blues, ragtime, waltz, foxtrot... It has all the major qualities: subtlety, innovation, luxury, humor. Publis…

Long Story Short, the festival organized as the 25th edition of the Unlimited Festival in Wels, Austria (November 2011) designed a festival around Peter Brotzmann's musical practice -- not a retrospective, but a representation of the contemporary musical spheres that Brötzmann and his comrades are investigating today. Eighteen performances in this box document Brötzmann's close ties to the Chicago scene, his inclination to work with Japanese artists, his cultivation of old and new friendsh…

Latest (and final) volume of the long dormant J.I. Collection - PSF's groundbreaking collection of rare Japanese free jazz recordings from the early 1970s! Kaoru Abe was easily the brightest shooting star of the late sixties and early seventies Japanese free jazz scene, a wilful iconoclast who specialized in solo improvisations on alto sax and bass clarinet that seemed to slice and dice the air, glittering with a dangerously honed edge. Abe would burn himself out by the late seventies (he…

The HBE family are in full effect on this 6-track mini-album. Forming like a brass-plated Voltron, they spin from swaggering Hip-Hop funk on 'Starfighter' to sparky, feel-good breakbeat funk on 'Touch The Sky' and more sultry, jazzed up styles for the Sun-Ra sampling 'Pluto' on the A-side. Flip it for the more brooding, cinematic themes of 'Kyptonite' feat Crow, and the record's highlight 'Black Boy' easing off the punchy percussion for a more spiritual vibe with spoken words by their pat…

Originally schooled in the foundations of hard bop, cornetist Rob Mazurek, quickly surpassed the form's conventional limitations; his multihued electro-acoustic work over the past two decades has subsequently drawn inspiration from numerous genres besides jazz. Mazurek's unfettered creativity and stalwart leadership skills have thereby cemented his reputation as a key figure in the Chicago scene—primarily as organizer of the venerable Chicago Underground Collective and several other innovative e…

Triumphal new CD, the first new recordings in an age, from one of the greatest bands on the goddamn planet, the trio of saxophonists Jim Sauter and Don Dietrich and guitarist Donald Miller aka Borbetomagus: this is a roof-raising performance, recorded live at Instants Chavires, France, 19th December 2009. Borbetomagus combine the elevated amplifier violence of Jimi Hendrix at his most combustible with the spontaneous free music polyphony of Ascension-era Coltrane and the ‘guitar smashing’ h…

Northern Spy is proud to present two of John Butcher’s most recent experiments in moving sound waves through space. On Bell Trove Spools we hear Butcher in two distinct situations: Richmond Hall, a Houston art gallery housing a permanent Dan Flavin collection that has been compared to a bowling alley; and the high-ceilinged marble room in Brooklyn which is the new home to Issue Project Room. Butcher is heard on his two saxes of choice, the soprano and the tenor, and suspended in space, fluid, ch…

Koboku Senju, meaning something like a Selection of Dead Trees', is the quintet of Tetuzi Akiyama, Toshimaru Nakamura, Martin Taxt, Eivind Lønning, and Espen Reinertsen. Akiyama and Nakamura, on guitar and no input mixing board respectively, have long been two of the leading improvisers from the Tokyo scene, and Lønning, Reinertsen and Taxt, on trumpet, saxophone and tuba respectively, are three young and active improvisers from Norway with an increasing reputation for their adventurous yet matu…

Hard-grooving Ethiopiques killers from the "Ethiopian Elvis". This eponymous collection gathers some of his finest moments from 45's recorded between 1967 and 1974, nine total, mixing R&B, soul, rock'n'roll with that magically mystical blend of modern flair and traditional groove that makes the Ethiopiques series such a treasure trove. You could imagine each of these being classics in their own right way back when, from the soulful organ burn and infectious breaks of 'Kenoru Lebetchahe' w…

With any sizeable Brötzmann group, the temptation is always there to compare it to his classic Machine Gun unit. This new tentet doesn’t match up to the unbridled ferocity of that earlier grouping, but then what has? Perhaps the greatest sea change since the heavy-drinking glory days of 1968 is that ecstatic playing is now as much an idiom as an instinctive response. For all its supposed iconoclastic freedom, this idiom now has its own traditions, its own heroes, and its own stock cliches. Youth…

Stripped-down' probably isn't the right term for a release like this, but Brotzmann's reeds and Uuskyla's drums are the only two constituents of this double disc set, setting themselves up for comparison with fellow free improv pillars Ken Vandermark and Paal Nilsen-Love on their Dual Pleasure recordings. These lengthy improvisations (four pieces stretch across over an hour and a half of recordings) are a feat of endurance - not only for the improvisers themselves, but for even the most i…

Would it be that when everything finishes that everything starts? Rather than a postlude or a coda, the five minutes a cappella by Joe McPhee on the tenor saxophone placed here in thirteenth position, sound like a song of love and hope coloured utopia which condenses the invisibility of lives which are here and then are no longer here.from the effervescence of an aviary where chirpings and warbling intersect (from Raphael Imbert, Urs Leimgruber, McPhee, Evan Parker and John Tchicai each sax seem…

Despite the compositions’ respective demands, Nicole Mitchell and Black Earth Ensemble fully and vividly represented Roscoe Mitchell’s varied means of creating chemistry between written and improvised materials. At every turn in the program, they played with a palpable sense of familiarity and ease with the composer’s vernacular and methods. They sounded like they’ve been playing this music every night for a long time. Bill Shoemaker, excerpt from the liner notes

If the three compositions proposed by Denis Fournier have already been recorded, they merit to be here as resurgences, like scenarios encouraging the freedom of transformation without which free interpretation is nothing. “I often say that I don’t make improvised music, but that I improvise music. In other words, I put together there and then elements of my life, of my history, of my culture…” In other words, no structure commands the action. Every structure opens to the action (to sharing) whic…

Lawrence Butch Morris developed the concept of “conduction” to account for a mode of Instant Composition based on the creative freedom of the players stimulated by the gestures of a central conductor. AP/DP, with this cd, invent the practice of musical transduction. Just like the French language is not “translated” but transducted into Kamau Daáood’s unique prosody, DP’s cello does not “translate” the playing of a thumb piano, an oud or a kora: all of these instruments, all of their phrasings el…

Unboxed editiion. 4 x CD: for some time now, alan silva has commented that the market value of his records should more closely resemble the price of a lithograph or an artist's print than the price an ordinary record. we remind him that his albums are not produced in special gallery editions, but "mass produced" for a niche market. silva has responded with THE TREASURE BOX. eremite agreed to support the effort, giving away four of its catalog numbers, & what little sanity & peace of mind t…

A stunning series of duo improvisations from two of the world's finest string players, whose shared dynamism and intensity of purpose produces fluid, powerful music that ranges from dense viscosity to swift effervescence.With all-strings improvisation there's often a danger of pseudo-classicism, of sounding vaguely like modernist chamber music, replete with refined flourishes and familiar motifs. Edwards and Lee don't just avoid this but go nowhere near it, heading off in another direction entir…

A major solo statement, Al-Khwarizmi Variations traverses the history and the physicality of the piano.Working both inside and outside the instrument's body, at times playing with recognisable musical material, at others going deep into sonic abstraction, Pat Thomas presents a compelling vision of what the piano can do in the 21st century.Extremes entwine in his playing: solidity and flow; seriousness and laughter; uproar and imperturbability.