Library & Soundtracks / All styles

People of a certain age love the Moomins. It was the quaint Swedish children's television show about a gang of woodland creatures who looked something like hippopotamuses. Weirdly, the evocative, dreamy music was made in Leeds by a couple of punk-era musicians Graeme Miller & Steve Shill and Finders Keepers have already issued the soundtrack on vinyl. This version is a Winter Wunderland Edition which is the same soundtrack in more 'wintery' sleeve art.

Mort Garson is well known as one of the pioneers of electronic music in the late '60s; some may have heard of his contributions to quite a few pop hits back in the day, when he wrote and conducted orchestral arrangements for one or another popular artist. During the second half of the 1960s Mort Garson and his sidekicks Paul Beaver and Jacques Wilson, among others, discovered Robert Moog's synthesizer and made it an integral part of their future-pop music even before Wendy Carlos released her fa…

An incredible album that's as evocative as its title – one that blends together strings and electronics into a sublime suite of sound library grooves. Originally released in 1972, can be put in the field of so-called "library music," records made for use in movies and TV productions, commercials, and for similar purposes to enhance the tension of the atmosphere in very dramatic scenes or accompany the more mellow and relaxed moments with lush harmony carpets. And of all these library albums, thi…

"Il medico della Mutua" and "Il Prof. Dott. Guido Tersilli..." are two Italian cult films, released in theaters in 1968 and 1969 respectively; both see Alberto Sordi as main character, an initially unknown doctor that makes its way in a rigid and almost impenetrable system as that of the Italian health, and eventualy manages to open his own private clinic in which to speculate at the expense of his patients.The two films, while dealing with the problems and contradictions of a system still 'sick…

When we talk about Tullio de Piscopo (Naples, 1946) we’re talking of a living legend of drums, whose career dates back to 1969. In 1971, tired of commuting from Naples to Milan, he moved to Milan for good where he joined as a drummer the group of Gianni Basso and Oscar Valdambrini. Shortly after, he recorded his very first single on a 45 under the moniker of Jujuy, for Aldo Pagani’s label Analogy, with cat. number 'TRE 0'.Recorded in 1971, but only published in 1973, Fastness and Coagulation are…

Visionary synthesist Abul Mogard renders a darkly sublime soundtrack for Duncan Whitley's Kimberlin, an experimental film about the Isle of Portland on the English south coast, which coincidentally doubles up as metaphor for the mood of an increasingly inward-looking UK. Taking its name from the local word for an outsider or "foreigner", the short film Kimberlin was filmed on location during the months following the advisory referendum of 2016 which lead to the current, purgatory state of "Brexi…

Special Price, limited stock. Killer!!!! Bora Bora" is a 1968 film directed by Ugo Liberatore who, under the pretext of telling about a marriage relationship crisis, depicts the eponymous Polynesian island as a place of perdition and absolute freedom, in contrast to the strict rules imposed by Western society. This movie is also referred as the 'debut' of the exotic/erotic film genre, which culminated a few years later with the famous adventures of Emanuelle Nera interpreted by Laura Gemser.As i…

killer collection of archival tunes from around Texas compiled by compiled by Austin-based musician and record collector Jason Chronis. Liner notes by Jack D. Fleischer and vinyl mastering by John Golden, pressed at RTI. The collection is a bunch of obscure tunes from private pressings and they truly achieve what the best of country music strives for; they’re personal songs of people’s honest emotion and experience and the collection delivers a wide range of moods. A lovely little collection, wo…

Die Stadt is very pleased to announce the release of a long time project, an LP by Carl Michael von Hausswolff. C.M. von Hausswolff is a prolific sound composer for almost 20 years now who lives and works in Stockholm/Sweden. He was the founder of now defunct Swedish label Radium and still is one of the two King's of Elgaland-Vargaland (together with fellow artist Leif Elggren). His works (also under the name PHAUSS in his early years) have been released on labels such as Touch, Sub Rosa, Fire, …

Original soundtrack for Au Balcon Du Monde (Original Title), a contemporary dance play for children, choreographed by Mireille Barlet for Les Ballets Contemporains de Saint-Etienne. "Obakodomo ('Au Balcon Du Monde') is a soundtrack Julienne Dessagne  created for a piece of contemporary dance, performed by two dancers for a young audience from the age of four. It is the story of an imaginary journey in Antartica where two explorers go on an adventure. They encounter a colony of penguins and will …

The music composed by Piero Umiliani for Baba Yaga / Devil Witch (1973, Corrado Farina) – the film inspired by the ultra pop comic books of Guido Crepax, Valentina – is one of the most mysterious and fascinating works to be found in the corpus of the Maestro. Of this maudit work that experts considered lost only two tracks survived, those that we present here for the first time in a single 45 RPM: Open Space, a blazing up-tempo acid jazz with psychedelic insets and galloping bass tones that was …

Strerath is a pianist of European calibre and he has won numerous prizes since 1967. The Walter Strerath Trio played at many Jazz Festivals in Europe and they were invited to play at Newport in the early 1970s. On this 1975 session they explore the music of Brazil.The Bossa Nova is sort of a feed-back of North-American jazz with its drive, blues and beat compared to Brazilian samba with its “joie de vivre” and optimism. The Walter Strerath Trio commands this synthesis between North and South in …

Hot Wax is an assured KPM masterclass from a dream team line-up of Brian Bennett, Alan Hawkshaw and John Fiddy. Here we’re treated to what happens when all three decide to explore “the latest trends in production music”. The latest as of 1976, of course. John Fiddy’s numbers are sumptuous, string-led and light. Floaty soft-psych underpinned by a solid groove, particularly on Taste For Living and Fresh Start. If you're into Koushik and those early Manitoba/Caribou records - and you should be - yo…

**already sold out at source, few copies available** Unreleased baroque jazz horror score to controversial lesbian sex cult witchcraft exploitation drama from 1973, composed by the man who wrote the Catweazle theme! Hell yeah! Ted Dicks is not that well known as a composer these days, but back in the mid 1960s he was composing library music as well penning some of the greatest comedy songs of the era, including 'Hole In The Ground' and 'Right Said Fred'. His work was performed by Kenneth William…

Double LP version. Three-sided with etching on fourth side. Cameron Stallones, aka Sun Araw, is the quintessential contemporary cosmic courier. Emerging from the fumes of an ancient Egyptian civilization and now settled in one of the meccas of the American lysergic experience, Austin, Texas, he boasts an endless discography and collaborations with luminaries of the caliber of Laraaji (a solo new age traveler discovered by Brian Eno) and the legendary Rastafarian group, Congos. For the soundtrack…

Aside from having attained legendary status through their own solo material, Germany's timeless Popol Vuh were instrumental in the development and cult-like status of director Werner Herzog's most respected pictures. Throughout the 70s and 80s, guided by a legendary Klaus Kinski as his main actor, Herzog and Popol Vuh were responsible for a new outlook on cinema and, importantly, on the importance of soundtracks. Through a mixture of pioneering electronics, Krautrock and komische, the band were …

Post-Nuclear Mind Music? Lizard Strategies? Void Spirit...? These bizarre titles are just a few of the self-coined terms that Australian electronic musician Ian MacFarlane has conjured to represent his eccentric sonic world. An artist whose unique style of electronic experimentalism has balanced dangerously close to the edge of popular convention, existing outside the mainstream and extending well beyond the fringe of any sanctioned independent scene. A futurist outsider whose extraordina…

Legendary Hall of Famer Leon McAuliff’s long-lost platter of delicious rural-route steel guitar and twin fiddle sounds, mixed with a frenetic, rockin’ country band on cuts—a southern stew steeped in the Houston native’s Texas roots! Includes the hit single “Faded Love.” Recorded in Dallas in 1962, Swingin' Western Strings of Leon McAuliff, was a showcase for McAullif’s distinctive steel guitar playing and his skill as a bandleader as he directs his band through a dozen new instrumental arrangeme…

Pedal steel virtuoso “Little” Roy Wiggins presents a collection of Hawaiian-themed instrumentals, showcasing his tone, touch and approach in the guise of a tour through the islands, circa 1964! Includes dreamy, drifting meditations and hot, driving cuts perfectly suited for serving alongside your next Tahitian Mahana! Cut at Starday Studios in 1964, “Little” Roy Wiggins pays tribute to the Hawaiian music that first inspired hillbilly steel players with an album that mixed updated covers of class…

A 60’s advertising innovator behind blending music & strategically placed sound effects! Featuring 12 sexed-up double entendre laced gems from 1962’s La Dolce Henke and bonus romp “77 Sunset Strip-per!” From the original 1962 tapes to your space age bachelor pad! Mel Henke was a guerrilla in the sexual revolution of the 1960s. Think Ward Cleaver meets Hugh Hefner: an upstanding, tax-paying, white collar, tie-and-sports coat-wearing middle class, middle aged guy with the heart and mind of a…

Incredible reissue of Profondo Rosso, one of the absolute cult movie soundtracks of all times, in its 35th anniversary! This reissue is a faithful reproduction of the very first pressing of 1975 (being made in the same pressing plant of those years). A unique product for this truly legendary masterpiece!

The late 70s found Turkey in an economic slump, and there was a huge rise in political violence. Baris Manco, who so often put out collections of singles, rose to the occasion by spending 6 months holed up with his longtime backing band the Kurtalan Ekspres. The result was this studio album of Anatolian bummer psychedelia, often unfairly overlo…

Originally released in 1981, this is another killer album by the Turkish legend, recorded with the same line-up as   the previous “Yeni Bir Gün” album.Psych / Funk / Progressive sounds full of heavy drums & basslines, Moog / analog keyboards and psychedelic guitar. Featuring the killer duet with Deniz Tüney (“Alla Beni Pulla Beni”), the superb boogie-funk styled  “Adem Oglu Kizgin Firin Havva Kizi Mercimek, cosmic-progressive sounds on “2025 (Üçüncü Ve Son Yolculuk)  and more!

In 1976, Baris Manco released his third album which was actually also a compilation of songs previously released in 45s, as happened with his debut. For this LP release, and basically because of contractual reasons, we are presenting you this compilation with a few changes: two of the original songs are not there, and we added four new ones. S…

A fabulous, jazzy, psyched-out score with extremely '70s vibes and high-energy mood composed by the maestro Stelvio Cipriani (Concorde Affaire '79) forTentacoli (Tentacles), a 1977 thriller directed by Ovidio Assonitis and starring a bunch of Hollywood stars including Shelley Winters, John Huston, and Henry Fonda. This is the first-ever release of the complete soundtrack on vinyl. Two transparent LPs in deluxe embossed gatefold sleeve. Limited edition of 500.

Dagored present a reissue of Berto Pisano's soundtrack for the 1969 film Interrabang, originally released in 1970. Berto Pisano was a bass player, composer, arranger and Italian conductor. Among the interesting soundtracks he composed, there is certainly a major spot reserved for Interrabang, the cult giallo/erotic film of 1969 which at the time was quite out of the box, as it matched the exotic-erotic genre with the psychological thriller. Strong jazzy themes supported by strings, vibraph…

Doxy present Angelo Lavagnino's soundtrack for the 1968 film, The Lost Continent. From an interview with the Maestro Lavagnino, one of the legendary Italian score masters: "If I talk about The Lost Continent, I talk about one of my favorites, just because it gave me the opportunity to show myself as a man and as a composer. I was gone for more than six months in Indonesia. At that time, for an Italian, going to Indonesia was like Marco Polo going to China! I found there what I expected to f…

A welcome portrait of the late nite 60s jazz and cool breaks from RCA Italy film music vaults (1962-1969). A volume entirely dedicated to the jazz atmospheres of the Italian movies from the ‘60s, with great musicians such as Piero Umiliani, Romano Mussolini, Amedeo Tommasi, Robby Poitevin, Piero Piccioni or Armando Trovajoli - including genres such as noir, melò, giallo, dark comedy and crazy ‘musicarelli’. With a great variety of styles and moods, jazz represented the perfect soundtrack f…

Edda Dell'Orso (born Edda Sabatini, February 16, 1935) is a legendary Italian singer who has long been the vocalist of choice for the maestro Ennio Morricone. She has provided vocals, often wordless singing, to countless Morricone scores beginning in the mid-1960s and most famously for the immortal score to Il Buono, Il Brutto, Il Cattivo (The Good, The Bad And The Ugly, 1966). This collection compiles, for the first time in one place, many of her finest performances for Morricone, includin…

Perhaps the most bizarre artefact to emerge from the phenomenal world of Italian Library music. Originally scored for a 1978 RAI television documentary, the album titled Tuscan castle and country seat conforms to nothing you know or understand about library music. Studying composition under maestro A.R Luciani, the young Teisco composed innovative home studio recordings that parallel the outsider technique of French soundtrack composer Francois De Roubaix. With little resemblance to the standard…

Bass, Backing Vocals – Micheal Starling (Nose Raoof Shabazz) Drums – Warrick Jones Jr. (Warrick Sharreef) Electric Piano [Fender Rhodes], Piano, Clavinet [Moog], Backing Vocals – Glenn Piper (Rahman Ali) Engineer – Ely Bontempo Lead Guitar, Rhythm Guitar – Vincent Moore (It's That Sound), Walter Pugh (Super Pep) Lead Vocals, Backing Vocals – Robert Dunston (Jamil Ali Faraqan), Ronald Bailey (Rashied Nadir El Mumin), Valerie Lipford (Nadiyah Ameenah Muhammad) Lead Vocals, Backing Vocals, Synthesi…

You know it's Bollywood time again when you find classic Hindustani music, tinges of fuzz guitar and acid pop plus and a dance orchestra mixed for an album with epic anthems captivating and accessible at once. The musicians play with passion and the singers really chant their souls out to summon Krishna or just rave about tragically broken relationships and other problems of all day's life. This album really paints majestic pictures into your mind and lets you become part of a colorful mo…

At the beginning of the 70s, in Italy, the revolutionary surge of 1968 was beginning to turn into something grimmer (and definitely not linked to left-wing ideology) but the concept of “factory” still had a key role in the economic and social life of the country. It was not just an alienating workplace, where you often spent your whole life, but also – and overall – the place where demands were made and political struggles took place. Therefore, a feasible imaginary soundtrack for the factory wa…

Where Il Mare descends - darker, more electronic, built around the alien geometry of deep water - Mare Romantico stays closer to the surface. Originally released in 1974 on the obscure Pretty label in a pressing so small it had effectively vanished by the time anyone thought to look for it, this is the second volume in Sonor Music Editions' aquatic library triptych: seventeen tracks of analogue synthesizer and electronic lounge, recorded for TV sea documentaries in Amedeo Tommasi's own studio. L…

Ten tracks, one subject. Edmondo Giuliani's Il Mare: Musica Con Strumenti Elettronici was originally conceived in 1972 as the score for an obscure sea documentary, recorded in Amedeo Tommasi's own studio and issued on the near-invisible micro-label Dischi Egede as part of a library series titled "Brani Per Sonorizzazione". The brief couldn't have been simpler - music for the sea - and what emerged from it is one of the more singular electronic records of the Italian library era. Sonor Music Edit…

Fabio Frizzi’s score to the 1980 Lucio Fulci thriller Contraband is surely one on the Maestro’s funkiest excursions record for Lucio Fulco. The main theme is a wonderful melody that is reprised throughout the score with a suitable touch of melodrama. Frizzi’s talent for catchy tunes is always apparent, whether it includes the stereotypical wah-wah pedal effects or some grooving slap bass.Kept modern by mixing traditional orchestral elements with electric guitar and a wailing sax, there’s …

This vinyl release features electronic cues from Quatermass and the Pit, a fascinating insight into the beginnings of electronic music and its development through the horror/sci-fi film genres. The full soundtrack to the film, a tense and atmospheric score for full orchestra, is available on a separate release.Originally a BBC serial, Quatermass and the Pit (released in the United States as Five Million Years To Earth) was made by Hammer Film Productions in 1967 as a sequel to their earlier film…

Originally released in 1982, including tracks written for Crosstalk (a science fiction thriller film made in Australia) and other electronic themes, it was written, performed and recorded by Chris Neal in his home studio, using Roland System 700 and Roland MC8. In 1982 there were only a few System 700s ever produced and Roland was more interested in promoting their more commercial System 100M (that's why it was credited on the 1982 original cover to give them a plug). The System 700 was de…

Italian reissue label enters the fray as Orbeatize makes a powerful first move by looking back to the 80s and the wild experimentation of jazz drummer Armando Bertozzi. Having already made a distinctive entrance with two previous albums, Bertozzi's final masterstroke was Fantastic World, a daring body of work originally released in 1985. Rich with African percussion and wayward synthesis, this is far from a traditional record, and its hefty second hand price tag makes it more than worthy …

Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The maestro Piero Piccioni is in rare groove mode here, lost between acid jazz breaks and deep funk rhythms. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate is reminiscent of the compositions of the late '60s from the master; memorable sessions that would lead to the publication of the classic posthumo…