Weltformat
**200 copies, 2LP version, 180g clear vinyls housed in a six-panel gatefold cover that unfolds to reveal the graphic score of the album.** Ending the decade of silence which followed more than ten years of remarkable, critically acclaimed activity by the partnership of veteran experimentalists, Luigi Archetti and Bo Wiget, the duo returns with what may be their most ambitious effort to date, Weltformat, issued by Die Schachtel.Switzerland-based Luigi Archetti and Bo Wiget began collaborating in …
Pari & Dispari
"My first contact with the Pari&Dispari Archive and the Panizzi Library of Reggio Emilia dates back to nearly a year ago, when I was given the opportunity to collaborate in an exhibition project tied to documenting important performance experiences derived from the work and career of Rosanna Chiessi.This consisted in a visual trajectory comprised of images dedicated to many events, exhibitions, and performances organized by Chiessi for fairs in Bologna and several other places. The experiences d…
Artist’s Invitations 1965-1985
This book aims to illustrate a little-known aspect of '60s, '70s, and '80s art, the “artist’s invitation,” namely the material (be it a card or piece of paper) printed for the specific purpose of documenting an exhibition. The criterion employed to choose the material was that of privileging the participation of the artist him- or herself in the creative process that led to the object’s production. The artistic context on which this book focuses is that of Minimalism, Conceptual Art, Land Art, P…
Groundsound vol. I
**200 copies only** Put together by the Italian sound poet Enzo Minarelli, Groundsound vol. I is a snapshot of 1970s and 80s voice and soundworks by a special selection of practitioners, including the French sound poet Bernard Heidsieck, sound artist Terry Fox, legend Henri Chopin, bp Nichol (of Four Horsemen/Canadada fame) Peter Finch/ Bob Cobbing, Antonio Aragão and the phonetic poetry pioneed Ilse Garnier. "I like the idea of having the female voice of Ilse Garnier, whom I was lucky enough t…
Loudspeakers
Charles Amirkhanian (b. 1945) can be regarded as a central figure in American music, and on several fronts. As a composer, he's been pervasively innovative in two genres: text-sound pieces, in which he can draw engaging rhythmic processes from wacky word assemblages such as 'rainbow chug bandit' and 'church car rubber baby buggy bumper'; and natural-sound electronic pieces which go far beyond the usual confines of musique concrète to create long, poetic sound narratives poised between collage an…
Siberia / Sirens
Two incredible sonic artworks by Susanne Skog’s work within sound art and composition has its roots in narrative art forms, experimental radio, radio drama and documentaries. Her artwork evolves from her own recordings from around the world, sonic material which she turns into new shapes and expressions, frictions and correlations, often considering movements and spatialisation as a vital element. Siberia is based on recordings from a 205 hour / 9288 kilometer trip by train from Moscow to Vladiv…
Am Grabe (At the Grave)
Am Grabe (At the Grave) is an ongoing audio ritual executed by Stefan Fricke and Alper Maral. Since 2015, they have been visiting the graves and burial grounds of composers from various eras in order to record the sounds and noises present. Each sequence is a pure field recording, serving as a memento of a bit more than 4 minutes in length. After having been compiled for a series of radio programmes, selections from Am Grabe here appear on audio media for the first time. This edition commemorate…
Church Waves
**200 copies** Waves is an ongoing research project by Dutch artists Petra Dubach and Mario van Horrik that involves so-called shakers, a kind of loudspeakers that reproduce sound frequencies as vibrations, attached to long strings. Started in 2010, the project has so far produced a number of installations and concerts, some recordings have been published previously on Edition Telemark as a double 12" in 2016 (cat. no. 628.01).For a few weeks in 2016 and 2017, Dubach and van Horrik had the chanc…
Duos Auf Präparierten Instrumenten
**300 copies** Edition Telemark proudly presents the first vinyl LP since 1989 by Munich's long-running ensemble for experimental music, Phren, formed in 1968 by Michael Kopfermann.Informed by the musical avant-garde at the time and especially the problems discussed by other improvisational groups, Kopfermann developed his own approach to improvisation and tone production and sought to find instruments and playing techniques that allowed him to realize what he had in mind. His thinking centered …
Live at White Cube
In 2015 White Cube presented a major solo exhibition by Christian Marclay, including a range of new work and a lively programme of performances. Continuing Marclay’s long-standing interest in the relationship between image and sound, the exhibition was comprised of featured The Vinyl Factory Press, a unique hydraulic vinyl pressing machine created by The Vinyl Factory, and screen printing equipment operated by the London printmakers Coriander Studio. Audiences were able to witness on site the un…
The Women’s March, 1789
Edition of 300 copies. Throughout the installation, designed with Hala Wardé, Nan Goldin and Soundwalk Collective work with underground waterworks, walls and sculptures to highlight the historical moment. The power of the women marching, their memory frozen in the surroundings are evoked in the sound installation using the voices of well-known women (Isabelle Adjani, Élodie Bouchez, Laetitia Casta, Catherine Deneuve, Charlotte Gainsbourg, Nan Goldin, Isabelle Huppert, Isild Le Besco, Anna Mougl…
Sense Sound / Sound Sense
** Expanded and revised edition, published on the occasion of the Whitechapel Gallery exhibition 2019-2020 ** "Keeping the rebellious nature of its wicked subject intact, Sense Sound Sound Sense nevertheless provides an impeccably researched, crystal-clear narrative of Fluxus's true revolutionary spirit." The Wire)Truly necessary catalogue accompanying an extensive exhibition dedicated to art works and musical scores and their relationship with Fluxus, an interdisciplinary movement of internatio…
Outlaws in Language and Destiny
**2019 stock** Recordings by Joana Escoval of insects singing in the Costa Rica rainforest and a 180º orthodontic X-Ray in Lisbon, 2013-14. Pressed Mono at 45rpm on clear acetate and encased in a double-sided poster with two found photos: each presenting a child and a bird, both in Amazonia and in Sweden.Joana Escoval examines
how everything is entangled and connected. This is the reason why
Escoval’s sculptures can not only be perceived as appearances in their
raw, authentic state but as dis…
Realejo
Black Truffle is pleased to present Realejo, the first vinyl release from Brazilian sound artist and composer Manuel Pessôa de Lima. Having composed works for diverse contexts including cinema, contemporary dance, theatre and television, Lima’s live appearances often take the form of self-reflexive lecture performances that combine electro-acoustic sound, red light, video and spoken text, moving unpredictably from the hilarious to the distressing.Realejo consists of two side-long pieces of highl…
Conversations With the Anthony Burgess Cassette Archives
Double CD version. Includes color insert. Double LP/CD curated by Alan Dunn in collaboration with the International Anthony Burgess Foundation and Sub Rosa. Anthony Burgess's second wife Liana carried a cassette recorder with her at all times to capture her life with the author and their son Andrew. This extraordinarily intimate audio archive of over 1,000 cassettes now sits with the International Anthony Burgess Foundation and artist Alan Dunn has been granted access to select excerpts from it …
Vampir-Cuadecuc
**130 copies. Art Edition** Carles Santos was a multi-disciplinary artist, perhaps best known outside of Spain as a composer of scores for his lifelong collaborator, radical Catalan filmmaker Pere Portabella. Made in 1970 during the final years of Franco’s dictatorship, Vampir-Cuadecuc is an astonishingly creative assault on the regime and, arguably, Portabella’s most influential work. Filmed behind the scenes during the production of Jesús Franco’s Count Dracula (1970), Vampir-Cuadecuc is a hig…
Works 1958-1979
2019 repress. "This is a wide panorama of Nam June Paik work as musician -- 'Hommage à John Cage' (1958-1959), 'Étude for Pianoforte' (1959-1960) and 'Simple' (1961) are good exemple of neodada music and de-structuration in the late 50's, this is basically irreverent audio-collages. 'Prepared Piano for Merce Cunningham' (1977) captures an improvised performance by Paik on a de-tuned piano. While 'Prepared for Merce Cunningham' was later mixed and edited for use by Merce Cunningham, this raw, str…
Blue Veil
**350 copies** The world of Mireille Capelle is one of music and theatre. She has performed as a singer in numerous European opera houses, under the artistic direction of the foremost stage directors and conductors. She is member of the artistic board of HERMESensemble. Mireille Capelle has a particular affinity with contemporary music and art, characterized by many encounters with the most important contemporary composers. Blue Veil is a sonic architecture composed for the exhibition I Fortuny.…
Aral Sea Stories
**Edition of 200 copies** Peter Cusack made three trips to the Aral Sea in Kazakhstan and one to the Naryn River in Kyrgyzstan to make field recordings, take photographs, talk to people and try and gain insights into the impacts of water use and abuse on the environment and people of the region. The audio tracks, photographs and notes on this album are the result of these visits. Aral Sea Stories explores the question, “What can we learn of water uses and abuses by listening to their sounds?” It…
For Bunita Marcus
2019 Repress. In the 1980's, Morton Feldman composed two large-sized pieces for his favourite instrument, the piano. Both pieces, Triadic Memories (1981) and For Bunita Marcus (1985), clock in at about 90 minutes. Both compositions are excellent examples of the group of works that they belong to: Triadic Memories demonstrates the complexity and tonal opulence of Feldman’s pattern compositions from 1977 through 1983, whereas For Bunita Marcus shows the stripped-down, almost dismissive structures …