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First recordings of eight chamber and ensemble works (1992-2016) by Argentine composer Mariano Etkin, including Flores blancas and the Estudios para lágrimas, played by Ensemble Aventure, recorded in Cologne in 2019 and 2020. Co-production with Deuts…
Amen Feizabadi's chamber opera Deep Siesta, on a libretto by Dilek Mayatürk about two artificial beings, with Neue Vocalsolisten Stuttgart and Zafraan Ensemble conducted by Yalda Zamani, plus AI voices and electronics. A Deutschlandfunk Kultur coprod…
Portrait CD of Yongbom Lee: five works for ensembles, sampler and electronics, played by Ensemble Modern, IEMA Ensemble and ensemble recherche, Broken Frames Syndicate and the cellist Kyubin Hwang, recorded in Frankfurt (2023) and Cologne (2024).
Portrait CD of Turgut Erçetin: five works including the cycle Das Phonem zwischen zwei Wörtern for Baroque ensemble and orchestra, played by Ensemble Musikfabrik, the ELISION Ensemble and the SWR Symphonieorchester under Brad Lubman.
Portrait CD of the Iranian composer Elnaz Seyedi: five works for duo, trio and ensemble, played by the Zöllner-Roche Duo, Alice Belugou and David Eggert, Trio Aventure, Ensemble Musikfabrik and the Kommas Ensemble, plus two online videos.
Belgian improvisers Linus and Bonnie 'Prince' Billy reimagine the songs of Dutch songwriter Jules de Corte: slowed, expanded folk miniatures on religion, love and loss, with guitars, banjo, clarinet and lap steel.
Manuela+, the quartet of Rüdiger Carl, Jin Hi Kim on komungo, Hans Reichel on guitar and daxophone and Carlos Zingaro on violin, live at the Total Music Meeting in Berlin in 1999: an hour-long improvisation in seven parts.
Peter Brötzmann's Die Like a Dog Quartet with Toshinori Kondo, William Parker and Hamid Drake, live at the Total Music Meeting in Berlin in November 1994: two long pieces, Close Up (Man) and Close Up (Woman).
Peter Brötzmann solo on clarinets and alto, tenor and bass saxophones, recorded at the FMP studio in May 1976: the twelve pieces of the LP Brötzmann/Solo, from 27 seconds to ten minutes.
Irène Schweizer, Rüdiger Carl and Louis Moholo: the LP Messer, live in Moers and in the FMP studio in 1975, followed by Tuned Boots, the twenty-minute trio piece recorded in Graz in 1977.
The Globe Unity Orchestra at ten years old, recorded in Baden-Baden in November 1975 with Braxton, Rava, Wheeler, Brötzmann, Parker, Mangelsdorff and Lovens: five pieces from inside the orchestra, nearly all unreleased until this CD.
Roxanne Turcotte’s “sonic archeology”: electroacoustic works mixing everyday objects, field recordings from Tokyo, the Seychelles and New Zealand, and sounds of Jean-François Laporte’s invented instruments, dedicated to her late colleagues and mentor…
Colombian reed player María Valencia, on alto saxophone and clarinet, and Argentine cornetist Leonel Kaplan in an intimate improvised duo recorded in Belgrade in 2025, patient and full of textural invention.
Second duo LP by Sarah Hennies and Tristan Kasten-Krause: two sidelong pieces grown from a live work played in darkness, singing bowls, gongs and double bass drifting into waltz-like pulses and field recordings. Numbered edition of 200.
Anthony Braxton's 12+1tet live at Victoriaville on 20 May 2007: Composition No. 361, seventy minutes of layered Ghost Trance writing with Taylor Ho Bynum, Mary Halvorson, Steve Lehman, Nicole Mitchell and others.
Jean Derome and Louis Sclavis share a quartet with Bruno Chevillon on double bass and Pierre Tanguay on drums, live at Victoriaville on 19 May 2001: flutes, clarinets and saxophone on compositions by both leaders.
Fred Frith on guitar, Louis Sclavis on clarinets and soprano saxophone, Jean-Pierre Drouet on percussion and objects, live at Victoriaville on 21 May 2000: one extended improvisation from abstract textures to folk-like melody.
Boris Kovač and the Ritual Nova Ensemble from Novi Sad: saxophones, clarinets, violin, piano, bass and soprano voice in a chamber music that joins Pannonian folk memory, minimalist repetition and jazz.
René Lussier conducts Vancouver's NOW Orchestra, recorded in February 1995: guitar and daxophone with Paul Plimley, Peggy Lee, Dylan van der Schyff and a full reed and brass section, in a suite of quick-changing vignettes.
Lindsay Cooper's song cycle on texts by Sally Potter, about the divided Europe of the Cold War, live at Victoriaville in October 1989 with Phil Minton, Hugh Hopper, Marilyn Mazur, Alfred Harth and Elvira Plenar.