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The 2005 album of the Montreal ensemble, back for its 21st anniversary: six songs of protest and love for strings, guitars, piano and group voices, recorded at Hotel2Tango with Howard Bilerman.
Flutist Nicole Mitchell and percussionist Joe Westerlund, a former mentee of Milford Graves, improvise in a rural studio near Chapel Hill: looped flutes, mbiras, metallophones and live electronics, with no overdubs.
Four works by Swiss composer Stefan Keller, Schaukel, Breathe, Stück für Klavier and hybrid gaits (2017), played by Ensemble Ascolta conducted by Yalda Zamani, with the composer on live electronics. Mostly SWR productions, 2023.
Percussion works by Péter Eötvös, Vinko Globokar, Sara Glojnarić, Dai Fujikura, Ursula Mamlok, Toshio Hosokawa and Uroš Rojko, played by Leonie Klein solo and with Isao Nakamura as ISANIE Percussion Duo. Co-production with SWR2, mostly first recordin…
First recordings of Enno Poppe's Fleisch for tenor saxophone, electric guitar, keyboard and drumset, played by Ensemble Nikel, and Prozession for large ensemble (2015-2020), played by Ensemble Musikfabrik conducted by the composer.
Portrait CD of the Iranian-born composer Farzia Fallah: five works from solo violin to nonet, played by Benedikt Bindewald, the guitar duo Henrik Dewes and Tobias Klich, Sonar Quartett, Ensemble DEHIO and Ensemble Aventure.
Portrait CD of Sergej Maingardt: Rush for orchestra, ensemble and electronics, Flower's silence in empty guns for piano, electronics and Wii sensors, and Declare Independence, with the Bundesjugendorchester under Lothar Zagrosek, Paulo Álvares and En…
CZN, the trio of Valentina Magaletti, gong maker João Pais Filipe and Leon Marks, in two long pieces of drums, handmade gongs and cymbals recorded at Abbey Road: the first release on Orator.
The Ex's 1998 album recorded by Steve Albini at Electrical Audio, their first for Touch and Go: eleven songs of interlocking guitars and stark drums, on vinyl for the first time with a booklet.
The Ex's 1995 album of 32 instrumental miniatures with Han Bennink, Ab Baars, Wolter Wierbos, Tristan Honsinger and Michael Vatcher: small-ensemble improvisation, on vinyl for the first time.
The 1993 RRRecords session, the heaviest Skullflower record of the first decade: Matthew Bower, Stuart Dennison and Russell Smith in five long pieces of droning, chaotic dissonance.
Raoul Björkenheim on guitar and Paal Nilssen-Love on drums, old partners from Scorch Trio, in nine pieces of free music recorded in Helsinki: wild and raw, at times delicate and introspective.
Alvin Curran conducts the Iato Orchestra, thirty musicians with voice, reeds, brass, strings, harp, accordion, guitars, vibraphone, basses, two drummers and four electronics players.
Ennio Morricone's 1977 score for Pasquale Festa Campanile's road thriller with Franco Nero, Corinne Cléry and David Hess, with Edda Dell'Orso and I Gladrags: first reissue since the 500-copy original, restored from the master tapes, in a digipack.
Roxy Music's 1973 second album, the last with Brian Eno, remastered on 140g black vinyl with a second disc of unreleased AIR Studios outtakes and the Eno tapes of the title track, in a gatefold sleeve curated by Bryan Ferry.
Peter Brötzmann's Die Like a Dog Quartet with Toshinori Kondo, William Parker and Hamid Drake, live at the Total Music Meeting in Berlin in November 1994: two long pieces, Close Up (Man) and Close Up (Woman).
Irène Schweizer, Rüdiger Carl and Louis Moholo: the LP Messer, live in Moers and in the FMP studio in 1975, followed by Tuned Boots, the twenty-minute trio piece recorded in Graz in 1977.
Steve Lacy in Berlin: the 1975 solo soprano recordings of the Stabs LP, plus the 1977 quintet with Steve Potts, Irène Aebi, Kent Carter and Oliver Johnson playing Esteem and Follies at the Workshop Freie Musik.
The Globe Unity Orchestra at ten years old, recorded in Baden-Baden in November 1975 with Braxton, Rava, Wheeler, Brötzmann, Parker, Mangelsdorff and Lovens: five pieces from inside the orchestra, nearly all unreleased until this CD.
Debut album by X, the 1980 Los Angeles punk landmark produced by Ray Manzarek of The Doors, with the twin vocals of John Doe and Exene Cervenka. Remastered by Jason Ward for the 2019 Fat Possum reissue.