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Few albums capture Italian library music at its most purposefully conceived as Nel Mondo Del Lavoro. Originally released in 1972 on Sermi - one of the foundational labels of the Italian production music scene, co-founded by Sergio Pagoni and Michelangelo Cunsolo in close orbit with Bruno Nicolai and Ennio Morricone's world - the album was commissioned as the soundtrack to a RAI television documentary series on the petroleum industry, Sapere: Il Petrolio. What Rino De Filippi built from that brie…
Five first recordings of works by composer and harpist Anne LeBaron, 1975-1986, including Lamentation/Invocation, Rite of the Black Sun, Planxty Bowerbird, Noh Reflections and Concerto for Active Frogs, played by the New Music Consort and others.
George Crumb's Makrokosmos, Books I and II (1972-73), both complete on one disc, in composer-supervised recordings by pianist Margaret Leng Tan, a leading exponent of extended piano techniques.
Evan Parker's ElectroAcoustic Ensemble with Sainkho Namtchylak, recorded at Victoriaville on 19 May 1996 and released in 2021: saxophones, bass, violin and percussion processed live by Walter Prati and Marco Vecchi.
Documenting a reunion of Musica Elettronica Viva's founders Frederic Rzewski (piano and vocals), Richard Teitelbaum (keyboards and computer) and Alvin Curran (keyboards, computer and shofar) at the 32nd International Festival Of Current Music in Victoriaville, Canada in 2016.
*In process of stocking* "Recordings made between 1992 and 2014. Some tracks have been previously released (many on limited editions), many tracks are unreleased or have not appeared in these versions.play loud!thanks to yan jun, mei zhiyong and all who helped with my tour of “sonic rituals” 2014. Animals of the world exist for their own reasons. They were not made for humans any more than black people were made for whites or women for men. The despair of our culture and civilisation should be d…
Music originally composed by Elisa Faires for a sound installation. Later released on vinyl by Eroto Tox Decodings.
Elisa Faires: composer, recording engineer, mix engineer, producer, design, vocalsThomas Dimuzio: masteringChandra Shukla: designNicole McConville: photography
Fourth chapter of Éliane Radigue's Occam Ocean: three long pieces for alto saxophone, voice, treble viol, birbyné and bass clarinet, shaped with Bertrand Gauguet, Yannick Guédon and Carol Robinson through oral transmission.
Three CDs and a 144-page book of Walter Zimmermann's vocal music from 1979-2016, on texts by Eckhart, Hadewijch, Mandelstam, Jabès, Creeley and others, with a 1982 rock and new music band recording, Freunde.
“An den Mond (To The Moon) is a recent release bringing together two compositions by Austrian composer Peter Ablinger. The first is for seven violins and is all about creating a feeling of searing/pitch wavering intensity. And the second is for chanted female voices/violin, and creates a feeling of witchy dread and fear. Together these pieces create a compelling, at points unsettling release, which uses two different tacks to unbalance the listener. The release appears on Slovenia-based Inexhaus…
Three first recordings of orchestral works by Roger Reynolds: Symphony[Myths] with the Tokyo Philharmonic and Kotaro Sato, Whispers Out of Time with the Cleveland Chamber Symphony and Edwin London, and Symphony[Vertigo] with the La Jolla Symphony and Harvey Sollberger.
Four chamber works by Chris Newman, all first recordings, played by Berlin's Ensemble KNM conducted by Steffen Tast, with Newman as vocal soloist in Cologne.
First CD recording of Songbirdsongs by John Luther Adams, a cycle for piccolos, ocarinas, flutes and percussion based on real bird songs, with Callithumpian Consort, plus Strange Birds Passing.
The first complete recording of György Kurtág's 24 Signs, Games and Messages for solo viola, with first recordings of four further viola pieces, played by Maurizio Barbetti with baritone Gianpiero Ruggeri.
Thirty-seven miniatures by Howard Skempton, interleaving solo piano pieces played by Daniel Becker with choral settings of Mary Webb, Edward Thomas, Emerson and others sung by EXAUDI under James Weeks; several are first recordings.
Stefan Wolpe's music from his Jerusalem years, 1934-38, including three world premiere recordings, played by ensemble recherche and the WDR Symphony Orchestra under Werner Herbers and Johannes Kalitzke.
Chamber works by Walter Zimmermann from 1986-89 for piano, cello and piano, bass flute and piano, and violin and piano, played by the HCD Ensemble with cellist Michael Bach and violinist Peter Rundel.
Chamber music by Mexican composer Hilda Paredes, 1998-2001, drawing on Mayan language and culture: works for string quartet, piano quintet, 21 musicians and vocal quartet, with the Arditti Quartet and Ensemble Modern.
Three works by Peter Garland, Another Sunrise, Dreaming of Immortality in a Thatched Cottage and I Have Had to Learn the Simplest Things Last, for pianos, harpsichord, voices and percussion, with Aki Takahashi and Essential Music.
Twenty-eight miniatures by Howard Skempton from the 1970s to the 90s, for solo to quintet, performed by HCD Productions with soprano Sarah Leonard and the composer on accordion.