★Feeding Tube Records

**Edition of 250** Cardinal Fuzz and Feeding Tube Records present the napalm blast that is the forthcoming new Banshee record, Livin' In The Jungle. Hailing from Boston and blazing red hot cinders through your eyes Banshee channel widescreen, kick out the jams motherfuckers psyche-rock-a-rama with a singer doing his best to channel both Alice and Iggy. Yes, they rock like crazy and play with the fired-up fury of The Stooges, MC5, and The Alice Cooper Group as they let their freak flag fly. On Li…

**Edition of 200** Over the many years we've known each other, Joe Carducci had several times mentioned his brother Mark had a cool band back in the pre-punk '70s. Then a couple of years ago, he added that tapes of this project were around, and asked if might we be interested in hearing them. Midknight 1975 is the result. Two different line-ups of the band are documented here -- a quintet studio session recorded on location at the Hippie House, and a live one with a different drummer and one les…

**Edition of 300** First issue in the Drowned Lands series, assembled by Jason Meagher, is the debut duo recording by Wednesday Knudsen and Willie Lane. Long Time 'Til Tomorrow is a gorgeous instrumental collaboration by guitarist Lane and multi-instrumentalist Knudsen that will knock your Smartwool socks off. Recorded at Meagher's Black Dirt Studio, the album documents the first time the pair played together. They are, of course, well known to Feeding Tube fans. Willie's first three Cord Art LP…

**Edition of 300** Michael is the third LP we have done with Boston-based musician, Joseph Allred. The first, O Meadowlark (FTR 451LP, 2019) was a suite for guitar and banjo. For its follow-up, Traveler (FTR 491LP), Joseph added splendid vocals to the mix. With Michael, Mr. Allred gives airing to his fine harmonium playing, alongside string majesty and vocals. Maybe on the next one he'll teach us how to fly. Michael is an album with a dreamy narrative core. Its loose tale deals with the idea of …

**250 copies** A single LP compiles another two installments in the Water & Rock Music series by Jon Collin, UK ex-pat guitarist currently based in Sweden. Once again, Collin has put together a riveting set of acoustic guitar pieces, these recorded around Stockholm between April and October, 2018. There is a wistful, bluesy quality to the playing and inventions here. John Fahey once told me that blues was 'about anger.' But this work seems suffused with delicately scrambling melancholia, like a …

Cassette reissue of a legendary LP, recorded live in Ottawa at the Dominion Tavern on March 23, 2012 during Damo's Canadian tour. Originally released in an edition of 100 on the band's own Birdman Sound label, this set finds the peripatetic Can singer (who, like Chuck Berry before him, tends to play with instrumental backing by local talent) in some of the best company he has yet found. TBWNIAS (in septet format this evening) lay down thick slabs of the distended heavy guitar psych with which th…

**Edition 200** Reissue of a cassette that Colby released on his own Laughable Recordings label in 2014. Mr. Nathan is based up in Maine, where he recorded Sophie Dickinson's Cucucanady LP (FTR 177LP). Greg is from Maine as well, and the pair got together for this session in late 2013, with Ralph White sitting in on one track. The sonics recall everyone from early Neil to something that sounds more like a small cabal of stoned American ex-pats singing for their scalps in Denmark in the summer of…

**Edition 250** The fourth album that Samara Lubelski and Marcia Bassett have recorded as a duo -- the second for us, following 2017's Live NYC -- is much less about drones than some of their previous work. Morning Flare Symmetries blares like a ram's horn blown as a call to angelic battle. Everyone has been unanimous in agreement that this improvising duo has achieved a new highpoint in the musical histories of both Samara and Marcia. They each have deep roots in the East Coast sub-underground,…

**Edition 200** Mind-blowing set of duo improvisations from a string player once known as the King of the Dobro, and the original drummer for Morphine. Long based in the Boston area, Lloyd Thayer is a master musician as well as a teacher, a street performer (retired, I think) and a collector of esoteric stringed instruments (many of which are played with a slide). We were introduced to his work by Glenn Jones, who more or less grabbed us by the collars and hauled us to see him down at the 1000 I…

Hot on the heels of last year's Matthew J. Rolin LP (FTR 502LP, 2019), here is a new duo recording featuring Rolin's acoustic twelve-string and the hammered-dulcimer of Jen Powers. They've had a couple previous cassettes, but I've never seen 'em! If you have, I can offer you something fine in trade. As with his first LP, Rolin's command of his guitar is quite wonderful to hear. He uses the whole breadth of the twelve-string's harmonic potential, which creates a wide surging stream of sound. Powe…

Minneapolis guitarist, Matt Sowell, is another of the many great players we were first introduced to at the Thousand Incarnations of the Rose festival in Takoma Park, MD. Matt played a richly dark and brooding set at Rhizome, with a style deeply indebted to the American Primitive tradition. His set had the raw strength of Fred Gerlach, the precision of Peter Lang, showed a country/blues influence that seemed to reference Fahey, and possessed the raga-meets-ragtime eclecticism of Jack Rose. We we…

Much needed vinylization of an amazing live set, previously issued as a CDR in an edition of 100 by the fine Borley Rectory label. Finally, for the good of all mankind, the music from this great night, opening for Robyn Hitchcock at London's Betsey Trotwood in October 2018, is turntable ready. A Place to Hide begins with the album's one new original tune 'My Reflection Once Was Me.' The song brims with harmonium-iced vocals that cannot fail to bring a certain German-born chanteuse to mind. Built…

London's kings of noise Sly & The Family Drone follow up their 2019 Love Love LP Gentle Persuaders with Walk It Dry, an eight-track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records in the USA. Walk It Dry utilizes the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax, and Kalashnikov drums that was found on Gentle Persuaders but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than eve…

An incredible, primitive and ecstatic teenage garage rock explosion from the suburbs of 1968 Orlando, Florida. With an instrumental line-up consisting of just guitar and drums, this is a version of rock & roll as raw and naked as only a duo can manage. Think Half Japanese, the Work Dogs, the Bassholes and so on -- Two Much are cut from the same wicked cloth. I remember a cassette of some of this material circulating around sub-underground Boston back in the 1980s. Might have been around the time…

The Eighteenth Day of May were a six-piece, London based group. Originally formed as an acoustic trio consisting of American Alison Brice (vocals, flute), Swede Richard Olson (acoustic guitar, harmonica, sitar), and Ben Phillipson (guitar, mandolin), they combined elements of traditional and contemporary folk with a psychedelic jangle. They spent the summer and autumn of 2003 bonding over Fairport Convention, The Incredible String Band, Steeleye Span, Sandy Denny, and Trees all blending in with …

Tip! **250 copies** "We discovered the experimental work of the late Letha Rodman Melchior through her husband Dan. Our first release was the amazing Mare Astrale LP (FTR 432LP, 2019), and we have now reissued 2009's Treteman as an LP. Tretetam was actually the operating handle Letha originally used for her sound collages. And this music was first issued on CDR as Tretetam's eponymous debut for the Finnish Ikuisuus label. A few other releases appeared under this soubriquet before she began using…

**300 copies** "FTR is proud to present what is only the second solo album by Borbetomagus' sax giant, Don Dietrich. Crazily, Option documents the first solo performance Don ever did. It was recorded in 2019 as part of the Option series in Chicago, where Dietrich appeared at the invitation of Ken Vandermark (who also wrote the liner notes). The cover photo shows one of Don's polycarbonate sculptures, after which the album is partially named. Twisted, compressed, and strangely inviting, it is emb…

Vinylization of last year's cassette by UK duo, The Slowest Lift. Comprised of Julian Bradley (Vibracathedral Orchestra, etc.) and Sophie Cooper (whose Divine Ekstasys LP, (FTR 342LP, 2018) is a dang classic), The Slowest Lift has been producing high-quality avant-pop form-waffling for several years. Their eponymous debut album was on VHF (2017), and Plutonic Shine continues their drive into the heart of some very weird beast. Sophie's vocals sometimes breath like the air itself, although they c…

Here is the third of our LPs documenting the new work of Vienna-based expatriate guitarist, Eric Arn. The first was the solo Orphic Resonance (FTR 281LP), the second, Paranza Corta (FTR 384LP), documenting duo work with Austrian guitarist Margaret Unknown. And now the third features duet recordings with English avant garde cellist Jasmine Pender, who also performs more noisily using the soubriquet, Rotten Bliss. Pender and Arn first met at a 2018 festival in Krems, Austria. They played a duo sho…

2025 stock Vinylization of an insane and legendary CDR that Nashville's Cherry Blossoms collective issued when they did a 2007 tour of Upper and Lower Rangoon with Josephine Foster as a special guest member. The Cherry Blossoms are a musical entity not easily described, but I feel as though their essential whatsis was grasped by Michael Hurley. We were talking a few weeks ago and when the Blossoms were mentioned, Mike said, 'Oh Yeah. I remember the last time I played a gig with those guys. Their…