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Debut by Pangea de Futura, a Montreal octet led by Eric Quach with members of Godspeed You! Black Emperor and more. Three drummers, brass and electronics build massive textural shapes and droning, tribal post-rock that rises out of flux toward entropy. For the Constellation faithful. Purple vinyl.
The anthology presents works from 15 Turkish female artists, each contributing to the album's beauty through their multifaceted creations. It encompasses various styles, ranging from purely formal music to innovative electronica, incorporating remnants of Turkish harmonies, as well as pieces with conceptual orpolitical undertones, varying in intensity from subtle to overt.
For decade, this collaboration was supposed to happen with Dapnom. Now, we enter a new dimension with my own piano ! We worked on this piece of crazy art last year, when the planet started to get wronger and wronger. This album is an ode to our ruin ! Even the most experienced ear will not come out of PiaNoise unscathed. Consecrating the meeting of two consummate artists, this release confronts their universe like a massive head-on shock in the eye of a sound storm by which we sometimes feel tot…
David Toop is a composer/musician, author and curator based in London. Since 1970 he has worked in many fields of sound art, listening practice and music, including improvisation, sound installations and video works, field recordings, pop music production, music for television, theatre and dance. He has recorded Yanomami shamanism in Amazonas, appeared on Top of the Pops with the Flying Lizards, exhibited sound installations in Tokyo, Beijing and London's National Gallery, and performed with art…
Five Traces is a wordless opera in three acts. Its sound includes words and images. The notes must speakŠ this wordless opera is certainly my most daring experiment with text in sound.
Seen from the outside, Ensemble(s) is in a sense a kind of compilation of unreleased or rare pieces covering nearly three decades. Five essential pieces that count in the evolution of the Jean-Luc Fafchamps' writing. Post-spectral works that definitively position Fafchamps as one of the important European composers. It also weaves subtle links between him and Jean-Paul Dessy and Musiques Nouvelles, once created by Henri Pousseur. This disc is undoubtedly the best introduction to his work. Perfor…
"SIHR" : sonic manifesto by a post-anything quartet feat. multi-instrumentalists from the Mediterranean inland Sea. New folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème..
This LP reveals the extraordinary diversity of research - almost all hidden - by Spanish musicians in the '50s and '60s. Those pieces were composed while the country was under the tyranny of Francisco Franco. It is truly the ultimate grail, developed by musicologist Miguel Álvarez-Fernández, he is its curator, editor and commentator. This undoubtedly marks a major step in the approach and understanding of this music which had to fight to exist before the death of Franco in 1975.
Miguel Álvarez-F…
With Folksong Distortions, Pauwels and Van der Aacreate a journey of lament through the soul of times gone by. Their radical renditions of works by Larry Polansky and Christopher Trapani do not distort the more upbeat rhythm and tradition of folk songs, but rather reveal and highlight the essence of hard lives, imposed choices - choices that were illusions in the first place - and the difficult times and conditions they have always depicted.
Christopher Trapani arranged two classics from the U.S…
The album, featuring Milan Knížák, Petr Ferenc and Opening Performance Orchestra, includes Knížák's 1973 private recording Broken Music, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of Broken Rebroken, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra. The album comes with a comprehensive booklet that includes an interview with Milan Kníž…
Tip! Those recordings of Gongs Orchestras were made during Funeral Ceremonies in two Kung villages and one Jaraï village in Ratanakiri province, Cambodia by Laurent Jeanneau (Kink Gong) in 2003 and 2004, at a times when jungle had not been replaced by rubber plantations. Focusing on funeral's ceremonies, those hypnotics pieces are intense and haunting harmonics sonic experiments.
"Adventure brought me to south-east Asia, not academic research. I was based on and off in Banlung, capital of Ratana…
Volume two of Philippe Baudouin's occult anthology turns to musician mediums who claimed to channel music from beyond: Rosemary Brown, a Leslie Flint seance with Chopin, Joe Meek, Uri Geller, Crowley and LaVey's Satanic Mass. A sound history of the will to reach the wholly other. CD.
Philippe Baudouin's anthology of rare occult recordings, most from little-known archives. Volume one explores spiritualism and haunted houses: seances, spectral voices and poltergeist cases, with Arthur Conan Doyle and Houdini's final seance. A cabinet of sound curiosities revived in the listening. CD.
Univers Zero's new album (since 10 years) follows the lineage of 'Phosphorescent Dreams', originally released only on CD in Japan in 2014, and reissued as an LP on the Sub Rosa label in 2019. Lueur is the fruit of two years' work and reflection, the foundations of which were laid by Daniel Denis (keyboards, drums, percussion...), then enriched by the contributions of Nicolas Dechêne (guitars), Kurt Budé (clarinet / bass clarinet) and Nicolas Denis (bass, percussion, vocals), all three present on…
This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognizable sensibility of Kaoru Tashiro's way to play. After "drifting" through unpublished pieces from Toshi Ichiyanagi (Fluxus) and Claude Ledoux on the album Cloud Atlas, Kaoru Tashiro is now highlighting th…
‘Musik für animierte Tonspurfilm’, the twelfth album by Die Anarchistische Abendunterhaltung (or DAAU, as they are commonly known), is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process. The music originates from acoustic improvisation sessions by accordionist Roel Van Camp, clarinetist Han Stubbe, double bass player Hannes d'Hoine and percussionist Jeroen Stevens. These took place according to concep…
Maurice Louca and his Elephantine Band commit a live, raw, collective sound to record. One of Egypt's most adventurous experimental figures pulls cosmic jazz, African and global musics and modal traditions into long stretches of hard-grooving, hypnotic intensity and avant-jazz abandon. Red and black vinyl mix.
In 1995 the self-titled full-length debut of Die Anarchistische Abendunterhaltung (DAAU) was released. The band consisted of four young, 'classically derailed' musicians who played their own compositions exclusively their with acoustic instruments such as violin, cello, clarinet and accordion. Their work contained influences from Roma music, Eastern European folk, klezmer and jazz, but was performed with the energy, rebellious spirit and Sturm und Drang of a bona fide punk band. DAAU was part of…
From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles. Fred Frith, as an infusion of energy and inspiration. 'Something about this Landscape was commissioned by Ars Musica in 2018. I composed the piece during a residency at Lou Harrison's s…
All my music is night music, says the composer Petr Bakla. Three pieces featured on the new album Late Night Show span almost a decade and provide varied examples of his style, 'so specific and personal, so allergic to fashion or aesthetic trend', as Eric Wubbels puts it in the insightful liner note. The central instrument is the piano, operated by Bakla´s longtime collaborator Miroslav Beinhauer, accompanied by the musicians of Brno Contemporary Orchestra.