*80 copies limited edition* There is a science museum that was built when I was a child. It has an exhibition building and a planetarium. I visited it a lot at different times. Because it was built a long time ago, the atmosphere inside feels like going back decades. The dim lights, the seemingly endless winding corridors, the sound of the air conditioner working hard, the exhibits that’re not as new as before, all of these things make me imagine that building in a new way.. That imaginary build…
*75 copies limited edition* The material suggests the idea. The idea emphasizes certain aspects of the material, and these could be physical and concrete, fully subjective, or something in between. For many years I've been drawn to the sound of urban and suburban spaces, and in particular I've been able to explore, in an empirical and non systematic way, the sonic environment of my street and neighborhood, with focus on the quiet moments in which one can almost hear the place breathing. Over tim…
*75 copies limited edition* I have chosen my workplace environment in Dublin as my area of sonic investigation over the last year or so. Where it is or the history of it is not important as my focus is purely on the sonic character of the spaces and materials I find there, and the potential they hold for articulating noise in imaginative and engaging ways. My tendency is to go in deep and make a thorough range of recordings that give me more than adequate scope to draw on to create atmospheric c…
*80 copies limited edition* I often went for walks in the Colonster woods; I always found the place quite mysterious, both in its light and its soundscapes. These soundscapes evolve as you walk through the woods, passing through its lights and fir forests crisscrossed by streams that guide you along the paths. For many months, I returned to this site, without necessarily having any expectation or goal other than to record improvisation sessions and soundscapes. For this project, I wanted to work…
A harbour park in Portland, Maine, recorded through drainpipes, vent shafts, dock timbers and electrical boxes. Shipping traffic, birds and a waterfront being rebuilt into a luxury marina, all in the same frame.
*170 copies limited edition* "Between September and November of 2024, I turned to sonic art making to cope with personal grief and to reestablish a sense of purpose after a family loss. Like a ritual, I developed a weekday routine, working in my studio from 1:30 to 5:30 PM consisting of field recording and improvisation with sine waves and objects. From this material, I composed six pieces that emphasize continuity and repetition, drawing on coarse, low, and deep resonances to embody the rituali…
*170 copies limited edition* "It was looking at the map—in 2013—that led me to the Libre Valley. The name itself, "Le Libre" is rather unusual and certainly catches the eye. The map also reveals large, uninhabited areas far from transportation routes—particularly the entire area between St-Martin-des-Puits and Villerouge-Termenès—rocky, arid regions where the ruins of old sheepfolds can still be found, and even a chapel perched atop a hill.
I had just finished my work on the Taurion River — kdi…
*180 copies limited edition*
"Several years ago, I walked away from a long-standing abusive relationship. The process of healing wasn’t linear, nor was it easy—but it began with something elegantly simple: walking. I spent countless hours walking through the city and in particular Point Pleasant Park, combing its rocky beaches searching for "sea brick" washed ashore. Over the course of 2 years, I collected 104 pieces of broken bricks. Each brick, a symbol of a week, a step, a moment of reclaim…
*180 copies limited edition* "Purity isn’t real. It is a concept concocted as a means of implying truth. But even in the cleanest water there are mineral deposits. in the most crisp photograph there is grain and in the most direct sound there are artifacts. Of the environment, of the presence of the person recording and of the medium itself. I kept coming back to that thought while working on VI. I’ve found that thinking i have a clear idea of what a project is or that i have a 'pure' vision for…
*170 copies limited edition* "The city where I live was created by digging holes : removing stones from the ground, then making buildings with them. The only hill on the island was quarried. Elsewhere, they just dug giant square pits. Over time, many of these holes became dumps of some kind; the Francon quarry became a snow dump. Half the snow plowed from the streets of Montreal after each storm is loaded onto trucks and dumped in the 70 metres deep hole. Every winter, snow piles up there. Some …
*Limited edition of 170 hand-numbered copies. All include an additional art card on 300gr satin-paper. Packaged in clear vinyl sleeve with folded insert* "The first thirteen years of my life were inscribed, in part, by movement. During these formative years, our family relocated on a nearly annual basis, each shift in space uncovering a new stratum of surroundings, faces, and questions of belonging. Despite the magnitude of these upheavals, it wasn’t until recently that I began to question how t…
*Limited edition of 180 hand-numbered copies. All include an additional art card on 350gr satin-paper* "“Void Sessions” is an immersive sonic experience aiming to explore the boundaries of the listener’s auditory and emotional perception. The piece delves into the concept of emptiness, both in its physical and metaphorical sense, inviting the listener to immerse themselves in a sonic space where the boundaries between the tangible and intangible blur.
“Void Sessions” is a sonic piece produced i…
*165 (hand-numbered) copies limited edition* "Registro de Piedra plays with the idea of place memory. I have heard a few stories of people spending the night in or near ancient ruins and witnessing strange sights and sounds. What some might call ghosts. Modern science has no way of explaining these apparitions, casting doubt on the authenticity of the experience. Other researchers have propounded the idea that these places may hold memories of past occurrences, and that under certain circumstanc…
*2024 stock. 180 (hand-numbered) copies limited edition* "Noise pollution? Maybe. To me, it’s a location that sounds like any other in its natural state: the city sounds like the city; the forest sounds like the forest. That said, this album is about being grateful for having paths that easily lead me away from the din, out of my own head, and into the forest around Kasuga and Omiwa shrines, down anonymous gravel paths, narrow backstreets, along verdant rice fields and small rivers. This is wher…
*2024 stock. 170 (hand-numbered) copies limited edition* "Urgency ! there is an urgency !! obviously there’s an urgency in this piece !!! Nothing sets in. Or at least the few trying seems quickly stripped of, replaced, torn, abolished…urgency as answer to other urgencies. The one of this exactly seven days residency to rub with the Amazon rainforest. What a funny idea will you tell : only coming seven days in this vastness, where we should better have stayed 7 weeks, 7 months, or even 7 years… B…
*2024 stock. 170 (hand-numbered) copies limited edition* Capture the unshaken density of water. The day. Birdsongs. The night. The clamour of the clouds. Summer. The breath of the trees. In spring. That of the fish, in the fall. Budding trees. Zenith sun. The blooming of flowers on a full moon night. The ripples blown by the wind across the scarlet surface of the pond. The furtive swing of the willow branches under a diurnal rain. Leaping insects in warm light. The hoarse cry of the rooster. In …
*175 (hand-numbered) copies limited edition* "The hum of traffic from afar brings back fragments of memories from the past. Lately I've been visited by memories from a simpler time, NYC in the early years of the century, and my friend Richard Garet is often on them. We shared many musical and artistic adventures then before geography made physical contact impossible, the musicality of memory became evident and prompted a piece that doesn't describe or narrates a story but that mixes the grey sou…
**200 copies** "Farol is the sound portrait of a monumental architecture : the 25 Abril bridge in Lisbon. The 25 Abril bridge is a symbol for the Portuguese capital. Visible to tens kilometers around, it serves as a visual and noisy landmark. As we come closer, the buzz becomes stronger until it gets blatant, like the light from a lighthouse which becomes blinding when the coast is near. Farol est le portrait sonore d’une architecture monumentale. Ce field recording nous emmène au cœur du pont d…
Limited edition of 200 hand-numbered copies. All include an additional art card on 300gr satin-paper. Packaged in clear vinyl sleeve with folded insert. ‘Night Swimmer’ is created from field-recordings of nocturnal swims and paddles made during the summer of 2013 in Ontario’s Georgian Bay. As evening would fade into night, the athropophony and biophony tended to become muted; this resulted in a significantly increased signal to noise ratio, or what acoustic ecologist R Murray Schafer describes a…
In 1963, off the coast of Iceland, an island emerged after an underwater volcanic eruption, a rare event that occurs on average twice a century. It was given the name Surtsey, after Surtr, the fire giant of Norse mythology. The surface of this new land grew after further eruptions until June 1967 when it had reached 2.65 square kilometers in size and poked 175 meters out of the sea. Surtsey has been an object of research as no other territory has been before, since it bares the unique possibilit…
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains sounds that many would choose to avoid. Now to Sri Lanka, a land of many islands, whose sounds have been worked into a single composition by Stéphane Marin. The title may be unwieldy (Invisible(s) Archipelago(s) #1 – Serendib rhythms), but the idea is no…
"The Unfathomless Series returns with another pair of fine releases, whose moods are polar opposites. Five Elements Music‘s lokrum patterns draws the listener in, while Stéphane Marin’s Invisible(s) Archipelago(s) n°1 – Serendib rhythms contains sounds that many would choose to avoid. Croatia’s Lokrum Island is a beautiful paradise of coves, beaches and azure green waters. But there’s a down side as well: it’s awfully close to shore. As such, it’s a wonderful getaway that too many people know ab…
Inveterate soundwalker Audrius Simkunas/Sala has revisited familiar places of his childhood where corroded soviet relicsare long asleep…from this winter intense trip reminiscent of Lovecraft’s universe, comes “scare me not“…
Rihards Bražinskis & Raitis Upens are long time associates operating in the sphere of the Baltic experimental music & art scene. They produced already some very fine field recordings/musique concrète under the collective moniker of Phonic Psychomimesis. Here they team up once again for a site-specific unique work around a famous Brewery, witness of Riga’s past industrial greatness…
Haren is a Brussels commune where deserted industries have supplanted the farmlands. Here, plenty of rail hubs bind and unbind while planes don’t take off anymore from its missing airport, but from nearby Zaventem.Despite it being unattractive though desirable, I felt immediately at ease over there, at the frontier of abandonment & forgetting ; I could listen to & gaze at desolate spots with a constantly renewed amazement of still being in Brussels.The Wanson factories where I have recorded in 2…
Limited edition of 200 hand-numbered copies. All include an additional art card on 300gr satin-paper. Packaged in clear vinyl sleeve with folded insert. These abandoned ruins of the seventeenth century are located along a path that I often walk on, uphill, in silence, alone. Not exactly on the path but hidden, deeper into the woods, that place lies parallel to the path that leads to the top of a hill. Even if I do not go (necessarily, every time) inside, that place beyond attracts like a magnet,…
One of my favourite walk is in the harbour of my hometown, because of the sound brought by the wind. For long time I have day-dreamt about including that sound in my own music. I got to the point reading the poem Prologo al buio by Erri De Luca (from Opera sull’Acqua e altre poesie, Einaudi 2002). In the poem there is a Hebraic quote from Genesis, before the third verse (hence the title of my composition, the Italian for “before the third”): “vrúah Elohím merahèfet al penè hammàim”, that means, …
*200 copies* Klaipėda is located in the west of Lithuania, right on the shores of the Baltic Sea. I lived there from September 2011 until July 2012 and during those months I was regularly recording in the city and the surrounding rural areas. I got very fond of these locations and all the sounds I recorded are very significant and dear in my memory. Throughout the changes of the seasons, varying between human-made and industrial to “natural” sounds caused by birds, water, wind or plants, the aco…
These recordings were made at the edge of Washington state's Olympic Rainforest, where the Hoh River meets the Pacific Ocean. The point of entry to this landscape, named Oil City on the map, is no more than a place where the road widens before coming to an end at a trailhead. Just north of the road, through the trees, and on the homestead of the late Captain Hank who one day disappeared at sea, is the ghost of an oil rig and some comings and goings along a plank road. Early 20th century settlers…
1. breakdawn (birds in the swamp, screeching parrots passing by from time to time and singing tree in the wind on abandoned red beach). 2. Coralreef (snubfin dolphins [orcaella heinsohni] echolocation, crackly decapods and mysterious fishsongs: wood-like-knocking and those difficult to describe and radioactive crackle of uranium). 3. Nocturnabyss (ultrasonic insects sliding across the time-grid meets hypnotic nocturnal chorus sprinkled by sonar of bats and barking geckos). Sheltering from the he…
'In April 2011 David Vélez invited Simon Whetham to Bogota to run a field recording workshop at the Nacional University as part of the Masters in Fine Arts that Vélez was taking. They also planned to work together outside the workshop, a major part of this exchange being to visit the Colombian Amazonas to record, explore and collaborate - capturing sounds and sharing experiences.
During the trip, they were removed from their comfort zone and endured the rigors of the jungle in different situatio…
"Merua is a magic place for the Garifunas, and also one of awe. Only those considered as initiated go through this sanctuary. It’s a refuge for the spirits of the Ancestors from the beliefs of this mixed culture that finds its roots both in Africa and South America. It’s a plot of dense jungle, a snakes’ nest, intact despite its small size and the fact that its perimeter is occupied by humans. A perimeter composed of two villages (Triunfo de la Cruz and La Ensenada), the mangrove and the lake at…