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'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
Hard-grooving Ethiopiques killers from the "Ethiopian Elvis". This eponymous collection gathers some of his finest moments from 45's recorded between 1967 and 1974, nine total, mixing R&B, soul, rock'n'roll with that magically mystical blend of modern flair and traditional groove that makes the Ethiopiques series such a treasure trove. You could imagine each of these being classics in their own right way back when, from the soulful organ burn and infectious breaks of 'Kenoru Lebetchahe' w…
Restocked, very last copies around: Doyle is another matter. This man is dangerous - he never plays anything you could recognize, just furious blasts of rage. His solo on "Domiabra" couldn't be written down, or even sorted out. It sounds more like raw energy than anything I've ever heard. He's nasty, man." These liner notes to the original issue of Noah Howard's 'The Black Ark' may define perfectly also this new, incredible album by Arthur Doyle, this time 'in solo' for sax, flutes and voi…
My Cat Is An Alien's most extreme work to date. The most advanced expression of their current creative method of composition through the brothers' brand new self-made strings and electronic instrumentation. A black swamp full of analog processing and whirling drones with Maurizio Opalio playing self-made double-bodied string instrument, handmade pocket harp, antique zither, drums, percussion, sticks, cymbals, bells, gong, space modulator, real-time loops. While his brother Roberto Opalio …
Since 1997 Italian brother duo My Cat Is An Alien has been documenting an ever deepening musical dreamscape, their massive body of work representing some of the most emotive and soulful improvised experimentalism in underground music. Recorded in a remote region of the Western Alps, this latest LP navigates especially tranquil territory as it builds blissed-out pastoral mirages, dappled just slightly with glimmers of an outer darkness. Like much of the duo's best work, Living On the Invis…
As a duo Tim Catlin and David Brown aka Candlesnuffer come together as 'Helium Clench' and boast long histories in the Melbourne and international avant-garde music world. Both have independently developed a fascination with microtonal sound, in particular through Catlin's construction of harmonic overtone guitars and metal rod instruments tuned in just intonation, and in Brown's case through his explorations using the quartertone bass guitar. 'Sieve', their first duo recording is a stud…
Michael Mantra creates Ambient music. But more than that, he creates audio tools for "brain hemisphere synchronization": going beyond the synchronization of mind and body, Mantra's techniques are a mean to release endorphins, which are part of the human body's natural pharmacy and work at the same level of opiates. Michael creates his soundscapes mixing modulating high and low harmonic synthesizers tones (low deep drones and high resonating harmonics) with didgeridoo, ocean waves, rain, water, …
A cherry-picked compendium of EDM prototypes circa 1956-1971 by Pierre Henry, Jean-Claude Vannier, Igor Wakhevitch, Henk Badings and more "The roots of Electronic Dance Music" (EDM) by definition. An unlikely combination of early recordings by international electronic and avant-garde composers as well as infrequent collaborators retrospectively unified by their commitment to the musical enhancement of 20th Century ballet and the evolution of modern dance. Presenting key exponents of the musique …
Three years ago, a triple cassette oddity appeared out of nowhere adorned in washed-out nature collages and zero information. Turns out that John Elliot of Emeralds was behind the madness, and after further dissection of the sounds enclosed and it all began to make sense.Those three tapes (one yellow, one blue, one red) were the first taste of something that felt like a lost private-press object from the early European electronic experimentations of the '60s & '70s. Each vignette is its own stor…
"Ryan Garbes is the drummer of Iowa City bands such as Wet Hair, Dunebuggy, Trash Dog, and formerly Raccoo-oo-oon. His recordings under his own name represent a unique brand of solo multi-track recording with a seamless integrity; through a skillful use of instrumentation and recording technique, Garbes eschews notions of low fidelity for songs reminiscent of traditional American garage rock produced in the haze of an early '90s UK aesthetic. Genuine pop songs, cloaked in a comforting was…
Nate Wooley, trumpet, amplifier. C. Spencer Yeh, violin, voice. Audrey Chen, cello, voice, electronics. Todd Carter, piano, electronics, edit. Blurring the lines between electronic and acoustic music, as well as composition versus improvisation, NCAT is an unique quartet consisting of an improvising trio whose music has been mutated and structured in post-production by its fourth member. The bulk of the musical material on this LP was recording at Steim in Amsterdam, during a residency of …
In 2005, Sublime Frequencies released Choubi Choubi: Folk and Pop Sounds from Iraq, and in the ensuing years it has become one of the most beloved and venerable titles in their catalog. Now almost 10 years later, this highly-anticipated second volume is finally here. Compiler and producer Mark Gergis has once again put forth a revelatory and poignant collection of Iraq's national folk music. What has happened to Iraq since the 2003 U.S. invasion and eventual occupation? Endless death, destructio…
"The noise rock parade that defies definition, set out on a mission of pure volume worship that is the post-decade pilgrimage of NY-based Sightings. After eight instinctive albums, the Sightings guys show no mercy with endless annihilation of their newest material on Terribly Well. All parts destruction measured against their abrasive songwriting. Jagged, collapsing rhythm based mayhem, guitars that can be mistaken for a freight train being ripped for scrap metal, only to be held together …
2013 release "From the time we started Latitudes, we’ve held a secret wish list of bands that we intended to lure into our studio. We’ve cut a major notch in our bedpost by finally scoring with Arbouretum, a band that meets universal approval at Latitudes HQ. Arbouretum offer up four cover versions of the brilliant Gordon Lightfoot, the oft-overlooked Canadian singer-songwriter who helped define the folk-rock sound of the Sixties and Seventies. The highlight of the session is unsurprisingly the …
Back in stock in very limited quantity. 'Francisco Lopez is perhaps best known for his dynamic studio and live performances that sway between crushing silence and dynamic, shifting volume swells. Over the course of 25 years, Lopez has developed and honed a refined audio lexicon. Michael Gendreau entered the experimental sound community in the early 1980s with his project Crawling With Tarts. As a solo artist, Gendreau caught everyone s attention with the 2002 release of his CD 55 pas de la ligne…
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
2013 repress. Born in Osaka, Kouhei Matsunaga is a musician and an illustrator. He started drawing during childhood under the influence of his grandfather. He grew up listening to hardcore techno and hip-hop, studied architecture and has been mainly making music since 1992. Under many different aliases (NHK, NHKyx, Internet Magic, Koyxen) he has released numerous albums on labels such as Skam Records, Wordsound, Raster-Noton and his first-ever album Upside Down on Mille Plateaux in 1998. He …
Sweeping and rustically romantic neo-classical and drone flights seemingly dropped from the sky on the wonderful Students Of Decay label "From the very first seconds of “Within/Without,” listeners familiar with the output of Aquarelle, the nom-de-plume of Madison, WI-based sound artist Ryan Potts, will find themselves in territory that is at once familiar and new. This opening salvo explodes into being with the surging, analog fuzz blooms and preternatural sense of rhythm that endeared many to …
“Not since the early days of MC5 at the Grande Ballroom in Detroit, circa 1968, had there been such an organic melding of sheer metalesque maelstrom and free jazz. These archival recordings from the legendary punk club CBGB capture a moment in time when open-minded musicians from the 'downtown scene' were exploring the possibility of bringing Lou Reed's feedback-infested Metal Machine Music together with Albert Ayler's Love Cry. Dissipated Face guitarist Kurt "Hologram" Ralske and special guest …
Sub Rosa reissues Belgian composer/violinist Baudouin de Jaer's Gayageum Sanjo (SR 347CD), with a complete new design and an additional CD of new compositions for another ancient Korean instrument: the geomungo ("black zither"). "Baudouin de Jaer chose a highly delicate musical instrument, the geomungo, and has drawn from it a marvelous creation; I can only congratulate him with all my heart for such an accomplishment, and for the release of this beautiful CD. I hope he will continue to make gre…