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"JAMES JACKSON TOTH, aka WOODEN WAND, is your fearless friend, the stumbling guy who gets himself into incredibly fucked up situations but comes out shining and lives to tell about it, entertaining you safely and immensely. You should be grateful. In my view, he's a great American songwriter in full bloom. Most likely you'll think that's a preposterous claim, and I won't blame you, but you'll be totally, completely, and unforgivably wrong not to agree. To me, it's obvious Toth is animated with t…
Shipping by the next week: MIE Records are unbelievably honoured to be releasing Effigy by Pelt this October 29, the first album recorded since 2007 by the acoustic-only droners. Recorded live in June 2011 in an old yoga studio in Mount Horeb, Wisconsin and a decommissioned synagogue called the Gates of Heaven in nearby Madison, the band have laid down their most accomplished and fully realised work to date. Epic in every sense of the word, Effigy is a sprawling journey through their singular pl…
Emily Faryna is a Canadian artist and singer known so far only by real fans of Minimal/Synth-related Wave-music and cassette-culture collectors. Like most singers, she started doing small gigs, slowly making a name for herself. By 1984, she was working under the MoDaMu Records label out of British Columbia in Canada. Her debut album, I’ve Got a Steel Bar in My Head, was released that year (MoDaMu10). The Track Doomed to Fail was released on the Underground Vancouver 1984 Compilation the same yea…
The music developped by Frog is a work on percussions of all sorts : electronic, metallic, or else.. bathing in atmospheres made of « humid » tessituras. The music is simple, and unlike Brume, accessible ! Except for the arrangement of rhythms, 75% of work is concentrated on textures, mainly electronic : analog and digital.Electroacoustic is rarer here, most of the sounds being filtered by « vintage » analog synths using the whole usual range : VCO, VCF, VCA, envelope modulators etc.…
With nary a praising documentary, coffee table photo book or tribute band to their name, The Dead C are nonetheless one of the most respected, longest surviving groups in the history of rock. Still sporting the original band members (Michael Morley on guitar, vocals, Bruce Russell on guitar, Robbie Yeats on drums) from their first assemblage in 1987, The Dead C's renown has a lot to do with their stubborn unwillingness to compromise in any form. With a varied and challenging discography, the ban…
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
This 7-CD set contains 19 selected performances from the Ftarri Festival, held in April 2008 (Kyoto / Tokyo), and the Ftarri doubtmusic Festival, held in September 2010. The 7 CDs, together with a sequentially numbered Ftarri Collection card, come in a special handmade felt bag about 18 cm high and 17 cm wide. Each bag has a different design. Ftarri Collection 1 with Opera Southern Cross (Taku Sugimoto: composition, images. Katsuaki Iida: words, reading. Toshimaru Nakamura: no-input mixing board…
LP version. Includes voucher for free MP3 download of the whole album. This is the second full-length release by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). You Lost Me At Hello shows a distinct development from their debut Cowboy Music (Jazzaway, 2007). Founded by Hermansen and Nilssen in 2003 in their hometown of Skien, a couple of hours from Oslo, the trio aim to combine the jazz/improv background of the rhythm section with the rock/metal background of lead…
The Watchers is a historic collaboration between Lubomyr Melnyk and James Blackshaw. These new pieces are being released as a CD/LP with material exclusive to each format. LP is pressed in an edition of 500.I first met Lubomyr Melnyk at a festival called Hea Uus Heli in October 2008. We were both scheduled to play that day and I was very excited to see him perform. Before the show I bought several LPs from him and mentioned as much. Lubomyr (more than modest and courteous, as he always i…
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Pleq, Hiroki Sasajima and Spheruleus manage to overcome the sheer geographic distance that lies between them to produce a really wonderful studio album.Pleq and Hiroki Sasajima are from bustling capital cities; Warsaw and Tokyo respectively, which has naturally had an impact on their sound. Whilst Spheruleus is from a quiet Lincolnshire town in the UK, surrounded by farmland. As a result of the inspiration drawn from their different environments, the solo output from these three artists is all q…
Peter Becker is one half of famous Eyeless in Gaza. In 1979/80 Peter Becker and Martyn Bates formed their own label called „Ambivalent Scale Recordings“ in order to release their own music as well as projects of friends like Kevin Harrison or Bron Area. Peter released two Solo-Tapes called "They brought the Statosphere" (ASR04) and By Train to the Coast (ASR10, which also found release on Ian Dobson's Flowmotion Label)
Peters recordings from those two Solo-Tapes contain a wide variety from athmo…
...Mindblowing!!!! "Perpetually rolling, Japanese-American master percussionist Tatsuya Nakatani holds a relentless schedule, road-bound in continuous dedication to his passion. His solo sets thunder with coaxed nuances from his kit, overlaid in staggering bounty. Nakatani is also fearless when it comes to collaboration, and seeks it out adventurously during his extensive tours. In this spirit of combined efforts, Nakatani Gong Orchestra shines a different light in each new location it arises. N…
Popol Vuh's soundtrack work for the films of Werner Herzog in 1970's and 1980's are some of the most stunning in the field. Editions Mego is pleased to present two re-workings of classic Vuh tracks. Mika Vainio takes 'Nachts: Schnee' from the 1987 soundtrack 'Cobra Verde', and delivers a skillfully constructed ambient piece of beauty, which shifts and turns over 10 minutes. Haswell & Hecker turn the majestic 'Aguirre' from the 1972 soundtrack 'Aguirre - The Wrath Of God' into possibly the first …
Packaged in a pro-press color jacket and a silkscreened pvc sleeve, Jeff Witscher, aka idiosyncratic electronic musician Rene Hell, presents a typically considered, challenging debut release via PAN. Those who've encountered his acclaimed albums for Type, or his NNA Tapes split with OPN, will hear a defined progress in 'Vanilla Call Option', whilst those new to his music should be prepared for a visceral, cerebral exploration of piercing timbres and sheer, hi-end computer sounds that in turn rec…
Ottaven new LP issued in a tiny run of 100 copies only, a strong and puzzling mixture of tapes, electronics, varispeeding, and multiple exposures, carefully executed, with much precision and clarity. Flipping between noisily bristling electronic frequencies and blustery washes of oscillating tones, Ottaven sounds carefully programmed even in its most frentic moments, and offers several blasts abrasive enough to unclog the dirtiest pore.
Andrew Pekler selected 300 different covers from second-hand records and, using colorful geometric elements to cover over all titles, performer’s names, and label logos, removed traces of the covers’ original contexts. The sunsets, couples in silhouette, alpine panoramas, roses on pianos, female faces in close-up, and seascapes no longer serve as the packaging for easy listening and exotica. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend thei…
"Following on from their two track LP release, Mindset (2011), Open sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour. The piece emanates a calm, immersive stillness throughout. Already The Wire has said that Open "(displays The Necks') astute handling of pacing and momentum, finely honed collective sense of timing, (and) their shared ability to balance at length a group equilibrium". Here the band returns…