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Following on from their highly acclaimed appearance on the Treader Duos, here is a whole CD devoted to the highly compatible and innovative duo of saxophonist John Butcher and percussionist Mark Sanders. Their varied improvisations are heard at two afternoon concerts - one at the 2010 Freedom of the City festival in London, the other nearly a year later at Southampton University
CD version: Leon Dufficy is primarily known as guitarist in the hippie-jam outfit, Hush Arbors, but now he steps into his own as the driving force behind Winter Drones. Sounding like the perfect combination of fuzzed-out ambient drift, shoegaze swirl and propulsive pop sensibilities, Winter Drones have slowly gained attention in their native U.K. with a handful of obscure CD-R/cassette releases and compilation appearances. Earlier this year, the band's debut album, Blood In The Coffin, ca…
"It's a great summer for music, with some excellent albums just released - and more reviews to come ... Let's start with the great David S. Ware and his new quartet, a great quartet, with William Parker playing the bass as on all other David S. Ware albums, with Cooper-More on piano instead of Matthew Shipp, and with Muhammad Ali on drums (the latest in a long list, with Susie Ibarra, Guillermo E. Brown, Warren Smith, Whit Dickey, Hamid Drake, ... and quite a phenomenal list at that).It is no do…
Ernesto RODRIGUES (viola), Neil Davidson (acoustic guitar), Guilherme RODRIGUES (cello) and Hernâni Faustino (double bass). Recorded in Lisbon 18-11-07. Neil Davidson has taken his acoustic guitar on many fascinating sonic adventures, forever pushing the language of sounds possible with this instrument to new places. Here he joins a group of musicians from Portugal led by the rather legendary Ernesto RODRIGUES on viola and also featuring his son Guilherme RODRIGUES on 'cello and Hernani Faustino…
By 1956, the early New York street recordings of the great Moondog had reached British shores. His primitive percussive sounds struck a new nerve with many artists and musicians, none more so that fine London jazzman Kenny Graham. So inspired was he by these extraordinary recordings that he decided to bring together a band of top notch session men and pay his very own musical homage. The result is this exceptionally rare and unique 1957 album of Moondog covers (Moondog Suite) and Graham’s…
The internationally acclaimed 'hilarious releases' [vital weekly] of zeitkratzer records go on. This is the third release in the new series [old school]. The first two CDs, dedicated to the music of John Cage [zkr0009] and James Tenney [zkr0010] have been highly acclaimed. London's Wire Magazine wrote: 'The rigour and discipline they collectively bring to this compositions make both discs utterly enthralling, from start to finish.' The new release is dedicated to the music of Alvin Lucier. In 20…
Monochromes Vol.1 is the new sound work by Italian multimedia duo TU M'. The Monochromes series is a collection of modular audio and video compositions for chamber ensemble. Fragile atmospheric colours made of sound, light, space."A poet always has too many words in his vocabulary, a painter too many colors on his palette, a musician too many notes on his keyboard.
Nigeria Afrobeat Special is the fourth addition to the Nigeria Special series, a project initiated by Miles Cleret, owner of the Soundway Record label back in 2004. Cleret’s ambition to distinguish the blossoming music scenes of 1970s Nigeria has lent to an indispensable series of CD and LP compilations documenting the influence of western blues, rock and disco amongst artists and musicians versed in the local musical styles of highlife and juju. It was Fela Kuti and his musical and politi…
Long overdue second release by Renato for LVD. As with Horse Frenzy and his contributions to the Invisible Pyramid and Crows of the World comp, Renato shows his unique vision for what music can be; drawing comparisons to virtually nothing else out there. More varied that his previous Hoarse Frenzy, WSO integrates elements of folk, pure electronic experimentation, and even elements of jazz--building at times into highly satisfying complex structures, ebbing away creating new patterns. For thos…
“All music by Sharif Sehnaoui – no cuts & no overdubbing. Recorded by Fadi Tabbal on the 9th of june 2009 at Bustros palace, Beirut. Mixed & mastered by Fadi Tabbal at Tunefork studios, Beirut. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh.” label info
A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question
The Preservation label presents Nuojuva Halava, the debut album from Helsinki, Finland’s Ous Mal. Ous Mal is the recording project for 22-year old Olli Aarni. With previous CD-R releases for both Finland’s 267-Lattajjaa and the UK’s Under The Spire, Ous Mal has already gained fine notice for his expansive sound, further developed in widescreen ways on Nuojuva Halava, his first full-length. Finding common ground between the dusty tenor of old-school hip hop cassettes and the fog of deep ambience …
Claire Bergerault, voice. Jean-Luc Guionnet, pipe organ. 'Music that proves that improvisation can still offer something vibrant and different. Intense, powerful music that will annoy as many as it delights.' Highly recommended !
You already know about Arthur Russell from disco classics like "Is It All Over My Face" and "Go Bang" (maybe you even watched the recent documentary), but do you know about all the early/mid-80's work he did on his own Sleeping Bag label? This awesome compilation collects the gems you might've slept-on or never came across. Whether its early hip-hop boogie (Sounds Of JHS 126 Brooklyn's "Chill Pill(1)"), left field electro beats (Bonzo Goes To Washington's "5 Minutes(2)"), or underground disco ba…
The first thing this CD reminded me of was Tape...then I checked out the press release and it turns out that Tape's Johan Berthling (also very recently sighted on that Fire! with Jim O'Rourke record) is in fact one-third of this band, the other two being Andreas Soderstrom (Ass) and Per Eklund on drums. It is, as you would expect, gently paced instrumental stuff, slightly pastoral-sounding, with intertwining guitars and a some subtle Hammond organ and trumpet bits. This is a mightily rel…
Two decades ago, saxophonist John Butcher abandoned his doctoral pursuits in theoretical physics to pursue a life in improvised music and has since become one of the genre’s leading instrumental and structural innovators. Butcher’s pursuit of extended techniques has yielded and continues to yield, as indicated by this most recent solo outing, a treasure trove of unfathomable timbral and dynamic possibilities for an instrument whose role in experimental music seems to consistently teeter o…
There’s probably not much to say about punk’s continued existence. Like jazz or sitcoms or party politics, it just carries on eating and breathing and shitting and propogating. It’s only interesting when someone comes along trying to advance the form. Like “Arrested Development” or Dennis Kucinich, they’re usually forgotten. This would all be relevant if Neptune were a punk band, which we’re not at all sure is the case. They create a sense of undermining the status quo, which is pretty pun…
Moondog's outsiderness ensures an approach to modern composition that doesn't ever establish any single, fixed identity, which is of course what makes this man such an alluring figure in 20th century music. Mr Scruff remix is a post-futuristic-jazz influenced by hip-hop cadences that makes appear how important Moondog has been in the past and how he will be for contemporaries and future generations.
This powerful 1972 performance by Arni Cheatham's group provides a unique glimpse of the jazz scene in Boston. The group borrowed the most innovative characteristics of jazz and rock, but never sounded derivative. This is early seventies "jazz fusion" of the highest order, before the term evolved to mean a light, commercially acceptable genre. As with many innovative jazz forms, the recording was made at one of the many local universities, Harvard. The resulting album was pressed in scant…
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various configurations since they were 16 year old students in the 70s and formed R.M.I. in 1993. After nearly 20 years together as R.M.I. and over 30 albums and hundreds of concerts, you might think that there might be no surprises left, but like their undulating, fl…