New Arrivals
Ways Of Meaning
Ways of Meaning, Kyle Bobby Dunn’s new full-length album and the second release for Desire Path Recordings, is a treatise on the resonance of memory; an attempt to harness the finality of meaning as a shared experience.
Mainly arranged for guitar and organ, the six works contained herein offer a look into Dunn’s mind as an artist deeply concerned with time, memory, consequence, identity, and meaning. Each piece, while created from and inspired by very personal moments, represents a point o…
Osaka Fortune
Osaka Fortune is the meeting of two Norwegians and to Japanese artists Ð two drummers and two noise musicians. The album was recorded in Osaka, Japan February 2011. The quartet had previously performed live together, but this time they set up a studio recording on their tour of Japan. Jojo Hiroshige is the guitarist and leader of infamous Japanese noise band Hijokaidan, which has been going since 1979, known for their violent and energetic performances. Hiroshige has also run Alchemy Records sin…
Sleeper line
Sleeper line is a five-track EP constructed from the original components of a live set performed in December 2012. These components — manipulated found sounds — were recorded at various times and in various environments: Dungeness Power Station (2012), street recordings post-Notting Hill Carnival (2007), a prior live performance at the White Building in London (2012), and a cassette recording made in the cloakroom of the Metalheadz Sunday Sessions club night (1997). The cyclical process of merg…
Introjection
The collaboration between Israeli electronic musician Shay Nassi and German media artist Nicolas Wiese began in 2008, with the exchange of some raw recordings of feedbacks and everyday objects, via internet. During the following years, several compositional sketches have been sent back and forth and so have been refined step by step, in multiple sonic layering and construction processes. The result is a 45-minute-long collection of dense, dynamic, ambiguos and twisted atmospheric pieces which ca…
Abisso
Close your eyes. You may think Satan is singing. Open them: you’ll see a small masked woman, with dreadlocks down the her ankles, and without vocal effects. Close your eyes again: you’ll think of a heavy metal double kick drum set. Open them again: a gigantic, wrestling masked man is torturino a floor tom, a snare and a cymbal, standing up, no kick. Two people, half gear, enough to bring Hell.This is OvO. What they do is not easy to file. Not noise, not metal, not doom, not punk, not rock and ro…
Waterkil
After meeting for the first time in Beirut during the Irtijal Festival 2006, Axel Dörner and Jassem Hindi had their first musical collaborationin Switzerland two years later in 2008. From that time on they have regularly performed as a duo on different occasions.The music of the duo is electroacoustic music with trumpet and electronics, both musicians using their musical equipment and systems in an unusual way, developing their own techniques of sound creation.They are interested in explorin…
The beauty bath
This is another landmark of the most respected artist in today's noise scene, Aaron Dilloway. Atmospheric and beautifully simple, a pure tape composition stands out his crude and intense nature. Nothing ever released like this before. Comes with the flyer of Aaron dilloway and Hanson Records 20 years anniversary exhibition "Archive" at gallery haus in Tokyo which can get only at here. Plus we have a special package comes with very limited "Archive" exhibition catalog zine book which also can get…
Remains unchanged
The Shadow Ring was founded by guitar player Graham Lambkin and percussionist Darren Harris in Cheriton, Kent, England in 1993. Tim Goss joined the Shadow Ring in 1996 performing on a variety of electronics. The group disbanded in 2003. 'Remains unchanged' is the long-time-coming archival overview of the shadow ring. Spanning the full decade of their existence, 'Remains unchanged' offers an alternate account of the group's labor, told through 20 never-before-heard tracks. From the lumbering mono…
Time and language
Pleq, Hiroki Sasajima and Spheruleus manage to overcome the sheer geographic distance that lies between them to produce a really wonderful studio album.Pleq and Hiroki Sasajima are from bustling capital cities; Warsaw and Tokyo respectively, which has naturally had an impact on their sound. Whilst Spheruleus is from a quiet Lincolnshire town in the UK, surrounded by farmland. As a result of the inspiration drawn from their different environments, the solo output from these three artists is all q…
Split
Debut vinyl release for both of these great artists who collectively have had releases on a host of excellent underground labels such as Stunned Records, Housecraft, Sturmundrugs Records and Digitalis. Black Eagle Child is the musical project of Michael Jantz, and this release is his second outing for Blackest Rainbow following his excellent Kite Excursions CDR a while back. Here he presents us with 4 tracks of skillful guitar finger picking layered with glockenspeil, accordian and some perfectl…
Spider John
This vinyl-only album fills a crucial gap in the evolution of legendary folk artist Spider John Koerner. Recorded in between 1965's Spider Blues and 1969's Running, Jumping, Standing Still (with Willie Murphy, both released on Elektra), Koerner is captured here live and unaccompanied at The Ash Grove in Los Angeles, bringing to light an exciting and previously-undocumented period in the career of Spider John. The excellent recording captures Koerner at the absolute peak of his guitar-playin…
When The Rest Are Up At Four
Mind Over Mirrors is the solitary reeling of American harmoniumist/electronicist Jaime Fennelly. Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly-building, repetitive melodies into massive sonic mountains. When the Rest Are Up at Four is the fourth Mind Over Mirrors album following releases on Digitalis, Hands In the Dark, & Aguirre/Gift Tapes."Jaime Fennelly’s Mind Over Mirrors is the true dark star. The Chicag…
Sunrise
The music of My Education, a five-piece group from Austin, Texas, tends towards the classical side of the spectrum. If you’ve read any recent think-piece about how the lines between rock bands and classical ensembles are blurring, you could pretty easily swap their name into the list of case studies provided without sacrificing accuracy. Besides recording their own compositions, they’ve also released their take on Arvo Pärt’s taut “Spiegel im Spiegel” and collaborated with the hip-hop group däle…
New Ear
With this new album, Melmac reveals a new maturity gained in the course of three French and european tours that have enabled the group to initiate a major part of the ideas presented here through extensive improvisation sessions on stage in the spirit of the instant composing sessions ran by Kraut Rock bands during the psychedelics years. These new experiments have opened the artistic spectrum of the band to new horizons clearly rock, heavy, trippy or noise reminiscent of bands like Sleep or Sku…
Sequitur
Emeralds co-pilot Steve Hauschildt follows up his 'Tragedy & Geometry' album for Kranky with the plush new age disco dreamscapes of 'Sequitur'. Arguably, Steve is the lazy one in Emeralds, conjuring only three solo album to date compared with the gazillion respective works from bandmates John Elliot and Mark McGuire. But, as evidenced here and previously, he's also the canniest and most pop-wise, honing a more concise, richly rhythmic and melodic style of composition still rooted in cereb…
Winds & Skins
Winds & Skins transpired to be the very last set of recordings made by Afro-Cuban percussionist Sabu Martinez, who sadly passed away precisely one month after this December 1978 session was committed to tape. The album draws a line under a career that saw the illustrious musician performing alongside Dizzy Gillespie and Art Blakey as well as releasing a string of out-and-out classic Latin jazz records. Here the noted conguero teams up with the lauded saxophonist/flautist Sahib Shihab, who himsel…
100 Moons Hindustani Vocal Art 1930 to 1955
Amazing sounds from the subcontinent – a selection of mid-century recordings that focuses on the incredible vocal range in Indian music, served up by a set of singers we might never have known otherwise! The voice is almost the lead instrument here – usually just supported by a bit of percussion or sitar, and set free in open space with these insane inflections and cascading tones that really leave us breathless! Mediative and exciting vocals from the masters. Great liner notes and master…
Open Space
I've been composing graphical scores since 2004. Each score has been done for a particular group, and not just for a certain set of instruments but also for specific persons, each with their own personal sound and their own distinct approach to improvisation. The scores hover in the gray region between composition and improvisation. They create a situation where the players are free up to a point to improvise but in which they could also find themselves in juxtapositions with other player…
NYC, Hell 3:00 AM
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
These Hidden Hands
Double LP pressed on 180 gm vinyl, Includes download code redeemable from the label** Tommy Four Seven and his buddy Alain present striking gothic techno architecture as These Hidden Hands on their excellent debut album. Converging a brutalist aesthetic with studio dynamism, their eponymous debut cycles eleven crushing blends of wrecking ball bass hits and pulverised noise rent with super wide and spacious production. It's a sound that's steadily attracted a lot of listeners and producers alike …