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*200 copies limited edition* "If you remember me, then I don't care if everyone else forgets" - Haruki Murakami
Pro-dubbed cassette in an O-card with a soft-touch finish and an insert / download card.
*33 hand-numbered copies* We present a new recording by the enigmatic project Sagart Alhague.
By definition, folk music is traditional music that originates among the common people of a particular culture, which raises the question: who are those peo…
*80 copies limited edition* Since 2013 on NTS, Time is Away (Jack Rollo and Elaine Tierney) has redefined the concept of radio storytelling. Theirs is a cultured and visceral assemblage that weaves ambient, sacred music, dub, and field recordings wit…
*70 copies limited edition* I was invited to a Drove session in October 2023. It was my first time engaging with a sound environment centered on prolonged, mellow listening outside of club chillouts. I set out to rework the live recordings and distil…
*300 copies limited edition. Black sleeves with paste-on artwork and a postcard* Debut LP from a new Gothenburg duo consisting of Irma Krook (Makthaverskan) and Dan Johansson (Sewer Election). Alyssa takes elements from Irmas Military Arms 12" rele…
In Complete Works for Multiple Piano, Morton Feldman’s quietly radical writing for three or more hands is heard as a three‑hour continuum of hushed, hovering sonorities, where time dilates and the piano becomes a shared, breathing instrument.
On geschrieben in wasser., Klaus Lang pares the piano quartet down to a faintly breathing organism, letting soft, slowly shifting harmonies hover at the edge of audibility like something written on water just before it disappears.
On For a Lemon Tree, Kristofer Svensson, Maya Bennardo and Erik Blennow Calälv cultivate a fragile, glowing sound‑world where violin, bass clarinet and kacapi trace slow, intertwined lines, turning silence, breath and overtone into their primary comp…
On his Clarinet Quintet, Jürg Frey stretches time until it feels almost weightless, using soft clarinet breaths and hushed strings to trace a slow, luminous drift where tiny inflections become whole landscapes of feeling.
On Flare, Sylvia Lim turns six chamber works into a series of luminous close‑ups, magnifying tiny shifts of timbre, breath and touch until fragile sounds bloom into something cathartic, raw and quietly destabilising.
On Tending, James Creed threads four ensemble works through a shared practice of careful, collective attention, letting sparse parts, quiet doublings and gently unstable textures accumulate into music that feels like weather slowly forming in the air…
On Of Time, Underground Spiritual Game - baritone saxophonist Eden Bareket, bassist Ran Livneh and drummer Eran Fink - trace an imaginary route from city grime to rural trance, fusing Ethiopian jazz, Afrobeat pulse and cosmic free improvisation into …
On Conclusio, Asmus Tietchens bends back toward his industrial roots, folding corroded pulses, cold drones and acerbic detail into a suite that feels like “German Angst” hammered into stark, sculptural sound.
100 copies limited edition Isle of Wight: The Long Stone of Mottisone by AHRKHWorcestershire: The Legend of Raggedstone Hill by Bell Lungs
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L …
100 copies limited edition Bristol: Giants (Goram & Vincent) & Door of the Hatchet Inn by Jake BlanchardHertfordshire: The Handiwork of Sir Guy de Gravade of Tring Station by Geology Disco
- C-30 printed cassette housed in library case- 6x panel rese…
John Duncan was born in Wichita, Kansas and arrived in Los Angeles in the mid-1970s, where he became closely associated with the Los Angeles Free Music Society, working with Tom Recchion, Fredrik Nilsen, and Joe Potts. His early practice combined rad…
*2026 stock* Alien Brains was an abstract non-collective initiated in 1979 by Nigel Jacklin. Over the years Nigel co-operated with the likes of Mark Lancaster (Instant Automatons, 391), Allen Adams (Methods Of Execution, The Blanks, The Destructors),…
Huge tip! It was a cold winter's night in late 1978 when Chris Connelly, fourteen years old, lay in bed with his radio and heard Throbbing Gristle's Hamburger Lady for the first time. It changed his life permanently. He had already been making sounds…