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Third in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam…
LP eition: the excellent Public Information label really comes into its own with this revelatory collection of early concréte tape music by F.C. Judd - a much overlooked British electronic music pioneer and contemporary of Daphne Oram. Born in Woo…
Limited vinyl pressing of this excellent split LP self-released by Grouper in this scarce second edition* The music on this split release arrives remastered after its initial release via C40 cassette a while back. Likeminded souls Eva Saelens (inc…
What mischief can be made with just cornet, vibraphone and drums. Rob Mazurek has scaled back considerably since Stars Have Shapes, the 2010 record from his Exploding Star Orchestra. His new project, the curiously named Starlicke…
Australian Charles Curse's music is one of the weirdest things I've come across all year. On Rain In Skull, fragments of disjointed folk melodies move across a plain of wheezing chords, tape hiss, children's voices, ambient washes, amp hum, electroni…
Doris Norton, pioneer in the early electronic/computer music, began her musical career playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980…
Much time has passed since the release of "Can't Illumination" in 2003, and Anna Zaradny and Burkhard Stangl meet yet again, now on each side of a vinyl record on the Bocian Records label. There were, however, many various encounters in various ci…
LP version. Sub Rosa presents this cult album that has not been available in years. Re-released with new artwork, this is the 1980 version of Symphonie Pour Le Jour Où Brûleront Les Cités (the original version was released in 1976 and was later re…
"A casual interweb cruiser could be forgiven for confusing Dolphins Into The Future the “band” (aka the one-man tape-loop blue-age ambient project executed by Belgian Cetacean Nation ambassador Lieven Martens) with Dolphins Into The Future the book (…
Starfucker’s highly regarded full-length LP Reptilians was originally titled “Heaven’s Youth”. Like most artists, song ideas, the album concept and even the artwork continued to evolve. The band changed the title, continued to edit and develop t…
Stargate is something in between pre-sleep Tetris Effect and Trance music in slowmotion: gated soft synth arpeggios smoothly modulate towards brutal supersawed patterns, disintegrating into ecstatic vocals. You are opening the doors of an Ibizia cl…
REL is proud to present the debut LP of the scottish duo USURPER (Ali Robertson and Malcy Duff). Creating a sound nearly impossible to describe, USURPER combines obsessive metallic clunk, destroyed voices, broken horns and dropped marbles (?), into d…
Aggressive loop music based on sounds from photographic equipment and african field recordings. Besides being an early-Reich cheap imitation, ‘lagodelnulla’ is an italian expression (roughly translated as ‘lakeofnothingness’) found in an old Banda…
The performance on this LP was recorded live at Roulette in New York last year. I have appreciated Knuffke's playing and music before, and I will do it again here. His tone is always full and warm, and he's a master at taking tough bends easily. Th…
Red Horse is the blistering free-post-everything project of drummer/multi-percussionist Eli Keszler and guitarist/mad-scientist Steve Pyne. While both musicians are active in a number of different projects (you probably wouldn't believe Pyne's day …
Vinyl! The sixth album from Mark Nelson's longtime solo project following Quiet City. A mix of warmth & foreboding expansiveness, neither of which is minimal nor overdone.
Stunning five-song debut EP by this young Tokyo producer. Ghost-in-the-drum-machine rhythms layered with her exquisite Cocteau Twins vocal haze, but impeccably crafted into nuanced multi-movement compositions. Will be doing a full-length later in …
Portland, OR-by-way-of-Michigan garage gang Little Claw first tripped our radar with their self-released Why Not 7 inch, which was/is raw and physical and swingin’ in all the ways you want a 7” to be. Their LA live shows proved even more ripping and …
Sandy Bull's 1965 LP Inventions remains one of those legendary albums that almost no one has heard. Its impact, however, can be scene in the title of this new compilation spotlighting a great unsung hero of "psychedelic folk." "Blend," the 22-minute …
LP, heavy fluorescent orange vinyl; ltd and numbered 1/99 only, rec. August 24, 1979; first landing of the Arkestra at Squat ! on back cover there's even an elusive photo of original Squat entrance/building. Arkestra personnel during that period:Joh…