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16 page booklet including Cage's Place In the Reception of Satie by Matthew Shlomowitz. Erik Satie's 1893 Vexations is musique d'ameublement - literally, "furniture music", the phrase coined by Satie in 1917, where he identifies sound as drapes, tili…
AWESOMEEEE!!!! The construction of this latest opus from C. Spencer Yeh's Burning Star Core comes from the collaging of sixty-six live recordings, captured over the course of an eleven year-period. The editing time for this monstrous undertaking …
"Two improvisations on piano & tenor saxophone, one in concert and the other before the audience arrived, recorded at the Bimhuis in Amsterdam in 2006. The sleeve design is derived from work by the late Tomas Schmit whose work is much loved by both…
Luigi Archetti und Michael Heisch spent over two years experimenting in the studio. The result is the album the "Netherlandish Proverbs" – a musical approach to the painting by Pieter Bruegel the Elder (1525 – 1569). Conceived by a process of random …
In December 2009 Zebra (Roel Meelkop & Frans de Waard) were invited to play a hommage to Martin Hannett, the legendary producer of Joy Division, A Certain Ratio and Section 25 (to mention Zebra's favorites). This was the start of a long Factory Recor…
“intersezioni di vortici, studi ritmici e false chimere” is a suite of ten short compositions for modular analog synthesizer (except for one track that incorporates a few sounds recorded with a microphone). Initially conceived as series of studie…
Eight musicians play the same virtual synthesizer programmed by myself with Max/MSP following a precise score. They start with the same sound but while slowly modifying each parameter they transform it from within, grinding up its entrails. The li…
This is an unreleased album from 1975 of studio/live material! Dieu has smiled upon us, for a previously shelved early album (1975) by Ilitch finally has its jour in the soleil. Thierry Müller's strange musical arc is further enriched and confound…
A brand new album from one of the most revered and acclaimed ambient composers of our time, Vivian & Ondine takes the form of a single, three-quarter hour piece, once again constructed from William Basinski's signature style of tape loop manipulation…
A sensational CD release of an awesome tape (originally published by Multiple Configuration) that includes live tracks recorded between 1983/1984 and comes in a completely remastered edition. Tasaday are a "cult" band active since the early Eighties.…
Ben Chasny has spent many years at this point perfecting his very personal vision of the American landscape. With his early LPs he managed to grab a groundswell of support for his distinctly lo-fi recordings, and since hitting the Drag City label wit…
Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your conven- ience – including a first recording! Wolfgang Rihm once claimed that the most appropriate statements about…
At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European …
The Preservation label presents the fourth album from Sydney's Seaworthy. Seaworthy is the musical guise of Cameron Webb, who, for the best part of a decade, has developed singular soundscapes scored with guitar-driven ambience, field recording and…
Limited copies back in stock. It's hard to believe that it's been almost a year since Rutger Zuydervelt helped nail our jaws to the floor with his exceptional album 'Dauw'. It used to be that there was a new Machinefabriek album almost every week (so…
...Every trio without a piano, or without a drums, or as in this case without a double bass, gains in incline what it loses in “balance”. It only takes a little sometimes. Everyone plays at ease across. Everyone can split themselves. There are no mor…
"Umbra was recorded in 2010 in Barcelona. I used a modified AM radio and a home-made oscillator. I found the radio in the street the previous year, discarded outside a huge warehouse full of electronic ‘garbage’. I took it to my studio and modified …