New Arrivals
Cave Acoustic
In 2018, New York based composer and improviser Lucie Vítková made recordings in caves in the Czech Republic and an abandoned Gothic church in Slovakia. Their album Cave Acoustics combines a beguiling exploration of the physicality and acoustics of these unique locations with profoundly personal themes of family legacy and roots. Lucie performed with their sisters in Výpustek Cave – an underground system of tunnels and former Soviet-era bunker. The choreography-based piece creates crescendos of …
sifting through heaven
Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built. Winstone’s instrumental palette continues to reac…
a path with a name
Atte Elias Kantonen is a composer and sound designer based in Helsinki, Finland. “a path with a name” follows well-received releases on Mappa and Active Listeners Club, and finds Kantonen expanding the scope of his dynamic and idiosyncratic practice. Here, he places his listeners within an auditive diorama, affording them myriad views of the microscopic landscapes contained there within. An oneiric narrative is established from the opening track, in which a heavily treated voice proposes a dialo…
Next Door
Adroit jazz guitar, prog rock fantasia, and Japanese environmental music all rest comfortably behind Leo Takami's Next Door. The follow up to the acclaimed Felis Catus & Silence, Next Door finds Takami ruminating on passages — of time, seasons, consciousness. Through music, Leo contemplates daily events and finds beauty in ordinary moments. He also seems to be questioning the value of being stuck in the world, allowing his mind to wander towards something beyond it. His music is earnest, deeply …
All Of You
All of You is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Jamal's own club in Chicago in 1961 and released originally on the Argo label. Jamal's group had a personal sound of its own, often playing quietly and leaving space but never losing the passion. These versions of "Time on My Hands," "Star Eyes" and "All of You" in particular are well worth hearing. On the cover, photographed by Don Bronstein, one of the first staff photographers for Playboy magazi…
Wganda Kenya Kammpala Grupo
*First time reissue!* A wild and funky collection of Afro grooves that was ahead of its time in 1977 and has become a collector’s item in recent years, especially due to the growing international interest in Colombian picó sound system culture. Fruko and his studio bands Wganda Kenya and Kammpala Grupo treat us to a diverse set of African and Caribbean styles, laced with crazy synths, psychedelic guitar and infectious pan-African polyrhythms.
Pan
“The album Led Zeppelin would have made, had they formed in Caracas” - Alex Figueira
First time reissue of one of the essential and most sought-after Venezuelan rock albums, originally released in 1970, along the lines of what other artists such as Santana or El Chicano were doing from the United States in those same years. Grupo Pan was led by Carlos “Nené” Quintero, former member of Los Dementes, Ray Pérez's group, and through this record he aims to retain the rhythmic strength and brass arran…
Cumbia De E.T. El Extraterrestre / El Regreso De E.T. El Extraterrestre
*First time reissue!* Two massive cumbias recorded in 1983 by Afrosound, the studio band fronted by Fruko and put together by Discos Fuentes in order to emulate the guitar-heavy tropical sounds emanating from Perú and Ecuador at the time. Heavy on space sounds and unexpected sonic tricks, these two songs were released as a tribute to E.T. aiming to take advantage of the pull of the film that year.
Mona Call
Two long-lost recordings from Marc Moulin's Placebo band, and it's earliest incarnation, Kiosk. Debuting unreleased outtakes from Placebo's second album, '1973', and the first ever official reissue of the proto-Placebo single by Kiosk. Originally pressed in tiny numbers in 1970 as a promotional release for Moulin's Sunday night radio show, Dimanche Musique, at RTB, Brussels. Taken from the only existing mastertapes, just recently resurfaced!
Phalene I / IV
*300 copies limited edition* Two long-lost recordings from Marc Moulin's Placebo band, and it's earliest incarnation, Kiosk. Debuting unreleased outtakes from Placebo's second album, '1973', and the first ever official reissue of the proto-Placebo single by Kiosk. Originally pressed in tiny numbers in 1970 as a promotional release for Moulin's Sunday night radio show, Dimanche Musique, at RTB, Brussels. Taken from the only existing mastertapes, just recently resurfaced!
Algo Salvaje Vol. 4
After three previous volumes in our series “Algo Salvaje” devoted to the Spanish nuggets, the new instalment explores the darkest, neglected and rebellious side of Peruvian 60s garage beat.
“Algo salvaje” is an anthology devoted to a rich period when hundreds of bands appeared all over the world and, after paying attention to what their US and British contemporaries were doing, found their own way to vent their teenage rebellion through loud guitars. With amazing results!
Many of the 14 tracks a…
Magnetic Stencil/ 2
Tip! "Instead of building towards a crescendo, Smyth and Wiese delight in sustained textures, then continue their patient growth … Scraped and plucked strings, caressed keys and percussive body knocks stand unwavering against waves of static, clusters of tinkling bells and spectral effects ... Throughout, the music’s flow remains profoundly atmospheric, almost oneiric, whether circling down a spiral of whisper-like low frequencies or being thrown around by violent stabs of noise. To finally brea…
Malayeen
*2023 repress* Discrepant proudly re-presents the Vinyl edition of Lebanese trio Malayeen. Malayeen is the project of Lebanese musicians Raed Yassin (Keyboards, Turntables & Electronics), Charbel Haber (Electric Guitar & Electronics) and Khaled Yassine (Darbouka, Percussion). Born from Yassin and Haber’s love for the music of quintessential Egyptian guitarist Omar Khorshid, Malayeen disassembles and re-configures the work and style of the iconic guitarist innovative take on Arabic music.
The fin…
Afterlife
*300 copies limited edition* Polish composer and sound artist Robert Piotrowicz presents his first work for Penultimate Press, one which outlines an uncanny sound world with a series of fictional organ pieces. Whilst resembling a pipe organ alongside other acoustic sources all material is strictly synthetic. The impression of air being swept through the bellows… false. The spatial organisation suggesting it was recorded in large physical space, false! The long middle solo passage in Noumen must…
Wednesday Weld
Musician Paul Flaherty believes that the difference between pre-composed music and free-form improvisational music is a bifurcation of the mind, “The logical mind is reduced to a witness during free playing and the emotional mind is fully released.” Free from concept, outline or even leadership, the music is a free-form experience. This is realized on the newest release from Paul Flaherty (Tenor sax, alto sax) and his long-time collaborators Jim Matus (Electric guitar, Baritone guitar) and Larry…
Shine Hear (Vol. 1)
Collaborations are unique to their combinations, producing totally original and innovative ideas with the addition of a single factor. In this case, legendary musicians and 577 mainstays join together in this unique arrangement for the first time, allowing for yet another reinvention. Saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another impro…
Peach and Tomato
Leonor Falcón and Sana Nagano met in graduate school at Queens College in 2015, and have since collaborated in many projects. On this release, ‘Peach and Tomato,’ the duo offers fresh new compositions that display both their sense of imagination, and their deep appreciation for classical influences. This is particularly true with their version of two movements from the Prokofiev Sonata for Two Violins and the composition Etude 1 and 2, an homage to Bela Bartok and a fluent conversation between t…
World Without
Abstraction, with feeling. Saxophonist Paul Dunmall, a veteran experimental jazz musician, was feeling drawn to vitality. He wanted to organize a group of musicians that were driven by an underlying pulse and a central energy, beyond the abstract improvisations he had been familiar with for years. He had always appreciated jazz that had a driving, uplifting energy, and organized this quartet, inspired by these musicians’ previous improvisational performances. Alongside guitarist Steven Saunders,…
Volume 2
Super groups are always risky—the potential for disappointing fans or warring musical styles is high—but when longtime friends and masterful improvisers come together, they usually work. Evident in their first collaboration, simply titled Volume 1, John Dikeman (Saxophone; When The Time Is Right, 577 Records, 2021) joined musicians Pat Thomas (Piano; Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), John Edwards (Bass; EMPoWered. 577 Records, 2021), and…
You Is You
What does it sound like to be a working artist? Here, flutist Joe Melnicove, joined by his mentor, saxophonist George Garzone, drummer Billy Hart and bassist Ben Street, tries to convey it. ‘You is You’ is inspired by a spirit of radical self-acceptance and self-knowledge, from a single melody he composed at home in Rosh Pinna, Israel. Recorded in New York, the songs have clear allusions to the experience of being musicians. Tracks like “Monday Night” and “No Applause” invoke the experience of a…