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2026 Repress. In Muto Infinitas, Catherine Lamb extends her distinctive approach to microtonality and just intonation, crafting a forty-minute dialogue for quartertone bass flute and double bass performed by Rebecca Lane and Jon Heilbron. The recording, realized without electronic alteration, invites deep listening, unspooling at an unhurried pace in a luminous acoustic field. Lamb’s music here is uncompromising in its patience: the two musicians linger in the borderlands of pitch and timbre, ca…
Huge Tip! 300 copies. Originally issued in 1978 by Cetra, Follie Del Divino Spirito Santo emerges from a singular moment in Antonio Infantino's artistic practice - a moment when his early immersion in international Beat circles and avant-garde gestural music had crystallized into something entirely his own: a ritualistic and shamanic engagement with the musical traditions of Southern Italy.
From 1964 onward, Infantino had moved through collaborative circles with Vittorio Gelmetti, Sylvano Bussot…
On Music for the Process of Dying, Homo dissolves language into a porous, five-part soundscape where breath, organ, flute, electronics and the outside world seep into one another, sketching a wordless vigil for the psyche as it approaches the threshold.
Lub arrives like a controlled implosion. On this debut full‑length, SOF - a Berlin‑based Portuguese artist steeped in metal, noise and the more hostile edges of underground sound culture - treats the album format as a site of self‑preservation through destruction. Rather than slotting into any familiar subgenre lane, these tracks rip up the social contracts of song form: riffs don’t resolve where they “should,” structures don’t flatter attention spans, and there is no chorus waiting to offer cat…
On Banco, Banco Del Mutuo Soccorso refine their baroque, hard‑charging Italian prog into a fiercely lyrical epic, where Francesco Di Giacomo’s operatic voice rides labyrinthine suites of piano, organ and guitar that feel both fiercely intellectual and wildly emotive.
On Sketches of Spain, Miles Davis floats through Gil Evans’s lush, flamenco‑tinged orchestrations like a solitary witness, turning Spanish folk and classical themes into slow‑burning tone‑poems where jazz improvisation melts into modal ritual.
** Special Time-Limited Offer ** The Indianapolis-born trumpeter Freddie Hubbard introduced his prodigious talent on Blue Note Records with a run of remarkable albums recorded thru the early 1960s. At first rooted firmly in hard bop, Hubbard began to broaden his approach on his masterwork Ready for Freddie, recorded in August 1961. “The way in which I’m most interested in going is Coltrane-like,” Hubbard told liner note writer Nat Hentoff. Hubbard had recorded with Coltrane earlier in the year o…
There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered pri…
Lo Five is as proud as he is anxious to present SUPERDANK, a CD album packed to the green gills with heavy dubs for sleepy schlubs. SUPERDANK is ostensibly presented as a collection of hardware stoner jams, structured in the form of an hour long edible-induced psycho-narrative, taking the listener on an aural voyage - kicking off at pleasant buzztown, calling past existential paranoiaville, then landing back in the relative safety of sofaborough in time for tea and crumpets. But what is SUPERDAN…
2026 stock Bára Gísladóttir (b. 1989) considers sounds, instruments and ensembles as living organisms. In VAPE, Hringla and COR, the Icelandic composer and double bassist engages with the largest musical organism of all: the symphony orchestra. Through these works, we follow Gísladóttir’s fascination with language and coincidence, for example. Here is an uncompromising interrogation of the body, in its excesses and ailments. And here, most of all, is life, vaporous and between states, neith…
Flesh Turned Blue is a provocative cassette release by Meat Locker / Rogue State on Hospital Productions. This tape delves into raw, confrontational noise with tracks like "Blue Sodomy Demise (JFK Fellatio)" and "Breast Feeding In...," embodying the label's signature extreme industrial aesthetic.
Issued on July 31, 2025, the tape captures Meat Locker's unfiltered aggression through visceral soundscapes that blend power electronics and harsh noise. Hospital Productions, based in New York, conti…
"The curtains are drawn back, the sheets are pulled up over your face, the tape is fizzing out - you hear a familiar voice, a beeping, a chirping, a long hallway voice of lights - damn, feels like a breeze over marble headstones and you recognize what felt so familiar… the bark of the birch tree looks exactly like your bedroom back home. black and white and falling apart. mlehst mastery of soul-fuckery with surrealist outcomes! the difficulty… no …. the ease."
“Ultimatum And Incitement” is a c…
Archival recording from James Light and Ronald Elster (AGONAL LUST and DH).
Produced in ronald elster’s living home under the duress and showings of ‘death file’, and ‘traces of death’.
Alternate soundtrack to catskills mountain men classics.
Tape. Digital download included. The train starts towards blackpool. the enemy streets are full of revellers, and we know what they are celebrating. last night’s fiasco. now we can tell you the next day was the same, only worse, that they had caught on and they just had to face the truth, that a real rain would come, beyond belief, washing away an audience of no one.
Storm electronics by Dave Padbury.
Packaged in custom coffin clamshell case.
Tip! ** Edition of 70 ** On Cyan Music, Atte Elias Kantonen sets out to answer a deceptively simple question: what happens when shimmer and sheen – qualities usually belonging to light – are reimagined as pure sound. Across eight pieces he uses radiant, meticulously sculpted synthesis to build a world where timbre behaves like reflective surfaces, refracting and scattering in ways that feel almost tangible. Rather than leaning on obvious ambient tropes, he treats each track as a small laboratory…
*2026 repress* "One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet-- Elvin Jones, McCoy Tyner, and Jimmy Garrison -- stepped into the studio and …
A powerful new archival release from the legendary experimental project Muslimgauze, titled Muslimlahore, is now available worldwide via Bandcamp. This album continues the ongoing posthumous excavation of Bryn Jones’ vast and politically charged body of work, offering listeners a fresh immersion into his unique blend of ethnic electronica, dub, and tape-based soundscapes.
Muslimlahore presents a suite of tracks that reflect Muslimgauze’s enduring fascination with South Asian and Islamic themes, …
** Special Time-Limited Offer ** Unity is one of the great organ records precisely because it refuses to behave like one. Larry Youngbrings the Hammond into a post‑bop, modal context alongside Woody Shaw on trumpet, Joe Henderson on tenor saxophone, and Elvin Jones on drums. The tunes – including originals by Young and his bandmates – are harmonically rich and structurally intriguing, offering the soloists wide latitude. Young’s playing is astonishing: he voices chords in unexpected clusters, sp…
** Special Time-Limited Offer ** Further Explorations pairs Horace Silver’s piano with Art Farmer on trumpet and Clifford Jordan on tenor sax, plus Teddy Kotick on bass and Louis Hayes on drums. Silver’s blend of blues, gospel, and hard‑bop sophistication is very much in evidence, but the writing nudges things into slightly more intricate territory. Catchy themes, smart modulations, and rhythmic hooks abound, yet everything feels natural and unforced. Farmer and Jordan bring contrasting horn col…
** Special Time-Limited Offer ** My Point of View shows Herbie Hancock widening his palette with a larger band: Donald Byrd on trumpet, Garnett Brown on trombone, Hank Mobley on tenor, Grant Green on guitar, Chuck Israels on bass, Tony Williams on drums, and Patricia “Patty” T. on vocals on one track. The writing is richer and more layered, from soulful vamps to waltz‑like lyricism, yet unified by Hancock’s sense of structure and colour. The horns are given space to develop ideas; Green’s guitar…