New Arrivals
Cafetic Atom
On Cafetic Atom, Magic Nousiainen & Wonderful Lehtisalo turn the Finnish DIY cosmos inside out: ecstatic free noise, cosmic hiss and bliss‑bleeding feedback spirals coalesce into a strangely serene, meditative storm of pure, glowing otherness.
Re-Make Re-Model
“Re-Make Re-Model” is the result of a five-year dialogue between Norway and New Zealand sound artists Lasse Marhaug and Bruce Russell. What first started as a friendly challenge during the Covid19-lockdown to re-work selected works from each other’s catalogue – using different techniques and experimental approaches, challenging each other to go to extremes – extended to what is now a double-CD and a 100-page book package of writings and photos. Each CDs has eight tracks, a total of 100 minutes o…
Grain of Light
*150 copies limited edition* Robin Storey’s journey through sound is inseparable from the evolution of post-industrial and experimental ambient music itself. As a founding member of the seminal collective Zoviet France, formed in Newcastle upon Tyne in 1979, Storey helped shape a new sonic vocabulary that blended ritual abstraction, primitive sampling, and immersive atmospheres. When Storey launched his solo project Rapoon in 1992, he distilled that experimental spirit into a more introspective …
Live at Widney High December 26th, 1971
On a Sunday in the early 70s in South LA, you could easily find yourself standing in a high school auditorium, watching Horace Tapscott conduct the Pan Afrikan Peoples Arkestra as they poured out music like a benediction. No tickets, no VIP list—just the community, gathered. This was music as civic duty, as spiritual practice, as revolution by other means. Live at Widney High December 26th, 1971 captures one such afternoon, previously unreleased and now arriving like a dispatch from a parallel u…
Adams Apple
2026 stock Doug Carn made four records for the Black Jazz label, more than any other artist, and each one topped the previous release's lofty standard. Adam's Apple was his last (1974) album for the label, representing the final note in his staggeringly creative crescendo. It was also the first record without Jean Carn, but Carn and crew (John Conner and Joyce Greene) don't miss a beat on the vocals. And the band is absolutely sick, featuring reedman Ronnie Laws and fellow Black Jazz recording a…
Aya's Samba
Johnny’s Disk record is an independent jazz label run by the owner of jazz cafe Kaiunbashi no Johnny located in Rikuzentakata city in Iwate prefecture, Japan. The legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. Albums such as “Farewell my Johnny / Left alone” and “Aya’s samba” has reached cult status among fans as some of the best works to come out of the japanese jazz scene.
Another japanese jazz…
Embrace 2: Chains and Grain
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.
Embrace 3: Magnetron / Quarz / Obsidian
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.
Embrace 4: Orakelstücke / Aquin
On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of mystery from everyday sound.
Mighty Truth
Old friends Julian Bates and Alex Gray -- working together as Mighty Truth for the first time since 1995's From The City To The Sea -- filled a car with old analogue synths, kids' noise toys, and collected field recordings, took a road trip down to hole up in an old water mill in southwest England's bird-twittery, bee-loud Quantock hills. Things got cinematic: unequal measures of early Weather Report, Wim Wenders, and Serge Gainsbourg kept them wonderfully lost in their imagined world. Back in L…
Still House Plants
On their self‑titled debut, Still House Plants capture a raw, one‑day snapshot of their early quartet chemistry: tape‑hazed grooves, off‑kilter song forms and fragile/feral vocals sketched live to reel, already hinting at the oblique intimacy they’d grow into.
Hypnotised: A Journey Through Trance Music (1990–2005) (Book)
In Hypnotised: A Journey Through Trance Music (1990–2005), Arjan Rietveld traces trance from smoky backrooms to global main stages, charting how a marginal, emotional strain of dance music became a worldwide language of euphoria, melancholy and collective release.
Mocomono
On Mocomono, Hifiklub & Alain Johannes turn a two‑decade friendship into a glowing, slow‑burn suite: guitars, textures and voices dissolving into an ambient rock vapor where the Toulon collective’s restlessness meets Johannes’ desert‑honed lyricism.
Extracellular
On Extracellular, Hidden Horse, Sophie Sleigh-Johnson, Johnny Richards & Dave King, Domotic, Revbjelde, Saïph, Oh Mr James, Secluded Bronte, Time Attendant, Etceteral, Dolly Dolly & Fogroom and Gong Girl plug into the “space between cells”, trading signals as pulsing electro, splintered jazz, industrial dub and spoken ritual fuse into a single, buzzing nervous system.
La vera storia di una macchina inventata
"La Vera Storia di una Macchina Inventata" is a conceptual album built as a surreal sonic narrative. Conceived as a continuous journey rather than a collection of tracks, the album tells the story of an “useless machine” and its inventors, moving through exhibition halls, highways, rest stops and imaginary radio stations. The project was born from an intense period of collective research by Metameccanici, a trio formed by Angelo Trabace, Alessandro Trabace and Sebastiano De Gennaro. Working betw…
Ardeur
On Ardeur, Eskaton condense Zeuhl’s celestial fury into a tighter, more direct form: spiralling dual vocals, ferocious rhythm section and glowing keyboards driving short, explosive pieces that feel like 4 Visions rewritten as concentrated plasma.
Tension That Never Explodes
*100 copies limited edition* Two distressing tracks. A paranoid Ep without a doubt! First vinyl release for Cytokine Storm.
Detriti
*60 copies limited edition* SabaSaba return with ‘Detriti’, a companion piece to 2024’s dystopian ‘Unknown City’. The duo of Andrea Marini (synth, guitar, electronics, tapes) and Gabriele Maggiorotto (drums, percussion, effects, programming) are joined by collaborator Ambra Chiara Michelangeli on viola. The mysterious Torino ensemble trades in much of their digital sheen for a rollicking half-pensive, half-dream suspended soundtrack. An organic looseness permeates the short tracks creating ferti…
Adjustable Phase
Adjustable Face, the newly formed duo of Milan-based musicians Marco Paltrinieri (Canti Magnetici, Granny Records) and Matteo Pennesi (Babau, Artetetra, {scope}), explores the intersection of glitch, ambient, and computer music through different composition and production strategies.
Their debut album "Adjustable Phase", soon-to-be-released via Kohlhaas, was built through a process of editing, reassembling, and refining extended improvisation sessions recorded throughout 2024. Primarily based on…
Stella Maris
Performed by Giovanni Di Domenico on a late autumn night in 2021 on the 2859-pipe organ (Giuseppe Zanin, 1970) at Chiesa di Stella Maris, Milano Marittima.
Giovanni Di Domenico: pipe organ, Chiesa di Stella Maris, Milano Marittima, Italy, November 26th, 2021.