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Long-time collaborators and legends of the British improvised music scene, the great saxophone virtuoso John Butcher and the master of the double bass John Edwards, join forces in a duet journey through a fascinating land of sounds, sometimes undiscovered, sometimes impossible, and always breathtaking.
Available for the very first time, the intergalactic icon Sun Ra and his Arkestra’s Lights On A Satellite: Live at the Left Bank was recorded on July 23, 1978 at the Famous Ballroom in Baltimore, Maryland by the Left Bank Jazz Society. The limited-edition 2-CD set contains audio from the Sun Ra Archives and was researched and compiled by Sun Ra archivist Michael D. Anderson. The critically acclaimed independent filmmaker Robert Mugge has also provided audio from the recordings he made at the Lef…
Exuma is the debut studio album by Bahamian folk musician Exuma. It was originally released in May 1970. In the early 1960s, Exuma (born Macfarlane Gregory Anthony Mackey) had moved to Greenwich Village, New York and started playing guitar and singing in the cultivating folk rock scene developing in that area. After producer Bob Wyld came up to him offering a record deal, he chose to adopt "Exuma, the Obeah Man" as his name. Wyld adopted the pseudonym "Daddy Ya Ya" and recruited a few musicians …
Milkweed’s new album draws from ‘The Táin’ Irish epic, mixing “Slacker Trad” with global sounds. Critically acclaimed, their music merges Appalachian folk, hauntology, and experimentation.
Amosphère’s »Cosmogonical Ears« explores time, space, and perception via long-form, minimalist-electroacoustic pieces, merging myth, meditation, and quantum physics for immersive, transformative sonic experiences.
Giuseppe Ielasi & Riccardo D. Wanke’s debut duo album blends electric guitar and piano with reverb, showcasing shared improvisational artistry and a delicate sculpting of sonic space through careful interplay and mindful silences.
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**Belgian artist Elisabeth Klinck’s “Chronotopia” marks a new artistic phase, blending violin and voice in song-based, intimate soundscapes. Recorded in the Pyrenees, it playfully explores time, duality, and transformation, balancing improvisation with melody-led structure.**
Plume Girl’s ‘Unnameable Glory’ merges Hindustani, ambient, and pop, dissolving boundaries between language, sound, and feeling. Somanath explores the luminous freedom found beyond definition and the joy of shared, wordless experience.
Antonio Borghini and Banquet of Consequences continue on their path of jazz, freedom, and rigor, in which writing, improvisation, tradition, and chaos coexist in a vital and surprising mixture. Well-organized music that uses disorder to its enrichment and is a harbinger of melodic flourishes and references many different kinds of music.
Tip! Two long pieces, a live performance and a rehearsal at home, make up this work by the Braida Locatelli duo, a new stage in their 30-year journey. Improvised music that often sounds composed. Improvised, decomposed, recomposed, composed? A true duo, where one plus one makes one.
Victoria One reissues "Armageddon" by The Maze, digitally restored for new audiences. Featuring original 1968 tracks plus rare bonus content, this release offers the definitive psychedelic legacy of late 60s San Francisco.
On September 30, 1963, American saxophonist and multi-instrumentalist Rahsaan Roland Kirk and his quartet gave a small concert in the TV studios of Radio Bremen. The concert was broadcast on ARD in the spring of 1964 as part of the popular "Domino" series.
Now the original tapes have resurfaced in the station's archives. Sensational! The former sideman of Charles Mingus, Gil Evans and Quincy Jones had come to Germany not only with his successful Mercury albums "Domino" and "We Free Kings" in his…
Formed in 1972 as a quintet, Dzyan recorded their self-titled debut album after only two months and released it on Aronda, a small Bad Homburg label owned by producer Günther Müller. The original line-up, which never performed live, broke up after a few months. Bassist Reinhard Karwatky soon formed a trio that took the band's name. Karwatky, guitarist Eddy Marron and drummer Peter Giger signed a contract with Bacillus/Bellaphon, Peter Hauke (Omega, Nektar, Jeronimo, etc.) produced and Dieter Die…
Alto saxophonist Marion Brown was an initially underrated hero of the jazz avant-garde. It was only after he moved from Atlanta to New York and joined John Coltrane that the public and the critics took notice of him.Dedicated to discovering the far-reaching possibilities of improvisational expression, Brown possessed a truly lyrical voice. In the early seventies, she played with Anthony Braxton, Andrew Cyrille, Bennie Maupin, Jeanne Lee, and Chick Corea, among others. On this recording he was ac…
Esoteric Recordings are pleased to announce a new remastered edition of the wonderful ambient and experimental work by composer Terry Riley, "A Rainbow in Curved Air”. One of the great modern musical works, Riley composed this influential piece utilising tape loop recording in 1967, performing every instrument himself.A pioneer of modern music, Riley’s all night performances of his work were ground breaking experimental events and influenced composers such as Philip Glass. Released as an album i…
Oren Ambarchi, Johan Berthling, and Andreas Werliin return with Ghosted III, their most immediate and adventurous collaboration yet. Recorded at Stockholm's Studio Rymden, this third excursion into spontaneous rhythm creation blends ambient neo-jazz, postkraut, and minimal funk with newfound looseness and wild exuberance.
In the summer of 2024 I was browsing through some unmarked tapes in my studio, Where I found a cassette with a mysterious recording which I couldn’t figure out who had made. In the following month I played it for a dozen different people to see if they had any knowledge about this magical treasure but no one knew anything about it. However after a lot of searching I figured out that the tape included recordings of my great friend Johannes’s new rock group Bending Backwards, we shared studio spac…
A Friday evening last year I were hanging out as usual in the Afvikling headquarter probably reading about some stupid 80s action film. However that evening took an unexpected turn when this release suddenly landed in my inbox. Naja is a great friend of mine and she has already done a lot of amazing music but this tape made together with longtime collaborator Jonas Sommer is especially impressive I think. 25 minutes of very sweet and heartwarming Lofi pop songs from the top shelf of great songwr…
Such a beautiful release from my friend Frederik. Acoustic instruments and a lot of silence. I hope he is going to do many more releases for the label.