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Released in 1981, the debut of the legendary keyboardist from Eberhard Weber’s Colours band and later the Jan Garbarek Group, Freigeweht presented Rainer Brüninghaus as a highly original and idiosyncratic sound sculptor in his own right, accompanied by ECM stalwarts Kenny Wheeler on flugelhorn and drummer Jon Christensen as well as oboist Brynjar Hoff. In a review of the album from the year of its release, the German daily Frankfurter Allgemeine Zeitung traced Rainer’s influences and minimalist …
Return of the great American jazz trio that delivered the poll-topping "Nothing Ever Was, Anyway" in 1997. Material heard on "Amaryllis" is by turns thoughtful, touching, joyous and viscerally exciting. Some of the songs are well known – almost classics of new jazz – including Crispell’s "Rounds", Peacock’s "Requiem" and "December Wings, Motian’s "Conception Vessel". There are also a number of startlingly effective free improvised ballads. As leader Marilyn Crispell says, "There’s a great depth …
From the very first note, Norway’s Jon Balke proposes a new sonic dimension with Skrifum, continuing a line of inquiry begun with Warp (2016) and Discourses (2020), solo piano albums which also processed the acoustic environment in which the music was heard. Skrifum (the Icelandic word for “write”) takes things a step further. With the aid of electronic audio tool the Spektrafon, which he helped develop, Balke is now able to directly manipulate ambient audio sound from the piano while playing –…
Pianist François Couturier and violinist Dominique Pifarély, major figures in French improvisation, have played together in many projects over the last 30 years, including their duo, which made its recording debut for ECM with the remarkable Poros in 1997. Preludes and Songs, carries the story forward, with its programme including music by both players as well as pieces by Jacques Brel, Duke Ellington, George Gershwin and J.J. Johnson. With sensibilities informed by jazz and contemporary composi…
Musical messages from Oslo, New York, Basel and Lugano – recorded between 2018 and 2022 – are juxtaposed and recombined on an absorbing recording that features Norwegian drummer Thomas Strønen solo and in a series of duets . With such partners as Craig Taborn, Chris Potter, Sinikka Langeland and Jorge Rossy, the musical frame of reference is very broad. Elements from Langeland’s’s archaic-sounding folk to Potter’s post-Coltrane saxophone and Taborn’s whirlwind modernist piano each find their p…
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
Invictam represents Olivia Font’s solo debut, an album co-produced with producer and composer Pedro Vian, set to be released in early 2025 under his label, Modern Obscure Music. This work explores themes of resilience and adaptation after loss, developing these ideas through a sonic journey that blends strings, analog synthesizers, electronics, and experimental percussion. The narrative is guided by a female voice, which, although not the central element, appears intermittently throughout the al…
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
*200 copies limited edition* TON is thrilled to present “Moko”, the eighth album by FourColor, the solo project of Keiichi Sugimoto. With a remarkable discography spanning labels like 12k and Apestaartje, FourColor has established itself as a master of blending processed and raw guitar chords, drones, synthesizers, and samplers into a warm, evocative, and deeply immersive sonic landscape. “Moko” continues this tradition, yet it also marks a new chapter in Sugimoto’s artistic journey.
The album’s…
*100 copies limited edition* Kurt Liedwart unveils his new label, TON, with the release of “Volta”, the inaugural album in a planned series of five. After a decade immersed in experimental electronic and occasionally improvised music, Liedwart returns to his roots in techno and ambient—genres he has been passionate about since the early 1990s when he first began crafting music in these styles. For “Volta”, he revisits and reimagines sounds from his unreleased techno albums of the late 1990s, ble…
"It’s a lovely album, best played at the end of the day; the lights are still out when the day turns into evening, and darkness slowly falls". - Vital Weekly
*110 copies limited edition* "For this new record I've been inspired by some of the most breathtaking landscapes in Spain. These are 11 tracks where, like musical postcards, I've tried to reflect the beauty of the Irati Forest in Navarra, the Flysh of Zumaia in Gipuzkoa, the Albufera of Valencia, the Gorafe desert in Granada or the Somiedo natural park in Asturias, among other amazing places." - David Cordero
*2025 stock* After a long break Wozzeck returns to Intonema with an album called Fact I that opens the next chapter in the group's history. Ilia Belorukov, Mikhail Ershov and Konstantin Samolovov celebrated a decade of the band last year and wrote a piece with the materials collected over several years, transformed them and placed them into a new context.
This resulted in a 37-minute composition of math rock, noise, musique concrete and field recordings with a wide dynamic range and sounds throu…
In a collaboration lasting several days in Novi Sad, Belorukov & Zlanabitnig explored the acoustic and electronic sound combinations of their instruments as well as ambiental sounds and field recordings in the immediate surroundings of the city. This was not just a direct musical collaboration. Ilia and Sara integrated their sounds into the spaces in which they were played in, be it the studio_kuda.org, the museum acoustics or the Peace Chapel. The musicians developed different approaches throug…
Tip! *2025 stock* "On Ganglions, Badrutt sculpts sinusoidal sounds, internal and external feedback as well as voice inputs and other sources into two pieces of otherworldly music. The release takes the listener into the realm of an arthropod central nervous system and its nerve cells processing tactile and visual information (Supraesophageal). The B-Side – Suboesophageal – showcases a more primitive, destructive approach that could well be aligned with a nerve cluster that processes environmenta…
The trio Gaudenz Badrutt (electronics), Jean-Luc Guionnet (alto saxophone) and Frantz Loriot (viola) met for the first time at the Biel/Bienne-based “Joyful Noise” encounters in December 2018. Very quickly, the three agreed on a formal and sonic understanding, giving the trio a distinctive sound, combining and interweaving different sonic aesthetics, from electroacoustic to acoustic improvised music.
In February 2020, the trio continued its musical journey for a residency at Instants Chavirés i…
*2025 stock* In 2013, the collaboration of electronic musician Gaudenz Badrutt and saxophonist Ilia Belorukov began in a trio with accordionist Jonas Kocher, and in 2014 the album Rotonda was released on Intonema. Since then, time has passed, Badrutt and Belorukov have toured also as a duo, Belorukov later switching to a modular synthesizer.
In March 2019 in Biel/Bienne, the duo fruitfully worked in a new context, looking for fresh ways to interact, not only with each other, but also between ele…
Ambient explorers SWIMS unpeel another heady debut, with the maiden effort by Korean artist Soo Kyung Kim, also known as soo:k. The curtain raises on Orchadia with an elysian glow: electro-acoustic compositions painting a golden topography of impossible fruit and uncanny astronomy. soo:k's utopic brushwork finds obvious comparisons in the work of Hiroshi Yoshimura, and his meditations on the glacial pace of hidden, verdant spaces. Frida Kahlo's portraits of everyday life, intertwined with pain a…
Sediment is an assemblage of field recordings made in the Swiss canton of Jura on a single day in August 2022. Jura's rock and limestone formations create a complex topology which hosts a diversity of sound spaces; human, more-than-human, geophonic, subterranean and extra-terrestrial. By walking and driving through this landscape curious pockets of activity are revealed to the listener. The layers of strata that make up Jura; earth, rock, forest, cables, pipes, factories, planes and radio towers…