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'Dutch Tvashar Plumes' seems to map the changes in Lee's approach to music making over the last 4/5 years. From his initial exposure and subsequent immersion into Jungle as a teenager, he soon began experimenting with structure and sound design which led him to a more 'academic' approach with 'Computer Music'. There were many self-imposed rules he adhered to during this time. These last few years he decided to break with that and make an intuitive venture forward. This record is the first real d…
Toshimaru Nakamura returns with another outstanding full-length of no-input mixer improvisations. Hello, Dear…ah, anyone who takes this up in front of your eyes and ears. Here’s my new (in 2013) solo album. I hope you find it worthy enough to take your time and have a listen. It was recorded in one day. Compared to my previous releases, “Maruto” on Erstwhile Records (2 years to produce), “Egrets” on Samadhisound (5 years), it came to life quite quickly. Almost like it popped out. But it took thr…
The album features two 23-minute halves that Fell describes as “almost live”. These tracks combine out-takes from his recent album ‘Multistability’, with bits he originally produced as part of a “quadraphonic piece” he performed live in Barcelona this year, which is called Supersimetria: New Languages In Computer Music.
‘Periodic Orbits Of A Dynamic System Related To A Knot’ was produced when Fell moved to a new home and studio, where he was limited to only internal speakers on his MacBook…
Sasu Ripatti links with the legendary Max Loderbauer (NSI., Sun Electric, MvO Trio) as Heisenberg for two knotty, complex riddim trips on his \"studio diary\" imprint. Adopting the mantle of the eponymous fictional meth chef*, the duo conduct fevered but controlled experiments in frayed, often frantic grooves eaten up with dissonant, freeform electronics. A-side is a 125bpm techno tunnel groove with offset bass hits embedded in a swarm of combustible modular chain reactions that dissolve to a gu…
“Steve Noble [‘s] armoury of textures and tones is an acoustic mirror of [Ikue] Mori’s electronica, and just as spellbinding. He attacks his orthodox, loose-skinned drum kit from all angles, lays upturned gongs on the drumheads and is a master of orthodoxy as well as the avant-garde. His duet with Mori was the evening’s highlight, a pulsating welter of scrapes, thumps and press rolls interrupted by silences made sinister by the tick of an off-kilter metronome.” – Mike Hobart, Financial TimesIkue…
Surprise release from the mighty PAN label, Heatsick re-worked by Mark Fell's Sensate Focus across two long tracks totalling 35 minutes* From behind your ear, PAN pluck a blink-and-miss exclusive: a 35 minute audio response by Mark Fell (Sensate Focus) to source material by Heatsick, somewhere between cover version, remix and deconstruction. Along the A-side 'X' plane, tones are exploded, harmonies refracted with HD dissonance; time is extruded, made ductile yet intangible. On the B-side 'Y' axi…
Iancu Dumitrescu 'Plutonian frenzy' for ensemble and electronic. 'Galaxy III' for tape and electric guitar (soloist Stephen O'Malley). 'Hyperspectres I' (for three doublebasses, and percussions). Ana-Maria Avram 'Textures liminales II' for ensemble and live electronics. 'Textures liminales I' computer assisted music. Contemporary music ensemble under the direction of the composers with Stephen O'Malley, Maya Dunietz, Ilan Volkov, Ronald Boersen, Yoi Silver, Eran Bril, Eran Sachs, Assaf Ta…
Immer Etwas is the first full length release from this one man bedroom recording project turned full on 5-piece live band. Nice Face have been turning out singles, comp tracks, and cassettes at a steady clip over the past two years and change. This LP is a solid thirteen tracks of drum-machine driven blown out hook-laden punk rock that one reviewer prone to curmudgeonly ranting proclaimed “locks Blank Dogs in the pound, erases ‘Psychedelic’ from Psychedelic Horseshit, makes purses and boo…
Daniel Higgs has always been held in the highest esteem by us here at Southern, becoming an almost totemic figure in the process. Certainly an appreciation for his work, and the canon of the band Lungfish, has been a job requirement for all the staff who've worked with us over the years. He has graced us with visits from time to time, and his London shows have always been must attend events for Southern alumni. Naturally, a Latitudes recording would be the jewel in the crown for our catal…
From the very start the world around you is singing. There's a distant conversation spoken through the trees, but it stays unclear against the clarity of the songs of the forest. Within that life the forms of the heart open up, as if immediately transported to a city-wide window, with only the view of afternoon traffic below, the burning concrete, and the inside of a small apartment. Nothing more than a toy piano lifting its head over the plumes of steam from a cup of tea. Momentary narrat…
'Edition of 300. Daniel Menche: Waterfall recordings and electronics. All waterfall field recordings were captured around the Pacific Northwest of USA. Mixed and recorded throughout 2007-2009. Mastered in the analog domain at Stereophonic Mastering, Portland Oregon. Artwork and illustrations by Emily Hyde. Photo art reproduction by Circle 23. Design by Johnny Pinkhouse. Another sizzling power blockfrom MENCHE. This time capturing the intense force of various Pacific Northgwest waterfalls to crea…
Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…
Continue reprints of the amazing tapes by Pierpaolo Zoppo aka Mauthausen Orchestra released on Aquilifer Sodality in the early eighties (Conflict also released on Broken Flag). Tape after tape Mauthausen Orchestra constitute, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. Conflict carry us, once again, as real rituals of a civilization without …
Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen.
Recordings of a stand-out gig at Doornroosje in Nijmegen (NL). By 1982 De Brassers had been playing in almost every small public space or squad in the area and logically they had gathered a cult following. Sporadicly they also performed in The Netherlands. Doornroosje was / is the club where underground music groups performed before they became well-known, especially the 80s were an interesting period with Joy Division, Nick Cave and many local punk / new wave bands hitting the stage. Here we fi…
In 2012 the University of Sheffield commissioned Mark Fell to collaborate with Dr. Jonathan Howse, a leading nanoscientist based in the Department of Chemical and Biological Engineering. Their collaboration led to several works including a multichannel sound installation, a series of prints and the recordings presented on this record.The inserts contain graphics, an essay by Dr. Howse and a conversation between Mark Fell and British researcher Peter Worth.
'The Miraculous Mechanical Monster is the latest addition to the ever growing and highly collectible 'Monster' series from Andrew Liles. The Miraculous Mechanical Monster is in part a concept LP that tells a tale of malfunctioning robots, monsters and bizarre sex. With robotic narration throughout, the story can be followed by reading the text on the back of the LP. As with all of Andrew Liles' output this LP fits into no established musical genre and is arguably one of his strangest and …
If you’ve heard of Felix Kubin before, you’ll likely think you have some idea of how ‘Echohaus’ is going to sound. Well forget what you know, you’re wrong – Kubin’s well-worn Sci-Fi pop stylings are entirely erased on ‘Echohaus’ as he rebuilds people’s preconceptions from the ground up. He may have just scored a long-deserved Wire cover, but Kubin is not content to simply rest on his laurels, and although ‘Echohaus’, a collaboration with contemporary chamber group Ensemble Integrales, migh…
"A Hypnagogic supergroup of sorts with a blast of hallucinatory and tropical rhythmic synth adventures - new on OESB! Comes with free download coupon redeemable from the label** Seductively heavy-lidded inter-species avian-eroticism from the hypnagogic allstars Spencer Clarke (Skaters), Lieven Martens (Dolphins Into The Future), Eva Van Duren (Orphan Fairytale) and James Ferraro (CEO Airhead Entertainment) on the ever-compelling OESB imprint. Monopoly Child Star Searchers is usually the reserve …
Mainliner, were a Japanese trio consisting of Asahito Nanjo (High Rise), Makoto Kawabata (Acid Mothers Temple) and Hajime Koizumi and their debut album 'Mellow Out' is considered by many to be thee CLASSIC Japanese underground album. Since it was first released in 1996 it's legend has grown and grown, and it's still talked about by lovers of all things loud, noisy and Japanese as THEE definitive Japanese noise rock statement. Upon release it was instantly dubbed 'the pinnacle of achieveme…