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The extremely influential 1995 classic album from Oval is finally re-issued on vinyl. Freshly cut to vinyl by Roger Seibel at SAE Mastering the two LPs are pressed on orange vinyl and packaged in a jacket replicating the original. LP1 is the album, LP2 is a 12" featuring remixes from Jim O'Rourke, Scanner, Mouse on Mars, and Christian Vogel. Included for the first time is a free download coupon. Limited to 1,500 units worldwide."
Ingar Zach, percussion. Martin Küchen, saxophone & pocket radio. Nikos Veliotis, cello & video. Looper's unique combination of floating sounds provides the spectator with a suspended environment to sink in, dislocating him from the casual perception of time and space.
Bernd Lohaus (1940 in Düsseldorf; + 5. November 2010 in Antwerpen) was a German artist (living in Antwerp/Belgium) mainly known for his sculptures, usually made of heavy found wood which he minimally changed (by carving in one word poems for example). He was a student of Joseph Beuys and together with Hugo Heyrman, Panamarenko and Wout Vercammen one of the first "Happeners" during the 1960's in Belgium, organising street performances in the centre of Antwerp. They published "Happening new…
Nar is the first solo record of DuChamp. It has been composed and recorded through reharsal space changing, ideas deleted, fatwas from former lovers during year 2012 in Berlin.All tracks are played by DuChamp and recorded and mixed by Diego Ferri. Brian Pyle (Ensemble Economique, Starving Weirdos) sung in “A Worship” and also did the mastering.
The albums is released on LP with cover photo by Lara Schilling and graphics by Alice Cannavà (Occulto Magazine).
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypnotic succession. If there's another instrument playing, they're probably playing the same notes in a different order. At the foundation of the music, there's what's called an ostinato. One way to think of it is as a bassline; another, in the words of …
Peter Jefferies's extraordinary debut solo album, The Last Great Challenge in a Dull World, first saw life as a cassette via the Xpressway label of Port Chalmers, New Zealand, in 1990. As a result of some international underground acclaim in fanzines and mailorder catalogs -- for both the album and a striking 7-inch, 'The Fate of the Human Carbine,' released around the same time -- it soon appeared on LP and CD as well, through the Ajax label of Chicago. Within a couple of years it slipped…
"Connie Burg and I met Sumner Crane and Nancy Arlen in late 1975 and quickly decided to start a band. Sumner had been playing piano since he was a kid and I trumpet, guitar and more recently bass, but we were for the most part self taught. Connie decided to pick up a guitar and we started jamming in Nancy’s loft on Broadway and Duane St. where Sumner lived downstairs. For the first few months it was just piano, bass and acoustic guitar, with some paper bag percussion from Nancy. Our biggest rock…
Established in 1978 by Truus de Groot in Eindhoven, the Netherlands, she tinkered with toy and electronic instruments in her flat - amidst the explosion of Punk Rock. Even though Truus was very active in that genre and “New Wave” as well, the more experimental side gradually took over and the concept of Plus Instruments was born. Plus Instruments released their first e.p. single in 1979 on Dutch label Plurex:
Playing odd electronic instruments, Bass and vocals, most of their performances were im…
Kye is proud to announce the release of Rules Of The Universe, a fully authorized anthology of archival audio work by the renowned Dutch artist Anton Heyboer (1924-2005). Heyboer's stature in visual arts is well known and internationally celebrated, but documentation of his audio work is scant and difficult to locate. Heyboer's only previous vinyl release - 1976's ill-fated 'She And She As One' LP (EMI) introduced a music so resolutely personal and uncommercial in nature that EMI ordered …
Two heavyweight explorers of sound and technology, Russell Haswell and Yasunao Tone, both undertaking separate rigorous experiments into the synthesis of sound and all its remits, converge for one helluva collaborative work. ‘Convulsive Threshold’ is the result of years of research and experimentation, Haswell’s systems of hybrid analogue/digital audio generation acting as one of the starting points for this relentess piece of material, which are then subjected to Tone’s MP3 Deviation tec…
Double vinyl LP pressing includes bonus CD pressing of this 2009 release. The Field is Axel Willner, and 2007's Here We Go Sublime was one of the year's most acclaimed releases, receiving a 9.0 from Pitchfork as well as universal praise. It was a soundtrack to the spit-shined airport of your dreams - faceless, futuristic, and fuzzy. Now, Willner expands his palette, continuing the oblique sampling strategy while building up the rhythmic architecture.
"Deep & sophisticated spiritual jazz, following Mr. Gale's Ghetto Music tradition... including the marvellous African Sunshine, a 17 minute piece which goes on and on, and on and on... and you'll never get tired of the on; right ON ! Inner Peace music." EP/Sagittarius A-Star. Eddie Gale - flugelhorn & muted trumpet, James Garrison - tenor sax, Emily Haozous - alto sax, Leonard Thompson - piano, Yvette Zee - violin, Colette Zee - violin, Richard Duke - double bass, Allen Santos - double ba…
In March 2005, drummer Teun Vergruggen (Jef Neve Trio, Flat Earth Society) invited the eccentric guitar player Mauro Pawlowski (dEUS, Somnambula) and Rhodes/piano wizard Jozef Dumoulin (Määk Spirit, Magic Malik, Octurn) to play a single session based on pure improvisation. The result left most people wondering how to categorize this music, and brought Othin Spake on the stage for many concerts. Six years later, the band has played in many jazz and alternative venues in Europe, released three …
Damballah 58 is the monstrous sequel to 2012's deadly Black Mamba 12". The title-track's diabolically addictive vaudou rhythms insinuate deeply before uncoiling convulsively into an irrevocable reclamation of the consciousness. The B-side features "Mamba Muntu" (sister track to the previous "River Mumma" and "Witness the Spread of the Dream"), the treacherously beautiful "Belladonna Theme," and the marauding, burning rush of "Immersion." Written and produced by William Bennett. Original vév…
Continuing on from last years reissue of the first Aritomo LP, here we have Aritomo's second LP, 'Blooming The Ena' which was previously issued on his own private Hakanairo label in 2007. It was housed in a brown card sleeve with paste on artwork on the front and back with an insert in an edition of only 200 copies. This original pressing is impossible to find now. This reissue has a pro printed cover reproducing the original cover art as the private press edition and a 4 page insert printed ont…
"The Venom P. Stinger retrospective is on. One of the roughest groups of the '80s is back in print on vinyl and for the first time ever on CD, and still nice and hard and rough and wild on either format. File under: punk rock/noise rock/free-of-constraints rock. If you think of Venom P. Stinger simply as the proving ground for 2/3rds of the Dirty Three first, then you're seriously missing it, and fuck you. It was the mid-'80s and everything was going fine. The music underground was its ow…
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004
There is a legend in Burma stating that swarms of male dragonflies gather to join in choruses of high-pitched tones to court their mates. The ones that don't succeed in mating eventually scream so loud that their chests explode and they drop dead to the ground. These recordings are a tribute to this legend. Droning cicadas, dragonflies, and other insects display their charm as masters of the high frequency airwaves, recorded live and unprocessed by Tucker Martine in the lush settings of L…
Historical recordings made by Harold Norse when he was living with William Burroughs, Brion Gysin and Gregory Corso at the notorious Beat Hotel in Paris during the early sixties. By the time Norse arrived in Paris he had traveled extensively in Morocco and Europe and his poetry was already championed by people like W. H. Auden, William Carlos Williams and Tennessee Williams.
Together with Sinclair Beiles, Burroughs and Gysin, Norse was one of the first to apply the cut-up method. He made the tec…