New Arrivals
Grain
"The new Zs lineup (Sam Hillmer, Greg Fox and Patrick Higgins) sounds very much like a new band, at least as evidenced by the Grain EP. The two side-length tracks (coming in at a total of 42-minutes) bear the marks of Zs' sound - repeated phrases, looped or played in situ; buried drones and harsh electronic tones - but it does sound very much like a new band.
There's an extended ambience to the album that trick perceptions of time. Glitches and waves that last only a minute or three somehow…
Old Punch Card
Taking inspiration from early music concrete and electronic music, the BBC Radiophonic Workshop, Nuno Canavarro, Raymond Scott, David Behrman, and free improvisation, Old Punch Card is a beautifully noisy, jagged, yet stately album of synthesizer music. The ideas and implementation of Old Punch Card (the album title alluding to the electronic, faintly mechanic origins of the music) were the result of an entirely new challenge: to do something completely different from anything else he's…
Testacoda
Jérôme Noetinger is an improviser and composer of electroacoustic music based in Rives (near Grenoble), France. He plays Revox, tapes and radio. SEC_ is the moniker of Mimmo Napolitano, an electronic musician and sound engineer from Naples, Italy. He plays Revox, no-input feedback, laptop, electronic devices. Together these two play the kind of improvised electronic mayhem that put Europe on the map. Testcoda features two separate recordings of shapeshifting electronics. One side recorded…
Spectrum ripper
CD was produced in 1997. LP is from 2013. The extreme collage sound and insane vocals of Maso Yamazaki, one of the worlds leading noise musicians. Brutal frequencies and rabid screaming vocals mix to create the finest album Masonna has ever produced. Divided into 25 tracks, this is being considered the last word in noise recordings! Ltd x 300 copies on brown vinyl in a full colour sleeve. Comes with CD version in a card sleeve. Mastered by Denis Blackham.
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
A Red Score In Tile
Composed in 1979 and inspired by James Elaine's painting of the same name. First released on Three Poplars on LP in 2003. Cover picture: A Red Score In Tile (L'Apocalyse des Animaux), detail, James Elaine, 1979. Canvas, acrylic paint, taxidermied animals. 112" x 120". Title on disc and inner face of back insert: "a red score in tile (1979)".
Voyeur
Husband-and-wife duo, Will Long and Danielle Baquet-Long, who self-released handmade items and created sound for installations and exhibits along with producing conventional releases. "A few years ago I was commissioned by a film company in California to create a musical score for a film inspired by the Hitchcock 1954 film Rear Window, but with a more surrealist, two-sided viewer plot. As filming hadn't begun, I was given the screenplay and timeline, and asked to make specific music that might f…
Air Museum
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
Vibrant Forms
Double LP version. Kostas Soublis' productions under the Fluxion moniker helped define legendary Berlin imprint Chain Reaction, and with 1999's Vibrant Forms, the Greek producer released a milestone in the dub techno genre. Hazy and distant, there was still more than enough dancefloor push to propel Soublis into the (very short) list of genre legends, and make Vibrant Forms one of the very rare techno albums that works from beginning to end. Out of press for far too long, this new edition of…
Musique pour l'Odyssee
LP version: This second Art Zoyd cult album has been unavailable for many years. Originally released in 1979, it is now re-released with new artwork and additional tracks. Released almost three years after Art Zoyd's first LP, Symphonie pour le Jour où Brûleront les Cités (SR 330CD/LP), Musique pour l'Odyssée (trans. "Music for the Odyssey") presented a slightly different version of the band. The nucleus of Gérard Hourbette (violin), Thierry Zaboïtzeff (bass guitar, cello, vocals), and Jean-P…
Kugeln / Wallerfangen
Here's the 2nd part in Dekorder's brand new series of highly limited Hybrid-Vinyl 12“ releases to celebrate the 10 year anniversary of the label. It comes out simultaneously with parts 3 (Ensemble Economique) and 4 (Kemialliset Ystävät). The 1st part by Pye Corner Audio has been a massive success and sold out within two weeks (remaining copies are only available to subscribers).
Future contributions will feature new & exclusive recordings by Leyland Kirby, Excepter, Sonic Boom (EAR), Bill…
Forms
Forms represents Pausal's sophomore production for Barge Recordings and sees the British duo merging their finely detailed sound design and ambience with a newly heightened sense of space and structure. Simon Bainton and Alex Smalley have clearly developed their compositional abilities since their earlier output; the ten pieces here are presented as four long tracks and feel natural in their melding of experimentation and harmonic progression. The rich, sprawling waves of aural grandeur a…
Nakatani Gong Orchestra
...Mindblowing!!!! "Perpetually rolling, Japanese-American master percussionist Tatsuya Nakatani holds a relentless schedule, road-bound in continuous dedication to his passion. His solo sets thunder with coaxed nuances from his kit, overlaid in staggering bounty. Nakatani is also fearless when it comes to collaboration, and seeks it out adventurously during his extensive tours. In this spirit of combined efforts, Nakatani Gong Orchestra shines a different light in each new location it arises. N…
Patiences
A serie of duet with André Jaume and another musician, recorded in 1980 and 1983 by Jean Roché, Jean-Marc Foussat, Daniel Deshays. Raymond Boni, electric guitar. Hervé Bourde, flute. André Jaume, saxophones, bass clarinet. Jean-Marc Montera, acoustic guitare. François Mechali, doublebass. Fred Ramanonjiarisoa, piano. Gérard Siracusa, percussions.
Surrender to the Fantasy
Stop right there, hands in the air! If you want to know what Magik Markers think is good for you, you'll Surrender to the Fantasy. For this long-desired alpus, they've been working in threes and stuff. Triangles. The hermetic trifecta of knowledge, Christ and the two thieves, Alvin and the Chipmunks, and the original tagline of the Markers' symbol: '3 down, no to go.' Meaning, these three get it and literally no one else needs to, 'cept the record-buying public, tra la la, ha ha ha ha. STTF (nev…
These Are The Good Times
The Vittelli label announces itself with this fine release of London’s highlife, lowlife, wildlife and everday life plucked from Ian Rawes’ vast London Sound Survey. At his day job at the British Library sound archive Rawes cut his teeth in archiving and explored its depths. Field recordings and studies by acoustic ecologists came to his attention around the same time that he was looking to create his own capital-based project. At this time the internet promised to be the great equaliser a…
Here Is Always Somewhere Else
2008 release. You might not think that there would be much information available about a performance artist whose entire catalog of work lasts about 40 minutes, and who vanished at sea. This release will dispel that notion. Here is Always Somewhere Else is not only a moving tribute of artist Bas Jan Ader, but a celebration of the eye, that which notices the miraculous in the small, mundane details.Ader, in that sense, was one of the first micro-historians. He was obsessed with gravity, with…
Spit
Debut album from Ron Morelli, founder of the influential L.I.E.S. label featuring 8 electronic variants; from House and industrial tape experiments to saturated metallic beat tracks... There’s so much that could be said about Ron Morelli, his L.I.E.S. label, or the fact that his debut album comes to you via Hospital Productions, but instead, here are some words from the man himself. “I’m a regular guy, enjoy a good steak, drinking beer, and occasionally a game of pro basketball, Republican talk …
Super.Trigger
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
Object lessons
Object Lessons is a musical collaboration between Justin Lieberman and C. Spencer Yeh. The record is a spoken rendition of select object descriptions from the Corrector's Custom Pre-Fab House that were reworked into an experimental music format utilizing electronics and an amplified violin. Object Lessons is a limited edition of 250.