New Arrivals
Phoenix & Phaedra Holding Patterns
Live composition for portable radios, FM transmitter, 4 corner speaker PA, found sound textures, & Shruti drone box. Sound is all around us. An ethereal tapestry of invisible radio waves and sound pressure waves fills our world. Live in concert, Phoenix and Phaedra plays with our sense of place and scale, by using a surround sound speaker system in combination with a short range FM transmitter which broadcasts to a collection of hand held radios located within the audience. The concert is perfor…
Kontinent
Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your conven- ience – including a first recording! Wolfgang Rihm once claimed that the most appropriate statements about his oeuvre are his own compositions. In 2010 the Salzburg Festival adopted this approach. The result was a “Kontinent Rihm” which placed the manifold tone colors and modes of expression created by the former Stockhausen student into a broader contex…
The finishing line (Film music volume 2)
Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing the listener into a claustrophobic sense of unease and mounting horror. An amalgam of library music, 1970s prog soundtrack, musique concrète and spectral jazz
Rastakraut Pasta
1st release from the duo of Dieter Moebius & Conny Plank, originally released on Sky Records in 1980. As the title suggests, this album is heavily influenced by dug & reggae & those rhythms are incorporated into the ambient space-rock one would expect from these German pioneers of Kosmische musik.
Piano & Percussion Works
2011 release. Satoko Inoue is an experienced performer of Ferrari’s works and had a lively exchange of ideas with the composer, who was also present at the recording sessions. No wonder then that precisely those ideas of open work and its “anecdotal” interpretation were the ones that were most important to him – as such sounds were to him always abstract at the core, even if he first illustrated them in a very visual and associative way. Satoko Inoue writes: “We discussed, he explained ab…
Fléchettes
“Jean Derome (flute, alto saxophone, etc.) and Lê Quan Ninh (percussion) are both leading figures in improvised music. They are also active in other musical genres such as jazz and contemporary music. They were invited by Tour de Bras make an entirely improvised concert that was a time of intense music. Such a sublime moment. Fléchettes documents this encounter, this dialogue while surprises and smiles apart, both fun and physical, both calm and truely energic.”
Quite a way away
To say that the last few years of Gareth Dickson’s life have been tumultuous would be an understatement. In 2007 he fell in love with a girl from South America, packed up a few essentials from his life in Scotland, and moved to the Argentinian countryside. It didn’t turn all fairy tale at that point, however. While there he was shot at, attacked by dogs, and was involved in a very close call when the passenger plane he took to a little town in the Andes was forced down after an engine cau…
Castings
The title of Fern Knight’s 2006 release, Music for Witches and Alchemists, served simultaneously as a wonderfully apt description and an unambiguous product warning. If you prefer the mundane to the magical, move on: These are not the druids you’re looking for. Since then, the group has relocated to Arlington from Philadelphia, and while Fern Knight’s music evokes far-away times and places, it turns out the band fits in nicely with the D.C. area’s musical history—assuming you can stomach …
Hell driver
'Performed, recorded by Juntaro Yamanouchi. Five years recordings 1992-1996. No overdubs. No EQ. No effect. As final tribute.'
Rewound groves
Krampus used to be busy with St. Nicholas during December. But soon after St. Nicholas began to wear shiny red and white costume, he was no longer needed.He took long time to figure out why it happened, why he was abandoned. On the other hand, he could spend more time playing with old fellows in the mountains, and noticed what is most pleasant in his life.This album is released on 5th December - the day of Krampus. This edition is limited to 123 copies, wrapped in fur pocket (brunet or blond) an…
Blood shadow rampage
Back in stock. 'Volcanic Tongue is proud to present the first ever release by the DREAM AKTION UNIT, a free-thinking avant garage Ur-kestra based around the central kernel of guitarist Thurston Moore (Sonic Youth), saxophonist Paul Flaherty and drummer Chris Corsano (Six Organs Of Admittance, Sunburned Hand Of The Man et al) and featuring Heather Leigh Murray (Taurpis Tula-Jandek-Charalambides) on pedal steel and vocals and Matt Heyner (No-Neck Blues Band-Test-Angelblood) on upright bass. The DR…
Dead Space
Blip is a duo collaboration between Jim Denley and Mike Majkowski: two of Australia's most prominent improvising musicians. They began playing together in 2002, as members of The Splinter Orchestra, and formed Blip in 2009. They have been developing their own approach to the woodwinds/strings duo arrangement, deconstructing and reconstructing this format. Blip music focuses on duration, the subtleties of sound, the pitch within timbre and texture, as well as pulse. Wi
Caste O' Graye Skreeens
The bulk of Caste O Graye Skreeëns comprises the expansive 'Our Captain's Eyes', based around a loose unstructured style where Edward Ka-Spel, frontman of the Legendary Pink Dots, lets his imagination run a playful course dropping in everything from ambient soundscapes, drum machines, dance beats, distorted noises and fragmented voices. Ka-Spel's delivers his cryptic lyrics in his idiosyncratic sing - speak style, and via jaunty shanties over French horn. All points of Ka-Spel's prolific musical…
Blueprints
Over the past 10 years 12k has established itself as a label on the forefront of minimalist music and has become home to some of the most important artists of the genre. It is label that time and time again has not been afraid to release debut albums from new artists, drawing on the new energy they interject into both the scene and the label.With the release of Blueprints, 12k presents 2 tracks each from 6 artists new to its roster and showcases some of the new sounds and influences that will ca…
Sólaris
Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…
Our Prayer
Another previously-unreleased gem from South African pianist/composer Chris McGregor and his cohorts in '60s UK free jazz. Our Prayer was culled from the same sessions that produced the also never-released Up To Earth in 1969 and was produced by Joe Boyd and engineered by John Wood at Sound Techniques studio. The previous year they had signed to Joe Boyd's illustrious Witchseason production company alongside Fairport Convention, John and Beverley Martyn, Nick Drake and the Incredible String Ba…
800 000 Seconds In Harar
'CD digipak. CM von Hausswolff says: 'I was approached by my old friend and Radium 226.05 colleague Ulrich Hillebrand, now director of Angered Theatre in Göteborg. He informed me that there was a new play in the process of being written by author and theorist Michael Azar called 'Jag r en annan' (I is another) stemming form the famous letter written by Arthur Rimbaud in his youth. The play uses Rimbaud's life from being a young poet in Charleville ending with him being the trader in Harar,…
Twilight Of The Gods
"Active in electronic composition since 1971, Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. The second Tzadik CD by this modern…
Remixed No. 1
Moondog's outsiderness ensures an approach to modern composition that doesn't ever establish any single, fixed identity, which is of course what makes this man such an alluring figure in 20th century music. Mr Scruff remix is a post-futuristic-jazz influenced by hip-hop cadences that makes appear how important Moondog has been in the past and how he will be for contemporaries and future generations.
Scope
The disc is a recent release on the Monotype label by a group named LHZ+H, who are the semi regular trio of Thomas Lehn, (analogue synth) Carl Ludwig Hübsch (tuba) and Philip Zoubek (piano) augmented on this 2008 occasion by the trumpeter Franz Hautzinger, who on this occasion added a delay pedal to his instrument. The release contains four improvised tracks, and is named Scope. Now, I have been known to describe some improvised music as brooding a good few times before, perhaps trying to …