New Arrivals
A big circle drawn with little hands
A big circle drawn with little hands was created from a box of things sent to Steve Roden by label owner Sylvian, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken airline headphones, notes, a bottle opener, a noise maker of wood, a small electronic toy shaped like a butterfly that offered tones and animal noises, cardboard, a fan, and other things. i also used a banjo in the first track, and my voice in…
Live in LSO St. Luke's, London
Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).
In Israel (II)
Iancu Dumitrescu 'Plutonian frenzy' for ensemble and electronic. 'Galaxy III' for tape and electric guitar (soloist Stephen O'Malley). 'Hyperspectres I' (for three doublebasses, and percussions). Ana-Maria Avram 'Textures liminales II' for ensemble and live electronics. 'Textures liminales I' computer assisted music. Contemporary music ensemble under the direction of the composers with Stephen O'Malley, Maya Dunietz, Ilan Volkov, Ronald Boersen, Yoi Silver, Eran Bril, Eran Sachs, Assaf Ta…
Olympians
‘Experimental’ bands are never going to please everyone; a lot of them seem almost uninterested in being anything but show-offs and twats, and there’s occasionally no attempt to make a connection twixt music and listener. All we get is: ‘marvel at my amazing button-pushing skills.’ And then, suddenly and horrifically, you turn into your dad: ‘that’s not music, that’s noise!’ Despite the post-watershed name, Fuck Buttons have always been a more subtle and meditative addition to the experime…
No Input Mixing Board #8
Toshimaru Nakamura returns with another outstanding full-length of no-input mixer improvisations. Hello, Dear…ah, anyone who takes this up in front of your eyes and ears. Here’s my new (in 2013) solo album. I hope you find it worthy enough to take your time and have a listen. It was recorded in one day. Compared to my previous releases, “Maruto” on Erstwhile Records (2 years to produce), “Egrets” on Samadhisound (5 years), it came to life quite quickly. Almost like it popped out. But it took thr…
Live in Israel
Iancu Dumitrescu 'Liminal involvement' for ensemble. 'Le silence d'or' (Israel version) for ensemble and computer sounds. Ana-Maria Avram 'Lux animae XII' for ensemble and computer sounds. 'Telesma' (Israel version) for bass clarinet, ensemble and computer sounds. Contemporary Music Ensemble from Tel Aviv under direction Ilan Volkov with special guest Stephen O'Malley.
Forma II
Composed and recorded in Berlin from 2008 to 2010 the music consists of four electroacoustic pieces based largely on analogue synthesizer material and one long-form swarm-like composition for multiple overdubbed saxophones. Additional sounds range from metal foil floating on ultrasonic sound-beams to mechanical clickers recorded in the abandoned radar domes at Teufelsberg. The raw materials have been extensively processed and re-constructed using analogue tape and digital methods. The fiv…
All about Mimi
Ernesto Rodrigues, viola. Ricardo Guerreiro, computer. Christian Wolfarth, cymbals. Recorded 2012 in Lisbon.
in Tokyo
Four pieces of computer music. Iancu Dumitrescu \'Hazard and tectonics\' (2009 - 2013), \'Crepuscule I\' (2011-12), \'Early, before all times\' (2010-11). Ana-Maria Avram \'Metalstorm I\' (2012).
Chance of rain
A cerebral exploration of the intersection between rhythmic and ambient music, drawing together ideas of movement and stillness, psychedelia and presence of mind. On Chance Of Rain dance tracks are imbued with unpredictable structures, ambient drift and deep harmonic passages, while keyboard-based interludes reinforce both the far-out and contemplative aspects of the record as a whole.” The tracks on the album are apparently fleshed out versions of live hardware improvisations, a move not unknow…
Jazz Sahara
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
Complete Spiral
Two of the world's most distinguished electronic musicians have drawn upon their shared passion for the sensuality and groove of late '80s / early '90s NYC House to hatch a genuine anthem for unsuspecting and open minds. DJ Sprinkles, aka Terre Thaemlitz, is a now Tokyo-based producer who, among so much other stuff, released the hugely loved, genre-defining "Midtown 120 Blues" album back in 2009. Mark Fell is the South Yorkshire-based sonic genius known for groundbreaking work as half of…
Die letzte Rache
Der Plan (Moritz R, Frank Fenstermacher, Pyrolator) were instrumental in ushering in the German New Wave (NDW) and are considered free spirits of synthesizer pop: electronic music created with minimal means, sometimes experimental, playful or even bordering on dilettantism, but always with a sense of humour.
Retrospectively, it makes perfect sense that Der Plan created a soundtrack. For one thing, visuals were almost as important to Der Plan as their music. And if every self-respecting pop b…
Guitars From Agadez Vol. 7
In October 2012, the Tamashek community lost one of its most luminous voices when Koudede's life was cut short by a car crash during his trip home to Niger from Ouagadougou, Burkina Faso. Koudede was a leading light among the myriad musical groups that have recently proliferated in Niger and Mali to voice the Tuareg struggle against exploitation and to exalt their proud but waning nomadic heritage. His outstanding reputation and corpus of songs garnered the respect of his contemporaries, and his…
Infinite Hum
Intense, squally noise drones from Dublin's Where Is This, his first for The Tapeworm. To date Mark Ward aka 'Where Is This' has released a slew of his own recordings on his Bored Bear label, along with countless others by the likes of Black Orgasm, Piss Gag, Female Harikiri and other such friendly-monikered miscreants. His 'Inifinite Hum' opens The Tapeworm's 2014 catalogue with a bracing 20 minute blast of viscous, vicious white noise licking up high peaks of blizzard-like distortion in hypnot…
Tragedy & Geometry
On Tragedy & Geometry, Steve Hauschildt, one-third of Cleveland’s neo-kosmische revivalists Emeralds, crafts an hour’s worth of instrumental synthesizer vignettes. His pieces tend to evoke thoughts of bygone eras of technological pop culture — many of these tracks could be placed seamlessly into Blade Runner, or into some lost Playstation-era (you know, when Final Fantasy VII was cutting edge) videogame. Hauschildt doesn’t craft wholly formed songs so much as he works with detached, technologica…
Alcor
restocked!! Alcor is the debut LP by a new voice from the Australian wilderness. Hailing from Ferntree Gully, Victoria, the music of Astor has thus far been appreciated only via a string of barely-distributed CDRs. Alcor gathers together the prime of these micro-editions and presents the material as a seductive and puzzling new whole. Field recordings of humble organic activity bend against a foundation of discreetly processed electronics/piano, creating sonorities that are as undefinable a…
Isometrie sonore
Postface by M.B. - An isometric sound ineluctably holds a thematic notion which generalizes that of the rigid motion of noise, combining with a psychometric and cacophonous object. Formally, it is a modulatory function between two metric spaces preserving their silent distances. In the example shown here, isometry moves along electronic pathways and captivates the listener's mind through rotations and reflections in plane or in spatial sound, maintaining the geometric concepts of experimental su…
Rules of the universe
Kye is proud to announce the release of Rules Of The Universe, a fully authorized anthology of archival audio work by the renowned Dutch artist Anton Heyboer (1924-2005). Heyboer's stature in visual arts is well known and internationally celebrated, but documentation of his audio work is scant and difficult to locate. Heyboer's only previous vinyl release - 1976's ill-fated 'She And She As One' LP (EMI) introduced a music so resolutely personal and uncommercial in nature that EMI ordered …
L'Origine / TEMA
Drawing inspiration from the "Action Direct" expanded guitar performances of Masayuki Takayanagi, Fusinato places the guitar at the centre of his work. A few crudely played strings provide the impetus for a long chain of electronics which obliterate the original signal and leaves us with a hyper-kinetic wall of full frequency spectrum noise. Like the piano in David Tudor early 1960's performances of Cage's Variations II, in Fusinato's work, the guitar is the object of a dialectic of simultaneous…