New Arrivals

Since the late 1980s, dieb13 is one of the european key figures in the harnessing of tape players, vinyls, CDs, hard dics and IP protocols as instruments. It's been a while since he has released his last Solo album. After extensive touring and releasing CDs among others with Phil Minton, Mats Gustafsson and John Butcher Group, his latest solo output "trick17" is an enjoyment for both the ear and the eye. Side A ("audible") is a 25 minute solo piece that he developed in an Ping Pong method…

In “Resorts & Ruins”, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)”, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…

Jar Moff returns with his second full-length, Financial Glam, a follow-up expanding on ideas first presented by the excellent Commercial Mouth debut LP PAN released earlier this year. Continuing with themes established on his previous LP, Financial Glam reflects the flux and tension of his home city, a gripping opus of grandiose crescendo and collapse, broken rhythm and disquieting calm. These intricately-composed collage works, constructed from hundreds of archived samples, provide a fitting…

… Occlusion is a loose framework for a multi-channel, freely improvised piece of LIVE ELECTRONIC MUSIC, performed without the aid or consent of pre-recorded or even pre-arranged materials of any kind. A given realization will last between 10 and 30 minutes ; time is elastic. Every effort has been made to avoid divisible rhythms (although mistakes are occasionally made) ... Still, I consider it a "kind" of Dance Music. These two realizations, recorded a week apart at festivals in France and…

Next up on Deep Distance following a full sold out back catalogue thus far (Kosmonaut / JD Emmanuel / Kohn etc) is the long promised mighty new EXPO 70 full length. Released as a pressing of 500 only on mauve, red and black splatter wax with embossed DD insert.The LP features 3 extended jams from the latter days of the working relationship between mainman Justin Wright and Matt Hill (prior to his wonderful recordings under the ‘Umberto’ moniker). Recently unearthed by Justin specifically for thi…

Object Lessons is a musical collaboration between Justin Lieberman and C. Spencer Yeh. The record is a spoken rendition of select object descriptions from the Corrector's Custom Pre-Fab House that were reworked into an experimental music format utilizing electronics and an amplified violin. Object Lessons is a limited edition of 250.

Now also on vinyl.Mika Vainio, Electric Guitar, Processing, Metallic Percussion. Joachim Nordwall, Electronics, Electric Bass Guitar, Metal Objects, Hammond Organ, Vibraphone.Recorded in Berlin at Studio Schwedenstrasse one day in June 2010. Recording Engineer: Marco Paschke. Mixed and Mastered by Daniel Karlsson in Stockholm at Elektronmusikstudion. Mika Vainio was a member of the legendary minimal electronic duo Pan Sonic. Emerging from the Finnish industrial and rave music scene in the early …

Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…

In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…

"Fruitful meeting of two very consistent mainstays in the southern drone hemispheres... The recordings took place in Buenos Aires when Antony recently was on a trip to South America.. Dark and broodling, yet also soothing and narcoleptic drone works from these two masters of their fields.. Guitars, violins and organs create buzzing forcefields and nocturnal sonic transfixions.... Top shelf trans-continental drone extravaganza from these highly prolific gentlemen. Don't miss out!"

Collaboration between Argentinian experimental musician Courtis (of Reynols) and sound artist Prins of the Netherlands."Born 1961 in Ijmuiden, the Netherlands, Gert-Jan Prins has been known for twenty years as one of the most challenging sound artists in the Netherlands and established himself as one of the central electronic performers in improvised music. His unique self-developed live-electronics make use of radio and transmitter technology, and create sounds with great physical energy. Prins…

A collection of the earliest recordings of the French sound sculpture musicians and Cristalists known as Structures Sonores Lasry-Baschet. Featuring the first fruits of one of the greatest unisons in experimental French music combining the beguiling haunting sounds of Jacques and Yvonne Lasry and the development of the musical inventions of Bernard and Francois Baschet. Exploring a similar route to that of early Michel Magne recordings (and often likened to “a French Harry Partch”) the emotive m…

Fa 2012 + Fa (Mark Fell Remix). Mastered and cut by Rashad Becker at Dubplates and Mastering, Berlin, July 2012. Layout by Tina Frank. Special 12' featuring new versions of the track Fa, taken from the debut Fennesz solo albumÔHotel Paral.lel' (1997). 15 years after its initial release, Christian Fennesz gives this throbbing monster of a track a new seeing to, extending it and adding more of that magic he is so well known for. The album was always an exercise in exploring alternate means o…

A facsimile edition of Derek Jarman’s only poetry collection, A Finger in the Fishes Mouth, originally published by Bettiscombe Press, Bridport, Dorset in 1972, is due to be published by Test Centre, with a new Foreword by Sophie Mayer and Afterwords by Keith Collins, Jarman’s partner, and Tony Peake, his biographer.Postcards from Jarman’s own collection, here gorgeously reproduced in an evocative green, preface each of the 32 numbered poems, written when he was in his early twenties. The impact…

Marvellous Boy Calypso From West Africa HONEST JON'S RECORDS **** endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West…

Editions Mego is happy to announce a vinyl reissue of the long out-of-print and impossibly rare final Harry Pussy album, the monumental Let's Build a Pussy. Originally released in 1998 after the band broke up, this has always been an elusive release. "You cannot buy this anywhere and you will never find one!!!" was what one writer exclaimed. Consisting of an hour-long piece of Bill Orcutt time-stretching a second of Adris Hoyos' voice into a slow, shifting drone. A piece of music you will lo…

Reinhold Friedl, inside-piano, prepared piano, piano. Hannes Strobl, electric bass guitar, electric upright bass, electronics. Hayden Chisholm, alto saxophone. Composed and produced by Hannes Strobl and Reinhold Friedl, Berlin 2008 - 2013. P.O.P. (Psychology of Perception) Which sounds are similar to each other, which different, which repeated, which varied, which altered? Instrumentally played repetitions, digital repetitions in the effect path of the electric bass, repetitions in another posit…

In 1978, Philippe Genion bought a guitar for 1000 belgian francs (25€). He connected it to his hifi amp, quickly learned how to play "smoke on the water" and a few punk songs with two fingers and within two weeks, pushing the amp more and more to the limit, blew his 200W speakers out. Later, around 1980, he bought an old ARP synthesizer from walloon band "Jo Lemaire plus Flouze" and started playing with these instruments and a few old flanger and distorsion pedals, and started recording so…

A year after the Clean's reunion LP Vehicle (also their first proper album ever) put them back on the international-pop radar in 1990, guitarist David Kilgour retreated with his new Revox tape machine (which he'd been singing about rapturously in his side-project Stephen and elsewhere: "Have you seen my new tape machine?!") and cut his first solo album, Here Come the Cars, issued by Flying Nun in 1991. From the jarring cover image of David through to the last note, Here Come the Cars is a specia…

Francois Bayle's 'L'Experience Acoustique', Realised between 1966-1972 using the best technology available at the time, this 2 hour opus, powerful and immense in its scope, which explores a universe of electronic sounds and sound relationships. It's an investigation of acoustic sound at its purest levels and borders on psychedelic in effect. Chopping material from the world around him, manipulating it and juxtaposing against other, unlikely sources with illusive sleight-of-hand and haptic te…