We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Another important piece of the elusive and hermetic Eyvind Kang puzzle. This newest studio project from one of the most consistently interesting young composer/performers working today is instantly Kang’s most adventurous, varied and ambitious recordings to date. Featuring many of his most illustrious musical associates as well as several orchestral ensembles from around the world, this new CD brings Kang’s exuberant gift for orchestration and lyricism together with a keen sense of the miraculou…
Recorded at Incus HQ, London, in October 2010, this duo is a delight that should refresh even the most jaded ears. Lol Coxhill and Alex Ward are both veteran improvisers and regular participants on the London scene, so it was inevitable that they would eventually play together as a duo. As evidenced below by YouTube, that happened in August 2010 at John Russell's annual Fete Qua Qua; the pairing was repeated the following month at Sybil Madrigal's monthly Boat Ting gig on the Thames (on the…
This is the first CD issue of Grouper's 2011 self released two part album subtitled 'Dream Loss' and 'Alien Observer,' comprised of songs written and recorded over the last four years. A chronological order informs the thematic trajectory of the dual release. 'Dream Loss' is the first album and is a collection of older songs, while 'Alien Observer' is mostly made of newer songs. Each is meant to stand solidly on its own, and also as a satellite in the other's system, subjects on either side of t…
Ben Chasny has spent many years at this point perfecting his very personal vision of the American landscape. With his early LPs he managed to grab a groundswell of support for his distinctly lo-fi recordings, and since hitting the Drag City label with the breathtaking 'School of Flower' he has managed to extend his vision to countless others. 'Asleep on the Floodplain' continues his exploration, and while it doesn't change up the formula too much (apart from the odd analogue synth blurt here and…
ASESOME NEW RELEASE! Josh Hanson is another of Portland, Oregon’s underappreciated sons. Having come up through the ranks of long-time, long-forgotten faves Hochenkeit, he also spent time as a member of The Davis Redford Trio. But Hanson’s path diverges into a totally different sphere nowadays, spinning solo modular synth exploits to the stars. Influenced not just by the likes of Subotnick and Cluster but also various types of Eastern sounds, Hanson is looking forward, trying to find new pa…
This cd documents a series of 3 sound installations originally presented at the Schindler house / MAK center for art and architecture Los Angeles in 2001. Garden was placed near the back of the lot facing the house in a bamboo grove via 8 small speakers. A quiet flexible background for a harmonious life was placed in a small hallway of the house on headphones. Pathway was placed along the front path to the house on 4 larger speakers. The outdoor works were set to relatively low volume lev…
Korm Plastics is proud to present the eigtheenth release in the Brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative projec…
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Features Will Oldham (Bonnie Prince Billy) on vocals, and is a fascinating, compelling collaboration that mixes the last three centuries into one beautifully haunting, cryptic flow of idea-sound. Presented in a quietly handsome paper folio package!
Honeysuckle is the new solo album by Alio Die.. trance & drones,acoustic and electronic sound-effects, melt together in five tracksthat are characterized with a touch of grace that expand consciousnessin new and unforeseen dimensions...after a few seconds the music absorbs the listener under induction into the internal space that vibrates and resonates..A lovely sensible experience is just close to be discovered and to spread its fragrance.Like the hummingbird that suck the honeysuckle's nect…
Cosmic like Three Organic Experiences, esoteric like Password for Entheogenic Experience, Vayu Rouah perform a kind of synthesis of the researches by Alio Die and Aglaia. Vayu Rouah is the primordial wind that join cabala and sonorous alchemies, an inexorable flux with extended electro-acoustic solutions, by a wide range of frequencies. A very long and slow gestation of about eight years have absorbed different musical moods and have stratified itself throw the time.. sound after sound.. t…
Night Gallery III" is the first one to drop from the collaborative efforts of psychedelia power-houses, Sun Araw and Eternal Tapestry. Composed in the heat of SXSW-ian Texas and littered with odes to the Twilight Zone, the upcoming LP of the same name is the result of an improvisational drum circle recorded in one go. "Night Gallery III" is desert drone that feels cleaner than waking up in the Sahara after a peyote trip left you stranded and asking where the saxophone came from, but sort…
Live composition for portable radios, FM transmitter, 4 corner speaker PA, found sound textures, & Shruti drone box. Sound is all around us. An ethereal tapestry of invisible radio waves and sound pressure waves fills our world. Live in concert, Phoenix and Phaedra plays with our sense of place and scale, by using a surround sound speaker system in combination with a short range FM transmitter which broadcasts to a collection of hand held radios located within the audience. The concert is perfor…
First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.
'A 2-CD set containing four very different settings all featuring Paul Rutherford (trombone & euphonium): two festival solos - one with electronics and the other without;a festival brass quartet with George Lewis (trombone), Martin Mayes (french horn) & Melvyn Poore (tuba); and a studio trio with Paul Rogers (double bass) & Nigel Morris (drum set). The electronically enhanced solo and the brass quartet are unlike anything else in Rutherford's discography. All previously unissued.'
Running the gamut of improv, concrète, industrial tape music, and cut-up sounds. Featuring appearances by MITCHELL BROWN (GASP), AARON HEMPHILL (LIARS), PETER KOLOVOS (OPEN CITY), RICK POTTS (LAFMS, SOLID EYE, AIRWAY), and source material by SMEGMA and the HATERS. Partially collects material from the Beat (777 Was 666), Grisp, and DDT (Chondritic Sound) cassettes. For those that say things like, "I don't really listen to CDs"—you're totally lame.
A veritable tour de force of 'inside' prepared piano playing - preppiano extensif. The whole of a solo set performed at Les Instants Chavirés near Paris. Sophie Agnel's preparations, neither static nor fixed, evolve during the course of her playing as she adds, moves or removes an object, or replaces one artefact with another. These preparations include disposable water cups, nylon fishing-line, bouncing balls, aluminium ashtrays, aluminium foil, industrial nylon, inner-tube rubber and polished …
The collaborative efforts of Athens native Savvas Ysatis and New Yorker Taylor Deupree were well known in the early and mid 1990s through their work as SETI, Futique, and Arc, as well as their soundtrack to Japanese architect Toyo Ito's famed Tower of Winds building in Yokohama, Japan. After going their separate ways, Ysatis to recording for Tresor in Berlin, and Deupree to founding the 12k label, they have united again for their first project in nearly 10 years.
Almost all of Ysatis and Deupree…
Two contrabass players here, Andrew Lafkas, of whom I not really heard I think and Michael T. Bullock, of whom I did hear before, and know as someone who likes his improvised playing to be minimal - to say the least. I think Bullock at times also uses electronics, but I am not if he uses any of that here. Its not mentioned on the cover, nor the fact that this is perhaps a live concert. I do however think this is a live recording, however one with no audience, but a direct-to-track recording of t…
In the desire to make recorded sound as tactile as possible Autistici (UK), recently featured on 12k’s Blueprints compilation (12k1039), has sculpted found objects, broken acoustic instruments, synthesizers and environmental recordings into Volume Objects. Expertly realized and designed, Volume Objects is loose and organic and demands careful listening. Melody and form are hinted at and then in a whisper, a crackle, are gone. A sense of narrative and place created as if a hundred tiny objects ar…