New Arrivals

Aleph At Hallucinatory Mountain is the long-awaited new album from Current 93 and their first album in three years, following on from their double-platinum-selling album Black Ships Ate The Sky, and is released on David Tibet's new label Coptic Cat.Aleph At Hallucinatory Mountain is the most unique, most unpredictable and most powerful album yet from Current 93. David has brought together an amazing and bizarre array of talents from artists as varied as Nurse With Wound's Stapleton and Liles, ro…

Barbara Manning and S. Glass lead a small army of guest readers and musicians through barely musical versions of tunes, texts, and tracts. A survey of the exceptional, the eccentric, the feverish, and the pathologically peculiar within popular religious faith, to paraphrase William James, made by others, communicated by tradition, determined to fixed forms by imitation, and retained by habit. 70+ minutes of music fragments leached of melody and harmony, looped, hacked, noisified and depas…

Most Likely To: be one of the only albums you hear that will protect you from the smallpox virus. In the late 1960s, as traditional African culture rubbed up against an influx of Western influences, some of the most amazing modern musical forms birthed in the dance halls of West Africa. Rhythm and blues, soul, and funk elements electrified and popularized in the United States folded back upon themselves into their African origins. Afrobeat reigned supreme in Nigeria, a defiant and jubilant funk …

Very Special double vinyl edition of Thomas Koner's 'La Barca' album - featuring a whole extra side/over 20 minutes of exclusive material never before available on any format, cut at Berlin's Dubplates and Mastering and pressed up in an edition of just 500 copies for the world. If you're a follower of Drone/Dark Ambient, and have admired the work of anyone from Deathprod to Rhythm & Sound to BJ Nilsen to Chris Watson to Angelo Badalamenti - this will blow your mind* There are few artists …

dimmer's "remissions" is the second full-length album from longtime sonic architects of interactive feedback circuits, thomas dimuzio and joseph hammer. this 2xlp effectively represents four side-long pieces from their live shows throughout california taken place between 2006 and 2007.essentially a follow-up to their 2007 album on los angeles' melon expander, "remissions" expands upon the immense recursive tape looping and resampling that is found inherent in their work but achieves a weight and…

Following on from 2008's Polaris Prize-winning Andorra, Dan Snaith returns with a fresh take on the Caribou sound, working more dance-friendly structures into his work, which makes for quite a revelation given the project's tendencies towards jazz and frayed-edge psychedelia. Snaith outlined his approach to the new record by stating: "I got excited by the idea of making dance music that's liquid in the way it flows back and forth, the sounds slosh around in pitch, timbre, pan... Dance mus…

Not much is known about the shadowy figure of the Head Technician, the man supposedly behind Pye Corner Audio. There are rumors that in another life he was an engineer to the stars, and while that can't be verified, there's certainly an air of expertise in this bumper set of productions. Black Mill Tapes Volumes 1 & 2 were originally released by the Technician himself, and have been picked up for a very special vinyl release. These collect the first handfuls of tracks from the Pye Corner A…

More archival works from Jim O'Rourke see the light of day on Old News #8. Recorded in 1991-1992. Originally released as part of Disengage by Staalplaat. Special thanks to Geert-Jan Hobijn and Frans de Waard for their years of support. Jeff Cortazzo (trombone), Sue Wolf (cello), Michael Prime (shortwave), Geoff Fontaine (voice), Gretchen Wells, Matt Guerierri, Scott Shell. "Merely" recorded live at DePaul University, 1991 -- Carrie Biolo (percussion). Remastered in 2012, Steamroom Tokyo. This on…

Gorgeous double LP version "If a tree falls in a forest and no one's around, shit still gets crushed. If Cameron Stallones holes up solo-style in a suburban cave and wah-riffs over canned bongos for five straight months, double LPs still get dropped. These are basic life laws. The latest from Mr. Araw is easily his least compromising audio self-portrait to date. Three minute rhythm sketches are stretched into ten minute loop pedal odysseys. Organ solos last for entire vinyl sides. Ambiguou…

The Nihilist Spasm Band (John B. Boyle, John Clement, Bill Exley, Murray Favro, Art Pratten, Aya Onishi) + Sun Plexus 2 (Laurent Berger, Sébastien Borgo, Rémy Bux). Limited edition of 300.

Having nicely set up the release of this album with their Ret Marut Handshake EP a few months back, Alva Noto and Blixa Bargeld (of Einsturzende Neubauten fame) deliver a set that exceeds all expectations. One of the most strikingly obvious comparisons to arise from that first batch of material was the Alan Vega/Pan Sonic collaboration, yet Mimikry goes much further than combining the established aesthetics of its constituent parts and creates something that actually feels very new. Car…

What's in a name? Good question. On first glance, Deutsche Elektronische Musik gives the impression that the pieces for Soul Jazz's new collection were selected for how they later fed into house and techno. But then there's that subtitle—"Experimental German Rock and Electronic Music 1972-83"—one which gently reminds listeners that much of the most fertile music from Germany in the '70s wasn't electronic at all. So why not Krautrock? Well, that doesn't quite work either: A title like that…

Deluxe edition on double LP, an edition of 155 copies, individually inscribed and numbered, cear vinyl, 140g audiophile quality "Sourced from a mic’d gramophone playing 78rpm records from 1928 to 1932 with a cactus needle for a stylus, A Static Place has the more urgent, dynamic feeling to it. There is heavy use of hissing and layers of analog static to be heard on "Schwarzschild Radius", but it is used sparingly, burying processed choral arrangements and organ passages in its fuzzy warmth. Viny…

LP version. “This is his second album for Touch, after the highly acclaimed “Englabörn” [Touch # TO:52], about which The Wire said: “...expressive leitmotifs that unveil a profound sadness without ever wallowing in pathos” and Boomkat called it “a work of rare beauty and ... a rare jewel.” “Virthulegu forsetar” contains one hour-long piece for 11 brass players, percussion, electronics, organs and piano. The piece had its live debut in Hallgrimskirkja, a large church in Reykjavik and the city’s t…

Excerpts from the album. Now available at Experimedia.net. "If the independently-pressed record made the galaxy of recorded music that much larger, the burgeoning home studio became the black hole from which little escaped. Flowering in the mid-to-late '70s, affordable high-quality tape recorders, synthesizers, and simple drum machines permitted the aspiring artist to never leave his home, never request the assistance of another human being. In the world of American black music, name artists suc…

The frazzled and fractured electronic rhythms of Brooklyn noisemakers Black Dice are bent into shape once again on this fifth studio album from the band. The album, titled Repo, is comprised of home recordings and sessions from New York’s Rare Book Room studios. It’s another fine example of Black Dice’s singular aesthetic, which has been carefully honed through years of equipment abuse in low rent venues, art galleries and other improvised performance spaces. The record comes with a 20-page book…

Featuring members of Pelican & X-Bax. For the new album three single-chord compositions were charted out, one freeform and tone driven, one long-form piece with charts dictating the players' intensity of performance, and one grid-like chart where each players' note continually shifts, though the combination of voices continue to maintain the chord. Six chords were chosen and arranged in a progression that encompasses two separate performances of each of the three compositions. Though the…

"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …

'Editions Mego is proud to announce this double vinyl set. Five tracks recorded live (Valencia, Stockholm, Frankfurt, Brighton, Paris) + 'Bonus Recording', Russell  HASWELL & Toshiji Mikawa live in Japan. Cut by Rashad Becker at Dubplates & Mastering, Berlin, April 2008. Follow up to the award winning 'Live Salvage 1997->2000' CD (mego 012, 2000). Hot on the heels of recent collaborative releases with Florian Hecker (as HASWELL & Hecker) on Warner Classics and Warp Records, Russell  HASWELL (b.1…

Limited edition, audiophile pressing, with original spiral bound 1970 calendar w/ photoLive Peace in Toronto 1969 is a 1969 live album recorded by John Lennon and Yoko Ono, as the Plastic Ono Band, at the Toronto Rock and Roll Revival festival. Lennon after being asked by local promoter John Brower if he and Yoko would accept an invitation to emcee the show on short notice instead decided to make his post Beatle debut at this festival. Featuring Eric Clapton on guitar (fresh from the breakup of …