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a duo project by Karla Borecky and Scott Foust from the Idea Fire Company plus long-time collab-orator Mike Popovich. They were actice in the mid- to late-1990s and released the album »Our Pledge« on SWILL RADIO at the time. »Our Anthems« was recorded in 1996 but remained unreleased until now. The sound is somewhat similar to IFCO, although within at least some sort of a song structure. The 12 pieces on the LP present themes and sketches of atmospheric musical beauty created by synths, haunting …
Suum Cuique (pronouned Soom Kwi-Kwe, Latin for "To Each His Own") follows the remit of Young Americans to explore uncharted, experimental, and personal synthscapes, guided by the hand of intuition with an entirely analogue array of machines. In 'Lithic Reduction' concrète textures grind like a millstone to release powdery clouds of analog dust, settling only to be dispersed by gusts of blackened distortion, whereas 'Red Binary' is distinctly electronic, revolving around muted radar bleeps…
With their recent split with Naked on the Vague acting as a dip into pop's waters; Wet Hair's follow up, In Vogue Spirit is practically a jump into the pool. The band's most accessible batch of tunes to date boil with Krautrock rhythms, buzzing synths, and a new focus on vocals that has previously been mostly absent in the band's back catalog. It's not all motion and melody here though, the band still retains their experimental spirit, giving the record plenty of teeth to sink into any of …
Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…
We haven’t made any secret of our love for Estonian Producer Maria Minerva, and this latest offering for 100% Silk might just be her finest yet. She’s had to bat off plenty of comparisons with Nite Jewel, Glass Candy and others from the nu-disco set, and this collection of six tracks should be where those comparisons end. Here Minerva explores a wider range of dancefloor styles, beginning with woozy late night Chicago gloom on ‘A Love So Strong’ with its detuned vocal hook and punchy bas…
“In psychic defense” is the last work of Clay Ruby as Burial Hex. With this record Burial Hex faces a new chapter in his music where noise, post-punk, a wise use of the rythm, experimental wave and dark melodies match together in a perfect balance. The record is elaborated as a protection spell in psychic self-defense, and the lyrics are from an old hymn to the Archangel Michael, always been seen as a leader and protector of the faithful. This one sided also confirms the collaboration betw…
"since the last senking album "pong" (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massel's sound cosmos. on "tweek" senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it se…
The mythical LAFMS collective Smegma really needs no introduction, where would we all be without them? How many bands were so ahead of their time (1973!), and have been for so long, like Smegma have? Well, here they are with a brand new LP of their famous mix of free jazz, industrial noise, improvisation, straight-up weird music so typical of these masters / US freaks. On the opening track, they are riding on the amazing drums of historical member Dennis Duck (of Dream Syndicate) to pay h…
The silhouetted, impressionistic black metal ambience of William Fowler Collins has cast a long shadow over all who've crossed his path. Returning to Type Records for his 2nd LP, two years since 'Perdition Hill Radio' and not long since recording with Gog and Isis' Aaron Turner, William still exists in a permanent nighttime state, as though the sun has completely abandoned the New Mexico desert and left him, and his music, to slowly decay in the darkness, suffering the attrition of sandst…
Lawrence English's epic masterpiece - finally available on vinyl for the first time. Strictly limited edition - Initial copies come on white vinyl* One of the most memorable and absorbing albums released by the wonderful Touch label in recent years, "Kiri No Oto" was first released by them on CD in 2008 and has spent much of the intervening time lodged in our minds as one of the finer drone/field recording albums to have been made this century. Kiri No Oto (a Japanese phrase meaning 'sound…
LP version. Edition of 500 copies. On The Very Heart of the World, Burning Star Core (BXC) has created an incredibly heavy record, built on dense, layered drones, pulses, splintered vocals, and deep rhythms that euphorically build to total overload. With a line-up including the Hair Police front line and other luminaries from across the exploding Midwestern psych-noise-folk underground, BXC's C. Spencer Yeh has assembled a group that seamlessly shifts through epic movements and pushes pure elect…
Driven primarily by neo-tribal drums, which would seemingly put them in league with the rumbling sound of Bmore's Thank You. But "12 Plus Harsh Tanz" in particular is much more reflective. The guitar brings to mind the cracked post-1960s dream-psyche hangover of Pink Floyd, I'm thinking here of an instrumental interlude that might have been on Obscured by Clouds, or perhaps the contemporaneous Eastern-infused lines of Popul Vuh's Daniel Fichelscher. It's headspace music, to be sure, but in some …
Saxophonist Carlos Garnett recorded with Pharoah Sanders, Miles Davis and Art Blakey. His 1974 spiritual jazz album features an amazing line-up of Reggie Lucas (Miles Davis, Sonny Rollins), Buster Williams, Dee Dee Bridgewater, Alex Blake (Sun Ra), Charles Sullivan, Mauricio Smith (Tito Puente), Norman Connors, and Billy Hart. Exact repro reissue.
Brand new solo material from Aidan Baker, one of the most prolific musicians recording at the moment, Aidan creates such a wide array of musical sound its hard to keep track, not only does he perform as part of the fantastic Nadja, as well as in projects such as ARC, and collaborating with other luminaries such as Tim Hecker, he releases a whole host of solo material. This new solo record is really something, pulling together all the genres he works in, fusing heavy drones, with broken drums bea…
A new collection of killer, tempered synthesizer workouts from Darren Ho on Spectrum Spools. The seven tracks featured have are have the kind of fragile beauty - and playfulness - that we associate with the early electronic music of Wendy Carlos, Daphne Oram, Raymond Scott and their ilk. There's a strong narrative arc to the album, but each track explores distinct territory: 'Slow Sum' parts one and two' are playful agglomerations of phased analogue patterns, 'In Peru' a Budd/Roedelius-style amb…
This disc brings together the Sun Ra recordings "Cosmic Tones For Mental Therapy" and "Art Forms Of Dimensions Tomorrow" (recorded in 1963 and '61-'62 respectively). Cosmic Tones functions as a kind of blueprint for the sort of large-scale jazz weirdness that would inform much of Sun-Ra's subsequent works, featuring the woozy reeds of 'And Otherness' and the afro-jazz experiments of 'Thither And Yon'. On 'Adventure Equation' a space echo treatment on the recording which is reprised for the sax f…
Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Lla…
*Exquisite black and silver silk screen printed cover. Limited edition** Oh man, this match-up must be a dream come true for at least a handful of freaks, somewhere, us included! The tenth release on Jozef Van Wissem's Incunabulum imprint sees the label curator jamming with LAFMS legends, Smegma at the Pink House in Portland, 2010, infusing his 13-course swan neck baroque lute into their uncontainable free improvisations in eight parts. They appear to be entirely respectful of each others space,…