New Arrivals

Here In The Valley is the debut full-length release from helllhound, the intimate sonic collaboration of life partners Cadmar Fitzhugh  and Nailah Hunter. Born out of a seismic shift from urban Los Angeles to a remote mountain town in the Sierra National Forest, the record reflects a period of profound transition—into the wilderness, into parenthood, and into a deeper communion with self. Woven together through acoustic guitar, harp, voice, and gentle  electronics, Here In The Valley evokes the …

Everything in Watercolour is a luminous and intimate ambient work from vocal artist and songwriter Anita Tatlow. Known for her instantly recognizable ethereal voice and immersive collaborations across the ambient and electronic spectrum, Tatlow crafts music that feels both weightless and deeply emotive. Blending soft vocal layers with gentle synthesis and spacious  production, the album unfolds like a series of delicate washes, where tone and texture drift in slow motion. Rooted in her  backgrou…

*27 copies limited edition* Artwork By Antonio Benini. Mastered By Vintras. Noises, Voice, Composed By, Performer, Recorded By White Weapon.The CDR business card is contained in a printed banner canvas envelope, stapled, measuring approximately 8.5 x 13 cm. The printed business card is contained in a 200-gram printed cardstock envelope containing a printed mini poster.The package also includes a sticker.

*30 copies limited edition* The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with 3 stickers on the front. The CDr has a small sticker, and inside the envelope there is an insert in the format of a mini poster of the dimensions of 30x30 cm. open and 10x10 cm. closed, approximately (paper 190 gr. thick). Materials created for live-set at Signal Reload Festival, 14th September 2025.

Limited edition of 500 copies with a unique psychedelic day-glo cover, more historical photos and updated and detailed liner notes by Dungen guitarist Reine Fiske. “One of Sweden’s most obscure psychedelic treasures from the late 1960’s. Imagine vintage Cream and Syd Barrett-led Pink Floyd morphing into a primeval Hawkwind sonic brain attack and you’re on the right track. They just may be the most impressive examples of vintage Swedish psychedelia you’re ever likely to hear. ”

In a patchwork of IRL sound fragments, humming ambience and sub bass brushstrokes, Bobby Ingham debuts on Sneaker Social Club with a social-realist inversion of soundsystem music that relishes negative space while telling a street-level story. Bobby Ingham is a 24-year-old multidisciplinary artist whose creative practice across film, music and sculpture was shaped by formative experiences in his native Leeds. Having started to experiment with spoken word, poetry and electronic sound production, …

'What Remains’ is the new album from John Haycock featuring Dan Bridgwood-Hill. Originally composed for resonance and performed live at Hope Baptist Church in Hebden Bridge in 2023, the composition uses kora, clarinet, guitar, violin and electronics to produce a heartfelt conjunction of acoustic, processed and environmental elements, deeply rooted in the land and history of the Calder Valley, West Yorkshire. The original recording has been ‘Worldized’ in the Todmorden Unitarian Church, a term co…

Bastille Musique presents its fortieth release »György Kurtág: Secreta« featuring Quatuor Béla. The album contains a new studio production of Kurtág’s complete works for string quartet from 1959 to 2011, including the first recording of a previously unpublished composition. The recordings, produced by the SWR, are complemented by a 56-page bilingual booklet (EN, DE) with texts by Tobias Bleek, a conversation with the quartet and the recording producer, several autograph pages and two concertina-…

*Released on 100 gold cassettes with UV printing* “Harhapoluilla” takes the listener on a midnight walk through old birch forests, abandoned villages, through creaking wooden doors, to a special inner landscape. Musically this takes the form of many strange samples, analog loops from cryptic sources and found sounds. Noise elements also occasionally take the forefront but the mysterious atmosphere never fades away completely. The themes of the album, says Klemi, deal with “Images of deep forests…

Tip! »Inferno« retains its characteristic melodies and atmospheres, drawing on the esoteric influences of »Societas X Tape« (the BoC 2019 NTS mix for Warp Records’ 30th anniversary) as well as the dark atmosphere of »Tomorrow’s Harvest«, which is further intensified by the increased use of spoken-word recordings. The first BoC album in thirteen years has a running time of seventy minutes.

*2026 stock. 60 copies limited edition* Tela is the full-length debut of Stockholm-based composer Simon Hansson and was recorded in April 2024. Across its four movements, waves of pulsating feedback are woven into a dense sonic fabric. The title 'Tela' refers to plain weave, or simply cloth, reflecting the intricate processes of over-under interlay that structure the material. Recursive patterns and constant iteration unfold at a glacial pace, continuing Hansson's exploration that defines his si…

*2026 stock. 350 copies limited edition* The recording features the poem “Democracy Destruct” by David Henderson, produced by Kjell Bjørgeengen at Harmolodic Studios, New York in 2003. The title leaves never fall in vain is taken from the Japanese poet Chori (1739-1778). Performed and recorded at Kunstnernes Hus, Oslo, 31 October 2023. Kjell Bjørgeengen – Dave Jones synthesizer and Flood CoilInga Margrete Aas - Double bassAimée Theriot - Electric celloIngar Zach - Vibrating membraneDavid Hender…

Composed and recorded during tough times in 2025. Using compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.

Tip! *300 copies limited edition* fold/interval is an audiovisual project and publishing and curatorial platform founded by Giuseppe Ielasi, Fabio Perletta and Giulia Bruno. This is their first release. Thirty minutes of guitar and electronics duos with a 12-page photo booklet and a letterpress sleeve.

Tip! ** Edition of 55, glass-mastered CD in handmade cover featuring a unique collage made by the artist, also includes a numbered insert and a poster - all copies are different. ** After years of activity under the pseudonym Petroglifi Solubili, Italian sound artist Loris Zecchin releases his first album under his own name - a natural evolution that coincides with some of his most accomplished and fully realised work to date. Constructed using his characteristic toolkit - contact microphones, a…

Tip! ** Edition of 100, glass-mastered CD, includes poster ** A new face from the furthest North-East of Italy, Trieste: the city of the "bora", a powerful and relentless wind that for many of its inhabitants represents a state of mind, more than a simple typical atmospheric event. Petroglifi Solubili is the project by Loris Zecchin (Solar Ipse fanzine), born in 2021 with a simple sampler (the legendary Roland SP-404) and gradually expanded with an equipment that includes a number of synths, gui…

Huge Tip!!! Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events. After several years of research, and several visits to the retired community, we are happy to present our ne…

At a time when the Japanese jazz scene was rapidly maturing and one accomplished musician after  another was emerging, another saxophonist worthy of new attention joined the scene: Masafumi  Yamaguchi. This work, his memorable first album as a leader, now makes its long-awaited first appearance as part of the seventh installment of "Spin This Now!"

A refined jazz work by Hiromasa Suzuki. Featuring Nobuyoshi Ino on bass and the accomplished Steve Jackson on drums, this album unfolds through interplay that is tightly knit yet relaxed throughout, and now makes its long-awaited first appearance as part of the seventh installment of "Spin This Now!"

Following the great response to the previous release "Flash Up," a live recording from Shinjuku Pit Inn in March 1977, this new work composed by Takeo Moriyama was recorded about a year later. The second release left by the Takeo Moriyama Group on Teichiku now finally makes its debut as part of the seventh installment of "Spin This Now!"

*200 copies limited edition* Utisetur I is the sixth album by Canadian ritual project Undirheimar. Marking the beginning of an ambitious trilogy, this new work delves deeper than ever into the project’s uncompromising spiritual and sonic vision. Utisetur I unfolds as a six-part ritual chant rooted in the ancient meditative practice of Utiseta. Stripping away all instrumentation, Undirheimar constructs the entire album exclusively from layered overtone singing, creating a dense, immersive field o…

*200 copies limited edition* My Garden marks the culmination of a long and meticulous creative process. Over the course of many months, Hugo Champion has carefully shaped and refined each sonic element, cultivating a deeply immersive body of work that stands among his most accomplished to date. Rooted in a lush and evocative ambient aesthetic, the album will resonate instantly with longtime followers of Cyclic Law, while remaining highly accessible to new listeners. Subtle yet insistent, these r…

*200 copies limited edition* “Ypnos”, the Greek word for sleep, is reinterpreted here as something far more introspective and unsettling. Within the context of this release, it evokes a state of emotional isolation and spiritual withdrawal, a descent shaped by trauma. Rather than presenting trauma in a literal or narrative form, Fractalyst translates it into a kind of aural poetry, abstract yet deeply resonant. The album avoids fixation or glorification of suffering. Instead, it unfolds as a gra…

Sam Andreae, Li Song, and Rory Salter are UK based artists. All of them perform and present their works in a minimalist style, and they are all noteworthy figures among current artists who take an experimental approach. As the title suggests, this work consists of four performances using three melodicas. Silence and sustained sounds produced by the instruments appear and disappear, creating single notes and harmonics. They are performances of intense concentration, and at the same time, it is a …

French artist The Dead Mauriacs (Olivier Prieur) has been releasing many works based on a collage style. This album is the second release on zappak. "Un Théâtre aux yeux clos / A Theater with closed eyes" is based on a quite minimal collage style. There are some spaces like silence, and subtle electro-acoustic sounds are placed quite carefully. They sometimes whisper and other times roar. In between 45 minutes the curtain falls and rises, you might see a play that you have never experienced befo…

On Silent Portrait, City of Dawn distils their ambient language into a single, weightless frame: soft‑focus drones and hushed harmonics deepened by Marisa Grijalva’s bass shadings, mastered into luminous stillness and wrapped in equally contemplative artwork.

It happens very rarely that you can praise a records without any reservations, this is the case here!!! A lot of ink has flowed across the page since the Vogue/Swing release (1955) of that founding solo record. The repertoire was made up of pieces that Thelonious was playing in New York over that period, but in trio or with a quartet, here his music shows nakedness, i should say crudeness, whisch is completely overwhelming. It is a balck and white photograph of what is happening inside Monk's he…

Art Blakey was the new hero on the Paris jazz scene, thanks to his Olympia concert on November 22nd 1958, and his subsequent appearances at the Club St. Germain. People swore by his 'Blues March' and 'Moanin', so why not get him to do the soundtrack for the film Molinaro just finished? The only problem, albeit a major one, was that time was short, so an original score was out of the question: the Jazz Messengers would have to preach the good word by other means. Fortunately, the band's tenor and…

On Foraging, The Blassics Experiment dig deeper into their analogue-funk soil, spinning nature-tuned grooves and mossy dub atmospheres into an eight-track crate of break-ready instrumentals that feel both forest-floor organic and dancefloor precise.

*100 copies limited eidtion* The 12 lp cycle of the zodiac of Decimus Magnus Ausonius was originally initiated in 2011. Over the course of 15 years, lps were release on various labels including Kelippah, Digitalis, Planam, Holidays and Further. This present LP represents the resolution of this arc.

Sometimes the title of an album tells you everything you need to know. Laurence Pike’s Possible Utopias for Jazz Quintet is like that: The music within represents a search for freedom, potentiality—liberatory strategies that transcend the ego and the solitary, atomized figure. But in this case, the album title is also a red herring, because there is no jazz quintet here—just Pike, his drums, and his machines, not so much an ersatz ensemble as a purely notional one, a thought experiment equipped …

* Edition of 150 * The other side of the coin. Where its companion single, Organum Electronics' Fiire, delivers compressed walls of metallic noise, David Jackman's Das Kreuz strips everything back to a handful of quiet, elemental sounds - and in doing so arrives at something close to the essence of his recent work under his own name. Across the two tracks, the music unfolds with the stillness of an overheard moment: birdsong, the cry of crows, the strike of a distant bell, and behind it all, a r…

On Convergence: Live In China, William Hooker and John King turn a Shenzhen stage into a pressure chamber, stretching one unbroken hour of drums and guitar from whispering tension to volcanic release in a charged act of real‑time communication.

On Mount Mansfield, Sam Boston and Shawn O’Sullivan turn a Vermont peak into both instrument and score, binding bent lapsteel and analog feedback into a slow‑growing, topographic drone where static contour becomes living, verdant resonance.

On Chandler and Dickow Play Fischer, David Chandler and Paul Dickow treat Marcus Fischer’s graphic scores as a lab problem rather than a script, using tracing paper, chalk, piezo styli, EEG data and a 1970s modular synth to probe what it means to “play” an image without simply projecting themselves onto it.

On Air Time, Air - Henry Threadgill, Fred Hopkins and Steve McCall - hit their 1977 stride, stretching from tightly coiled themes to wide-open improvisation, turning the sax-bass-drums trio into a restless, three-way imagination engine.

On this meeting with the Spontaneous Music Ensemble, Bobby Bradford steps into John Stevens’ London laboratory and, alongside Trevor Watts, Julie Tippetts, Bob Norden and Ron Herman, turns free improvisation into a fiercely alert, shape‑shifting chamber music.

On Numbers 1 & 2, Lester Bowie joins Malachi Favors, Joseph Jarman and Roscoe Mitchell in a pre‑Art Ensemble crucible where AACM discipline, raw timbral play and open‑form swing coalesce into a blueprint for the Chicago future.

On Four Ways, Roscoe Mitchell joins Stephen Rush’s shape-shifting Yuganaut trio for an electrically unstable encounter, where reeds, synths and oddball acoustics melt into one long, multi-hued improvising organism.

On Spirit Catcher, Wadada Leo Smith moves between luminous small‑group ritual and radical chamber experiment, setting airy trumpet-and-vibes lyricism against the austere blaze of a muted horn surrounded by three harps.