New Arrivals
Collector
Digipak CD edition. From the world-famous "Psyché Rock", to "La minute éternelle" sent by NASA into space, to "Variance", an unpublished remix of the iconic work "Variation pour une porte un soupir". Pierre Henry’s Collector is conceived as a Best Of collection of 16 tracks from 1950 to 2013. This album is a gateway for any listener to discover the innovative and masterful work of the founder of electronic music, exploring an intense, audacious and fascinating sound universe.
An Index Of Metals
hortly before his death (ten years ago), Fausto Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art (a furnace of sensations, they called it, an_ initiation rite_) in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter (Kenka Lekovich), acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner a…
Turkish Women At The Bath
This is a wonderful rediscovery, and one of the great lost sessions of the 60s. Drummer Pete LaRoca made only three albums as a leader during his heyday in the 1960s and now this long forgotten session is available once again. Although best known for his Blue Note debut Basra in 1965, LaRoca recorded two albums for Douglas Recordings in 1967, the previously released Bliss! and this obscure date. This session is a fascinating slice of late-60s modally influenced Jazz featuring an especially welco…
KlangWerk 11
Erhard Grosskopf (b. 1934) is a Berlin-based composer of contemporary music who has been active since 1963. His works include chamber and orchestral as well as electronic music, and have been performed in the West German pavilion at Expo '70, by various radio orchestras, renowned string quartets, and avant-garde groups such as Gentle Fire or Agitation Free.
A thread that runs through all of Grosskopf's works is the idea of composing not on a timescale but in a space. Grosskopf views himself as a…
Citadels & Sanctuaries
*2022 stock. In process of stocking. 200 limited edition* Recorded during a month-long residency at Brooklyn art space Pioneer Works in late 2020, Cymerman’s fifth solo album is his most accessible work to date. While past releases have included extensive edits, overdubs, and effects processing to push his clarinet into the realm of abstraction, nearly each piece on Citadels & Sanctuaries was captured in a single take. “This album was recorded when playing lines and melodies were feeling really …
Phos
*In process of stocking* Electroacoustic improvisation trio Bloodmist is proud to present Phos, their second studio album, scheduled for release in summer of 2020. The group’s most focused offering to date, Phos showcases an expansive exploration of vivid hellscapes, encompassing elegiac clarinet melodies, feral noise textures, multi-layered electronic percussion, and wildly evocative electronic processing. Bloodmist is Jeremiah Cymerman (clarinet, electronics), Toby Driver (electric bass), and …
Arc
NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.
Systema Munditotius, Vol 1
NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.
Decay of the Angel
*2022 stock. In process of stocking. 200 limited edition* “On a day such as this,” David Thomas once sang, “insist on more than the truth.” “Day Such as This,” from Pere Ubu’s Song of the Bailing Man, is an elaborate studio concoction in celebration of hyperbole. Jeremiah Cymerman has never signaled any great appreciation for Pere Ubu, but that song nonetheless proposes a way to describe what he does on Decay of the Angel.
The album is the outcome of years of solo clarinet concerts, some in his…
In Concert & In Residence
* 2CD in 4 panel gatefold wallet * A supplement to Sarah Davachi's 'Two Sisters', 'In Concert & In Residence' offers a series of live chamber ensemble recordings as well as several instrumentals collected while in residence at the National Music Centre. Featuring commissioned long-form works 'In The Grand Luxe Hall' (2016) and 'Stile Vuoto' (2018), variations and unreleased live recordings of the 'Harmonies' series for organ, and solo performances with electronic instruments such as the Hammond…
As Loud As Possible
Tip! CD Edition, 8-panel digipak. The mid-90s were particularly abundant years for harsh noise, producing many albums which are now considered masterpieces. One of the most beloved classics from this period is "As Loud As Possible" by Incapacitants. Active since 1981, the duo of Toshiji Mikawa and Fumio Kosakai found their stride in the early 90s and set off on an unrelenting course which produced countless gems of noise. Many of these have been well preserved and documented elsewhere, compiled …
Tance Neznámé
*2022 stock* "This album is a fantastic document of two guitarists complementing each other, giving each other space to work out ideas and while being technical top notch, they put a lot emotions into their compositions. Some of the melodies are touching something deep inside me, that is hard to explain, but I bet every music lover knows that feeling... Do not miss this album, even if you can't read or pronounce the track titles. This is pure bliss!" – Dying for Bad Music
Violence Against the Evidence
Flag Day Recordings presents Violence Against the Evidence, a collaboration between Roel Meelkop and Das Synthetische Mischgewebe.
Roel Meelkop - analog modular synthesizerDas Synthetische Mischgewebe- acoustic assemblages
A/V001: Unit 11: Benjamin Greenberg & Joe DeNardo with E.S.P. TV
* Edition of 100 VHS * Ben Greenberg and Joe DeNardo’s 2016 live audio/visual collaboration at Pioneer Works with E.S.P. TV's UNIT 11 (directed by Victoria Keddie & Scott Kiernan), a mobile studio and residency from a former TV newsvan focusing on transmission-based research and practice. Loud, hypnotic and unrelenting, this 30 minute VHS tape release features a re-mastered audio mix to the original as previously aired on E.S.P. TV #101. Each tape is uniquely laser etched on the cassette shell i…
Were We Where We Were
Were We Where We Were is a recording of set of compositions by Michael Formanek, and performed here by him, saxophonist and clarinetist Chet Doxas, and drummer Vinnie Sperrazza, collectively as the Michael Formanek Drome Trio. These pieces were loosely grouped together as Palindrome Series 1 and Palindrome Series 2, from 2020. They started out as a series graphic scores that were then reinterpreted as conventionally notated music for this trio. The Drome trio learned the music and rehearsed outs…
>(decrescendo) Final Chapter
Recorded 18/9/2019 iphone Mono Recording. No Cut No Overdub Edit. Recorded in a park before dawn in August 2019, it was released for the first time in December on a series of cassettes by fashion brand CAV EMPT and sold out immediately. In 2020, "Ugusudani Apocalypse" was released on LP by The Trilogy Tapes in the UK. In 2020, he self-released a cassette box with three versions recorded in the same park. In 2021, The Trilogy Tapes will release a second pressing of the album with a poster in a do…
The Earliest Live Sound Source Collection 1980 - 1982
Tip! *2022 stock* Finally, the album that people have been asking "When in the world is it coming out?". It's a collection of the band's earliest material, mainly live performances from 1980 to just before their major label debut in 1982, including three songs from their first EP 'Ash-Lah'!
Parasite
Tip! *2022 stock. 300 copies limited edition* Splitrec presents Parasite solo prepared guitar works by Rhys Mottley.
Submental
Tip! *2022 stock* 180º is a new group formed in August 2018 - Nick Ashwood acoustic guitar, Jim Denley bass flute, and Amanda Stewart voice and text. Amanda and Jim first met in the late 1980s, founding Machine for Making Sense in 1989, as well as performing numerous duos over the years — a long and fruitful association. They’ve always been interested in what their music instinct can learn from language and vice versa.
Nick is from the southern tip of Tasmania. Jim and Nick have been developing …
back, before
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…