New Arrivals
Engravings
Created by electronic producer and composer Matthew Barnes, and originally released via Tri Angle Records, 'Engravings' received instant acclaim from the likes of Resident Advisor, Pitchfork, The Guardian and saw Barnes take his hypnotic live show across festivals like Sonar, Glastonbury, Unsound and Le Guess Who.
While much of British electronica is defined by its inner cities, 'Engravings' was recorded in Barnes' hometown on the banks of an ancient river in Merseyside, the album's earthy, orga…
Déjà Si Mort
Déjà si mort is a manifesto of inconsolability. The eponymous title track is deeply moving. At its core lies a female voice of disarming authenticity, permeable and vulnerable. This creates an immense emotional density: pain that is not staged, but lived. This is underpinned by throbbing analogue drums, whose stoic pulse carries the almost liturgical synthesizer motif. The second track responds in its own way. And in general, Distoromance do things their own way – they sound like no one else.
Playing, Praying
*50 copies limited edition* On a quiet Tuesday night in April, three musicians—Max Ridley, Eleanor Elektra, and Nat Mugavero—gathered at The Lilypad in Cambridge, Massachusetts, for an evening of deep improvisation. What unfolded was Playing, Praying—an intimate, continuous recording that captures the trio’s shared devotion to sound, silence, and spirit. The album was recorded live as the trio improvised from the heart, pausing only for moments of silence—now preserved as their own tracks. These…
Als de nachtwind die fluistert door de spichtige halmen der duingras
*50 copies limited edition* ‘Als de nachtwind die fluistert door de spichtige halmen der duingras’ (Like the Night Wind That Whispers Through the Spindly Culms of the Dune Grass) is the second solo album by Dutch guitarist Marijn Filius. It follows after a handful of ep’s, self-released on digital formats, throughout 2024 and 2025. The album is a culmination of the modes of guitar playing he has been exploring these last few years and his most substantial release since his debut album from 2021.…
Hi-Fi Flamingo
Tip! Edition of 66 numbered copies. Straight outta Jutland comes the new album by Denmark’s Lenny Kalimba. Set your ears adrift in warm scenic sounds, and watch them dance blissfully spasmodic. Homemade flutes, carved from a sacred bamboo bush burning with playful awe, float across the sonic spheres to mind-melt with protofunkoid kalimbas. Electronic beats and acoustic drums swing each other to a higher level of groove.
Recorded on tape for a warm listening pleasure, and hereby presented as a ta…
The Original Quintet (First Recording)
From the original "Theme" to a series of beautifully reimagined standards by Duke Ellington, Benny Golson, and Isham Jones, The Original Quintet (First Recording) captures a seminal moment in jazz history. Released in 1956 on Prestige and engineered by the legendary Rudy Van Gelder, this album perfectly synthesizes Miles Davis’s evolving artistic vision, marking a landmark in the bop revolution.
Featuring an extraordinary ensemble including John Coltrane on tenor saxophone, Philly Joe Jones on d…
Music By Lee Mason
Wewantsounds is delighted to announce the reissue of Music By Lee Mason, the cult classic from the Chappell Recorded Music Library, originally released in the UK in 1971. Credited to Lee Mason & His Orchestra, the album is in fact the work of renowned British composer and arranger Pete Moore—best known for composing the iconic “Asteroid” theme in 1968 for the Pearl & Dean cinema advertising company. One of the funkiest library albums of its era, blending cinematic tension, funky grooves, and jaz…
Vita Matata With African Fiesta
'The creation of the band African Fiesta, founded in 1963 by three well-known musicians, Nicolas Kasanda, Tabu Ley Rochereau and Roger Izeidi, and the contributions of the VITA label, established by Roger Izeidi, occupy an exciting chapter in the history of Congolese popular music. During the mid-1960s, African Fiesta consistently reached the top of the hit parade. The band, which back in the day positioned itself as a competitor to a current called ‘Fiesta Cubana’, breathed new life into Congol…
Jenifer
This exclusive vinyl edition features the haunting soundtrack from Jenifer, the unforgettable episode directed by Dario Argento for the acclaimed Masters of Horror series. Composed by maestro Claudio Simonetti (Goblin). The score fuses dark electronic tones with terrifying orchestral strings, perfectly capturing Argento's signature blend of beauty and terror. A must-have for collectors and fans of Italian horror cinema.
Home Thoughts
Home Thoughts is the late, luminous farewell from Michael Garrick, written for his Lyric Ensemble and recorded in 2011. Working with poetry by Shakespeare, Browning, Blake and others, he fashions 12 song-like pieces where jazz harmony, chamber textures and spoken or sung verse fuse into an intimate, autumnal meditation on memory, love and mortality.
Tone Poems
Tone Poems sees Michael Garrick orchestrating textures and images in a powerful display of big-band colour. Released in 2011 and performed by the Michael Garrick Jazz Orchestra, the suite of eight pieces draws on myth, landscape, and autobiography - each composition unfolding as a miniature drama of shifting harmony and luminous ensemble interplay.
Green and Pleasant Land
Green and Pleasant Land finds Michael Garrick turning the English landscape into chamber jazz, writing for a luminous string-based group with piano at its centre. Across live performances from the early 2000s, he folds folk melody, hymn fragments and knotty improv into quietly radical miniatures that make the countryside feel haunted, restless and very much alive.
The New Quartet
The New Quartet introduces Michael Garrick in close-up, stripped of choirs and orchestras and thrown into agile, conversational post-bop with Martin Hathaway, Paul Moylan and Alan Jackson. Across standards, Garrick originals and nods to Joe Harriott and Jaco Pastorius, the 2002 session turns lyricism into a pressure test, revealing how much drama four voices can conjure in a small room.
Down on Your Knees
On Down on Your Knees, Michael Garrick revisits his sacred-jazz obsessions through the language of a modern small big band, setting hymns, blues, and standards in luminous, late-20th-century colour. With vocalist Anita Wardell alongside Martin Shaw, Steve Waterman, Jim Tomlinson and others, the 1999 album feels like a devotional songbook rewritten for restless, metropolitan believers.
Lady of the Aurian Wood: A Magic Life of Duke
In Lady of the Aurian Wood: A Magic Life of Duke, Michael Garrick salutes Ellington not with imitation but with a gleaming fever-dream of big-band narrative. Writing for the Michael Garrick Jazz Orchestra with Norma Winstone in a central role, he turns characters, ghosts and side-stories from Duke’s orbit into a 12-part, 75-minute suite of blues, prayer and hall-of-mirrors swing.
Gigs: Introducing Michael Garrick
Gigs: Introducing Michael Garrick catches Michael Garrick on the bandstand rather than in the chapel, a pianist still forming his voice through standards, ballads, and early originals. This live-feeling 2008 release frames him with a tight trio setting, revealing a restless, harmonically alert player already bending the jazz canon toward his own lyric intensity.
Yet Another Spring
On Yet Another Spring, Michael Garrick enlarges his sacred-jazz universe into a full-scale orchestral meditation on birth, loss, and renewal. Scored for the Michael Garrick Jazz Orchestra with recurring features for Norma Winstone, the 2006 suite moves from intimate prayer to blazing big-band catharsis, treating the life cycle as both liturgy and drama.
Inspirations
Inspirations finds Michael Garrick turning inward with his New Quartet, distilling a lifetime of big ideas into melodic, small-group conversation. Recorded in 2006, it honours John Coltrane’s legacy without mimicry, letting Garrick, Martin Hathaway, Paul Moylan, and Alan Jackson reimagine spiritual intensity as supple, lyrical post-bop.
Children of Time
On Children of Time, Michael Garrick stretches his sacred-jazz imagination into cosmic scale, writing for the Jazz Britannia Orchestra and reuniting with vocalist Norma Winstone to explore creation myths, Eucharistic ritual, and his own visionary texts. The result is a 2006 suite that feels like a liturgy drifting through deep space, turning theology into glowing, unsettled sound.
Jazz Praises at St. Paul's
With Jazz Praises at St. Paul's, Michael Garrick welds liturgical grandeur to jazz improvisation, conjuring an atmosphere as reverent as it is free. Featuring the Michael Garrick Sextet, John Marshall, and the St. Paul’s Cathedral Choir, this 2005 release radiates both spiritual inquiry and creative boldness, transcending boundary with every motif.