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On Cosmos Nucleus, Carlos Garnett turns his cosmic post‑Coltrane fire into a large‑ensemble manifesto: six expansive tracks where Pharoah‑like spiritual cries, funk currents and celestial brass fanfares coalesce around the incandescent “Mystery Of Ages.”
On Balladyna, Tomasz Stanko leads Tomasz Szukalski, Dave Holland and Edward Vesala through seven originals that weld lyrical, Slavic melancholy to volcanic free‑jazz undercurrents, forging a 1970s European classic that still feels startlingly alive.
Tip! ** Edition of 55, glass-mastered CD in handmade cover featuring a unique collage made by the artist, also includes a numbered insert and a poster - all copies are different. ** After years of activity under the pseudonym Petroglifi Solubili, Italian sound artist Loris Zecchin releases his first album under his own name - a natural evolution that coincides with some of his most accomplished and fully realised work to date. Constructed using his characteristic toolkit - contact microphones, a…
Tip! ** Edition of 100, glass-mastered CD, includes poster ** A new face from the furthest North-East of Italy, Trieste: the city of the "bora", a powerful and relentless wind that for many of its inhabitants represents a state of mind, more than a simple typical atmospheric event. Petroglifi Solubili is the project by Loris Zecchin (Solar Ipse fanzine), born in 2021 with a simple sampler (the legendary Roland SP-404) and gradually expanded with an equipment that includes a number of synths, gui…
Huge Tip!!! Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events. After several years of research, and several visits to the retired community, we are happy to present our ne…
*100 copies limited edition* Debut cassette of new duo, John Grimaldi (Hand & Knee, Detachment Programs label) and Scott Kindberg (Silver Moult, Begin Hostilities label) -- Harsh noise / found sound manipulation
On Foraging, The Blassics Experiment dig deeper into their analogue-funk soil, spinning nature-tuned grooves and mossy dub atmospheres into an eight-track crate of break-ready instrumentals that feel both forest-floor organic and dancefloor precise.
Guitar and Pedal Steel duets by Nicholas Merz (New Orthodox) and Pat Murano (Decimus)
'Komos Cowboys are here. Here with a LP debut. A debut that winds through the living room like a lab coat experiment, already in progress. Yea it doesn't feel like the first word from these chaps, instead it's as if someone just flipped on the flashlight or the Zoom recorder and the Cowboys didn't look up. The result- a sliding, blinking scene report on something that's been rolling for some time now. Maybe the…
*100 copies limited eidtion* The 12 lp cycle of the zodiac of Decimus Magnus Ausonius was originally initiated in 2011. Over the course of 15 years, lps were release on various labels including Kelippah, Digitalis, Planam, Holidays and Further. This present LP represents the resolution of this arc.
* Edition of 150 * A short blast and a fitting coda. Organum Electronics' Fiire is the first - and quite possibly the last - appearance of David Jackman's harsh electronic project on vinyl. Released on Die Stadt in a limited edition of 150 copies on black vinyl, it arrives as a companion piece to the Das Kreuz 7" released under Jackman's own name, the two singles together forming an epilogue to the monumental seven-album CD subscription series that unfolded on the label between 2023 and 2025.
Ja…
* Edition of 150 * The other side of the coin. Where its companion single, Organum Electronics' Fiire, delivers compressed walls of metallic noise, David Jackman's Das Kreuz strips everything back to a handful of quiet, elemental sounds - and in doing so arrives at something close to the essence of his recent work under his own name.
Across the two tracks, the music unfolds with the stillness of an overheard moment: birdsong, the cry of crows, the strike of a distant bell, and behind it all, a r…
First-ever vinyl reissue. Half-speed mastered. By the time National Health entered Ridge Farm Studio in July 1978 to record their second album, the Canterbury scene was already supposed to be over. Soft Machine had splintered. Caravan had gone pop. Hatfield and the North, whose final line-up supplied three-quarters of National Health's core, had disbanded two years earlier. And yet here, at the supposed tail end of a movement, four musicians produced what many consider its single most fully real…
Half-speed mastered from the original tapes. Gatefold sleeve with archival artwork and 16-page booklet. May 25, 1973. Two records enter the world on the same day, bearing the first and second catalogue numbers of a brand new label called Virgin Records. V2001 is Mike Oldfield's Tubular Bells - a record that will sell sixteen million copies, launch an empire, and embed itself in the cultural mainstream forever. V2002 is Gong's Flying Teapot - a record about Pot Head Pixies who ride interstellar …
On On The Run, Shutaro Noguchi and The Roadhouse Band turn a cross‑continental goodbye into a subtly tripped‑out song cycle, folding Gong‑like cosmic drift, Sakamoto‑esque pop abstraction and Louisville bar‑band warmth into one gently disorienting farewell.
On Land, Deep Earth Network (composer Danny Hammond) stretches field recordings, shack instruments and spoken-word fragments into a slowly mutating earth‑drone, half sound meditation and half psychedelic nature ritual that feels both intimate and vast.
On Schematics For A Blank Stare Volume 4, Jeffery Scott Greer digs deeper into his cracked-beat, sample-scarred universe, sketching late-night instrumentals that flicker between head-nod hypnosis and uneasy, half-remembered dream logic.
On Convergence: Live In China, William Hooker and John King turn a Shenzhen stage into a pressure chamber, stretching one unbroken hour of drums and guitar from whispering tension to volcanic release in a charged act of real‑time communication.
On Mount Mansfield, Sam Boston and Shawn O’Sullivan turn a Vermont peak into both instrument and score, binding bent lapsteel and analog feedback into a slow‑growing, topographic drone where static contour becomes living, verdant resonance.
On Sumatra Method, Émile Zener (aka Gunnar Haslam) rebuilds 1950s–60s Indonesia as a haunted acoustic system, where Cold War proxy battles, propaganda and terror flicker through unstable drones, VHS detritus and spliced testimonies.
On Chandler and Dickow Play Fischer, David Chandler and Paul Dickow treat Marcus Fischer’s graphic scores as a lab problem rather than a script, using tracing paper, chalk, piezo styli, EEG data and a 1970s modular synth to probe what it means to “play” an image without simply projecting themselves onto it.