New Arrivals
Dispossession
Dispossession is the second full length from Brooklyn’s Mike Wexler, and his debut for Mexican Summer. An artist who defies easy categorization—a songwriter/guitarist without a traditionalist bone in his body, with an ear for far flung sound-worlds and sonic atmospheres both high & low, Wexler brings all of his manifold interests to bear in carving out a space for a singular vision uniquely attuned to the present moment. Dispossession is the product of over two years of intermittent recor…
Split LP
Amazing!! There is a murder in the beach. Ducktails arrives in his spaceship escalade to investigate the scene. Dracula Lewis is the principal suspect. They become best friends and decide to work on a split LP. When a vampire kills a body is never found. At the same time beautiful and terrifying cavern drone sounds from Dracula Lewis, Psychedelic spiraling melodies and electronics beats from Ducktails. Both investigate the limits of the space time continuum. This is the new dawn of expansi…
Ectoplasma
Software Recording Co. presents Tropa Macaca's fourth release, Ectoplasm. The ambient-noise duo of André Abel and Joana da Conceição have been going strong from their Portugal home base since 2005, while lunging out into the world with releases via Qbico and Ruby Red. The following to 2009's Sensação do Princípio on Stiltbreeze, Ectoplasm finds Tropa Macaca creating a quantic fantasy sound not unlike a cybernetically enhanced Taj Mahal Travellers interpreting a lost chapter of One Hundred…
Plague Of Fantasies
Brand new solo material from Aidan Baker, one of the most prolific musicians recording at the moment, Aidan creates such a wide array of musical sound its hard to keep track, not only does he perform as part of the fantastic Nadja, as well as in projects such as ARC, and collaborating with other luminaries such as Tim Hecker, he releases a whole host of solo material. This new solo record is really something, pulling together all the genres he works in, fusing heavy drones, with broken drums bea…
Red, Black And Green
Originally produced and issued by charles 'bobo' shaw himself, red, black & green, by the band "solidarity unit, inc." documents what happened at "the bag room" in st. louis, mo, the day jimi hendrix died. shaw & the ten piece group produce a raw, teeming clattering sound, captured in a gloriously blunt low-res recording as stark as the b&w cover art. lake & bowie were by this time already powerful soloists, & both declaim fervently and damn near relentlessly over shaw's swaggering themes. de…
Solo Acoustic Volume Five
Subtitled: 12 String Meditations For Jack Rose. "Limited to 1000 copies. Solo, untreated, 12-string compositions in tribute to one of the greats. An album of instrumentals in requiem."
Live In Tokyo, August, 19th 1974, Part Two
Part two. This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited…
Nigeria Afrobeat Special
Nigeria Afrobeat Special is the fourth addition to the Nigeria Special series, a project initiated by Miles Cleret, owner of the Soundway Record label back in 2004. Cleret’s ambition to distinguish the blossoming music scenes of 1970s Nigeria has lent to an indispensable series of CD and LP compilations documenting the influence of western blues, rock and disco amongst artists and musicians versed in the local musical styles of highlife and juju. It was Fela Kuti and his musical and politi…
Bengt
Bengt is the new solo recording by Mats Gustafsson and is dedicated to Bengt Nordström. Mats Gustafsson plays a plastic alto sax. A classic Grafton sax. The type of sax that was used by Charlie Parker, Ornette Coleman and Bengt Nordström. Nordström is best known having produced Albert Ayler´s first recording Something Different!!!!!! on his Bird Note imprint. It is in his own role as a sax player Bengt was truly inventive. Bengt was playing solo sax improvisation already in 1962 (!!!) Nor…
III
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
Everyone Is Not Alive
Reissued limited edition 2 color vinyl of Touch People's debut album from 2 years ago (originally on The Faint's blank.wav imprint). Darren Keen, aka Touch People, records guitars, drums, bass, and keyboards, and then assembles via experimental/modern production that is both visceral and cerebral. The resulting sound bears resemblance to Steve Reich, Battles, Dan Deacon, and Tortoise.
Teeth Mountain
Driven primarily by neo-tribal drums, which would seemingly put them in league with the rumbling sound of Bmore's Thank You. But "12 Plus Harsh Tanz" in particular is much more reflective. The guitar brings to mind the cracked post-1960s dream-psyche hangover of Pink Floyd, I'm thinking here of an instrumental interlude that might have been on Obscured by Clouds, or perhaps the contemporaneous Eastern-infused lines of Popul Vuh's Daniel Fichelscher. It's headspace music, to be sure, but in some …
Double Demon
What mischief can be made with just cornet, vibraphone and drums. Rob Mazurek has scaled back considerably since Stars Have Shapes, the 2010 record from his Exploding Star Orchestra. His new project, the curiously named Starlicker, is a mere trio, with Chicago vibraphonist Jason Adasiewicz and Tortoise drummer John Herndon. But this group emits more sound and energy than do some sextets. Double Demon is Out to Lunch! for a new generation. Powered by Herndon’s hyperkinet…
Throat
In view of the band's assertion that this is a program designed to be listened to in one sitting, it seems a little impertinent to discuss highlights. The seven tracks that make up "Throat" seem a little arbitrary in view of the overall discontinuity of the release, but in as much as this is music which has no time for a lot of preconceptions, that might be an inherent part of the band's intentions. The opening is where the Brotzmann reference comes into its own, but before the piece is o…
(Fake) The Facts
After the runaway success of the Akita/Gustafsson/O'Rourke LP One Bird Two Bird (DEMEGO 016LP), Swedish sax legend Mats Gustafsson returns to Editions Mego with another storming collaboration. Now a resident of Vienna, he teamed up with experimental artists dieb13 and Martin Siewert for a live and studio session. (Fake) The Facts is the result. A dense fog of sound comes from all directions, but whereas the general impetus is a full-on attack, the trio finds enough restraint to create a deepe…
A Year In The Kingdom
Since Joshua Tillman had his profile raised by association with Seattle folk favourites Fleet Foxes, whose drumsticks he wields, he hasn't exactly been making an attention-seeking racket in his solo career. In contrast to Fleet Foxes' dawn-chorus harmonising, Tillman favours a spare style, and his sixth solo album may be the year's most subdued record. "I possess a taste for blood. I have numbered mankind's days," the 28-year-old murmurs on "There Is no Good in Me", throwing in a reference to fi…
Day before one
Frode Gjerstad (alto sax, bass clarinet) and Paal Nilssen-Love (drums) recorded 2000 by Frode. Cover art by Terry Nilssen-Love. 'Two men sitting on a balcony, old friends, right before dawn. Maybe sipping some nice cups of tea, maybe even something stronger. Talking about anything, things shared, opinions, the way of the world. From time to time the conversation heats up a bit, touches things that are not seen completely eye to eye, then (eventually, always) understanding, friendship, trust take…
The Age Of Swing
After the monumental Hammond Pops, new work for finest norwegian noise duo Golden Serenades. Two long track clocked at 35 minutes for their most violent and complex work to date. 140 gr vinyls, black inner sleeves, printed labels, deluxe 330g ivory paper.Ltd 150
You Are The One I Pick
"Nottingham duo Felix make their Kranky debut with this fine and idiosyncratic collection of songs. The main focus here is the vocal/piano/cello talents of Lucinda Chua, whose sparse yet quirk-loaded minimalism receives guitar and bass backing from Chris Summerlin, who's probably best known for his work in the rock band Lords. Chua's writing is quite unlike anything else currently out there; her lyrics convey strange or often very simple, domesticated ideas delivered in a pared-down, plaintive f…
Pressure
just wild and free. virginia genta (golden jooklo age, etc.) on tenor saxophone and andrew barker exploding drums. paste-on cover art. edition of only 115 numbered copies.