Solo bass albums constitute a rare and demanding genre. The instrument's resonance, its sustain limitations, the absence of harmonic support - all conspire against extended solo statements. Yet Horace Tapscott's longtime bassist approaches the challe…
The Tommy Tedesco case is singular in California jazz history. A session guitarist among the most sought-after in Hollywood - thousands of recordings, film scores, pop records - chooses for his most personal statement the company of Bobby Bradford on…
Curtis Clark's Nimbus debut - and he brings the whole Los Angeles underground with him. Miranda and Theus: the rhythm section that powered Horace Tapscott's Arkestra, that held the floor at UGMAA meetings, that knew how to make a piano trio sound lik…
Just two people. Piano. Voice. Nothing else. No bass, no drums, no safety net. This is where Clark strips everything away - no Amsterdam quintet, no Dutch improvisers, just 88 keys and one voice diving deep. "Rainbow Over Harlem" opens and closes the…
Bomb! Drop the needle. Thirteen minutes and twenty seconds. "Daniel/Amsterdam Sunshine" - dedicated to Daniel Halifee - opens this record like a prayer. Not a quick prayer, not a polite prayer. The kind that takes its time, builds in waves, lets the …