Counter Culture Chronicles unveils Wildlife & it’s Results, a rare sound collage by Sue Fishbein, recorded in the early 1980s when San Francisco’s underground scenes provided fertile ground for cross-disciplinary exchange. Best known as a central force in the mail art network, Fishbein used sound as another medium of correspondence—fragmented, suggestive, and defiantly anti-hierarchical.

In this piece, wildlife is less a subject than a metaphor for unruly activity: snatches of found recordings, cut-up voices, urban din, and unexpected silences intertwine in a restless composition. The results are both humorous and disorienting, echoing the anarchic spirit of mail art’s international dialogues. By treating sound as fungible material, Fishbein extends her cut-and-paste aesthetic into the aural domain, challenging notions of authorship and form.

Wildlife & it’s Results carries the immediacy of a cassette-era experiment yet resonates today as a prescient reflection on media saturation, excess, and play. More document than performance, more collage than composition, the work encapsulates Fishbein’s singular ability to twist fragments into a sonic correspondence that remains vital, unruly, and fiercely independent.