condition (record/cover): NM / NM

Insert included. No obi.

Second copy of the 1980 MPS solo statement, same Japanese pressing - because solo Cecil Taylor in MPS sound is the kind of stock that never needs justifying twice, or even once. The title's five-fold command describes the method exactly: launch after launch after launch, motifs hurled aloft and caught and hurled again higher, the pianist as flock and falconer simultaneously, gravity filed under optional. Where the live solo documents carry the theatre and risk of the occasion, this studio counterpart offers the language in laboratory focus - every attack and decay preserved by the label that recorded pianos better than anyone before or since, which for music living this completely in the touch is not a luxury but the point. The MPS-Taylor combination happened exactly twice at this level; both results are on this shelf today.

Fresh copy, same recommendation, same single word doing all the work: fly. And then, per instructions, fly again.