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Pat Metheny Group

Offramp

Label: ECM Records

Format: CD

Genre: Jazz

In process of stocking

€16.40
VAT exempt
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Third studio album by the Pat Metheny Group (Pat Metheny, Lyle Mays, Steve Rodby, Danny Gottlieb, with Naná Vasconcelos), recorded in October 1981 at the Power Station, New York, produced by Manfred Eicher and released by ECM in 1982. CD edition.

CD version. Offramp is the third studio album of the Pat Metheny Group, recorded at the Power Station in New York in October 1981 and released by ECM in May 1982. It brought the guitar synthesizer to the centre of the band's sound and added Naná Vasconcelos's percussion and wordless voice to the group. It also won Metheny his first Grammy, for Best Jazz Fusion Performance at the 1983 ceremony. The album includes Are You Going With Me?, which became one of the group's signature pieces.

Metheny plays guitar, guitar synthesizer and Synclavier guitar. Lyle Mays plays piano, synthesizers, Synclavier, organ and autoharp, Steve Rodby acoustic and electric bass and Danny Gottlieb drums. Vasconcelos adds percussion, berimbau and voice. Jan Erik Kongshaug recorded the sessions and mixed them at Talent Studio in Oslo, and Manfred Eicher produced. The cover graphic is by Gerd Winner and the liner photographs by Deborah Feingold. All the music is by Metheny and Mays, with Vasconcelos sharing the credit on Barcarole and Eighteen.

Are You Going With Me? is a slow-building piece of almost nine minutes. It is carried by a long lead line on guitar synthesizer whose voice sits close to a trumpet. Au Lait is more atmospheric, a drifting piece with a rolling snare, Vasconcelos's wordless singing and delicate colours from Mays. The title track goes the other way. It is fast and angular, with fractured piano, a burst of glockenspiel and Gottlieb pushing hard over Rodby's bass lines.

Writing in AllMusic, Alex Henderson called it a less accessible but rewarding successor to As Falls Wichita, So Falls Wichita Falls. In his words the album "finds him leaning more toward the abstract". He noted that even on the angular title track Metheny "shuns empty musical acrobatics", and pointed to his close rapport with Mays. He also heard the influence of Jim Hall in the way Metheny leaves space and chooses his notes. On the ECM blog Between Sound and Space, Tyran Grillo named Au Lait his favourite track and Metheny's most perfect statement.

This CD edition holds the seven tracks of ECM 1216, first released in 1982, with the original booklet of credits and photographs.

Details
Cat. number: ECM 1216
Year: 1982

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