SKOLTZ_KOLGEN
Silent room
LabelOptical SoundGenreSound Art
Out of stock
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an impulse, a void, a hunger for an ideal. Silent Room is a cinema of light and shadow, a chamber cinema, wherein the most silent and least visible elements violently descend to murmur its presence. In their work, the skoltz_kolgen artists use a fotocinetique approach founded on the temporal fragmentation of action. To achieve this effect, several simultaneous captation techniques were used, in confrontations of various vantage points. For a more precise control of time, a battery of cameras were sequentially synchronized to take over 10,000 photographs, which were subsequently digitized and animated. The skoltz_kolgen cell then developed digital frequency-sensitive image- generating software that instantaneously shadows the audio track < somewhat like a heartbeat monitor that shadows the frequencies of a heartbeat, but in this case each frequency of sound can generate its image equivalent. Playing with interludes of this split-second synergy between sound and film, the mus
ic and scoring express a state of affect within the rooms and the internal reality of the characters. This is the film's narrative track. There is no dialogue to foster understanding or any reassurances for the viewer. Instead, we remain in a state of controlled hypnosis. Silent Room is an art object that defies classification < a highly potent film of its time." The book has texts (English, French and Italian) from Lucinda Catchlove, Sabrina Michielli, Sarah Lévesque, Alwynne Pritchard, Sophie Massé and a lot of colour photos. The two cds offers participation from AGF, Scanner, Akira Rabelais, Taylor Deupree, Yoshio Machida, Nathan Mc Ninch, Sawako, Lisle Ellis, Sébastien Roux, Kenneth Kirschner, Ryoichi Kurokawa, Stefano Tedesco, FM3, Magali Babin, Kempf, Erik Griswold, Steinbrüchel and Steve Roden."




























