Eddie Prévost, Seymour Wright, Ute Kanngiesser

In the third installment of the High Laver Levitations series, Ute Kanngiesser, Seymour Wright, and Eddie Prévost create an immersive listening experience that blends the unique voices of cello, alto sax, and drum kit with the resonant acoustics of All Saints Church in High Laver, Essex. Known for exploring the boundaries of sound in live improvisation, this trio uses the space's natural reverberation to enhance each extended improvisation, revealing subtle textures and dynamic contrasts as they respond intuitively to one another and their surroundings. This recording captures the essence of site-specific music-making, inviting listeners to feel part of the moment and space. Perfect for fans of deep, exploratory music, Volume 3 is a testament to the transformative power of location in performance.

Ute Kanngiesser is a German cellist based in London, known for her innovative approach to the cello through unscripted, improvised music. She focuses on exploring the layered, dynamic textures of the cello, often incorporating physical and material limitations to produce raw, evocative sounds that interact deeply with the setting and collaborators. Her performances are informed by her work with artists from diverse mediums such as film, dance, and poetry, emphasizing an organic evolution of music in real-time. Eddie Prévost, co-founder of the influential free improvisation group AMM, is a drummer and percussionist recognized for his experimental and highly textural approach. His work emphasizes listening and interaction over traditional rhythm, making him a vital figure in the British and international improvisational scenes. His collaborations often explore the resonance of acoustically rich spaces, adding depth and subtlety to his nuanced percussion style.

Seymour Wright is an alto saxophonist known for his deconstructionist approach to saxophone playing, focusing on sound exploration and unconventional techniques. His playing often involves close listening and a sensitivity to space, texture, and tonal shifts, making him a frequent collaborator with artists focused on improvisation and experimental forms.

Together, these three artists create a unique sonic experience, emphasizing site-specific acoustics, responsive interaction, and a shared commitment to pushing the boundaries of improvised music."

Includes a 16-page booklet with annotated liner notes by Seymour Wright, and b&w images.