Reissues
Unfinished Picture
Recorded in 1973 at the Church of Saint Mary Magdalene in Paddington, London, Unfinished Picture is Rupert Hine's second LP. The songs where all composed by Hine with lyrics by David McIver and Simon Jeffries. On its sessions, Hine was surrounded by a host of outstanding musicians that included Simon Jeffes (Penguin Cafe Orchestra), Mike Giles (Giles, Giles & Fripp / King Crimson), Mick Waller (Cyril Davis, The Steampacket, Jeff Beck Group), Ray Cooper (Eric Clapton, Elton John) among others.
Ru…
L'Envol
*In process of stocking. 300 copies limited edition* In his youth days, Gontran lived on the road. He describes himself as a member of the alternative hippie generation, not of those who claimed wanted to change the world, but of those who actually took an alternate way of living. He travelled, took any jobs available to make some money to live wherever he was, and wrote beautiful songs accompaining himself on guitar. From time to time, when the stars aligned, when there was the chance, he would…
Three Chords And A Sword: Solo Cover Versions 1988-2021
Tip! Three Chords and a Sword is a collection of eight cover songs recorded by rock/experimental musician Alan Licht over a span of three decades. Re-imagining both Van Halen’s “Jump” and Sonic Youth’s “Tom Violence” from the perspective of American Primitive guitar soli, employing a chord organ to twist Pere Ubu’s “Heart of Darkness” and Fred Neil’s “Everybody’s Talkin’” into eerie, doom-laden ballads, conjuring the sound of New York’s Suicide with little more than a microphone and patch cord, …
Mysteerien Maailma
A towering artefact of late 1990s ambient and electroacoustic music, resting at the borders of Finnish black metal, Svart Records’s long awaited, first ever vinyl reissue of Suuri Shamaani’s seminal album, "Mysteerien Maailma", emerges more than 20 years later as a stunning testament to the importance of the creative expansion to which it belongs.
Dedicated To Markos III
*In process of stocking* Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.
Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the mas…
Local Anaesthetic
*In process of stocking* After Patrick Campbell-Lyons and Alex Spyropoulos dissolved their partnership, they both went separate ways in the music scene. Campbell-Lyons began work on the Local Anaesthetic songs while going through a series of personal matters which ended up being reflected in the tone of the album. He did release it under the Nirvana name in 1971, but what we have here is a totally different thing. He decided to break with what had been doing up to that moment, and came up with a…
Songs Of Love And Praise
*In process of stocking* Once again a work by Patrick Campbell-Lyons without Alex Spyropoulos, this time Songs Of Love And Praise showed a return to a more classic Nirvana sound. Campbell-Lyons revisited two of the most loved songs by the band, Pentecost Hotel from their debut LP and Rainbow Chaser from their second one. The album opens precisely with the amazing uptempo beat of Rainbow Chaser, which while sounding faithful to the original recording, it comes with a totally different approach on…
Awa (Expanded)
*150 copies limited edition* Satomimagae breathes new vitality into Awa, her beguiling debut album, revisited and expanded for its tenth anniversary. Originally recorded, mixed and mastered by Satomi between 2011 and 2012, Awa conveys the keen-eared, wide-eyed DIY approach to the songcraft that underpins Satomi’s signature combination of lyrical haze, acoustic guitar and environmental artifacts. More of a deep reverberation than a big bang, Awa is one of several origin stories within Satomi’s un…
Live At The Bottom Line, New York - August 20th , 1977
This is the dangerous tandem of Gil Scott Heron and Brian Jackson caught in action at the NYC Bottom Line in hot August 1977, just a week before the release of "Bridges" one of their best and durable efforts of the season. At the head of a super tight line up the two deliver a dense performance of politically conscious music based on unapologetic words and soulful sounds. Not just a stream of hits but dense, expanded renditions full of improvisation including timeless pieces such as "Home Is Whe…
El Incendio Que Se Llevó La Ciudad
*In process of stocking* "During his concert in Lorient in December 2012, Thomas Bonvallet (L'Ocelle Mare / Cheval de Frise / Powerdove...) praised this new Radikal Satan. And it turns out that indeed, this "El incendio que se llevo la ciudad" diffuses in the air like a perfume of return to the sources. Like a whirlwind that sucked me in all at once... a bit like that brilliant split 10" released in 2003 (already)... After the depressive but deep experience of "Au Froid Qui Fait Rougir" (Les pot…
Some Skin: A Modern Harmonic Bongo & Percussion Party
Bongo, the mere uttering of the word conjures up dreams and images of beatniks and poets, goatees and cha-cha heels. Bongo Rock! Bongo Fury! Bongo Madness! Beat on a pair of bongos and watch the party begin! Some Skin is designed to get that party started. We’ve put together a group of rare selections, the majority of which are previously unreleased, including cuts from Sun Ra, "Mr. Bongo" Jack Costanzo, exotica jungle master Tak Shindo, art-rock chanteuse Jill Kroesen, and more! Just throw the …
Steve Allen's Hip Fables
Before Sesame Street or Yo Gabba Gabba made art for kids that their parents understood on a whole other level, there were Hip Fables. Pop prose originally put to pulp by the pen of Steve Allen circa the ‘50s, which inspired a popular album and even a book titled Hip Fables (Simon & Schuster). The original recording featured Steve Allen on the piano accompanied by King Cool himself, Chicago DJ and Impulse! recording artist Al Jazzbeaux Collins!
In 1983 under the watchful eye of original producer …
1980
Starting at a very young age, Katrina Krimsky developed her musical self along a pathway of strong classical, pianistic training. Highlights of her playing on the classical side include her wonderful recording of Samuel Barber’s monumental Sonata for Piano, Op. 26, (Transonic Records 3008, 1975), a composition that is a virtual dictionary of early and mid-Twentieth Century composition techniques, first performed by Vladimir Horowitz in 1949 and 1950. Another example is her equally wonderful reco…
The Three Faces of Yusef Lateef
Recorded in May 1960 this is probably one of Lateef’s more straight jazz releases with almost no trace of his famous Eastern sound experiments. This is a beautiful and dynamic album based on a balanced mix of originals and standards including great numbers by Dvorak, Ellington and Zawinul and with Lateef who’s literally shining on both tenor sax, oboe and flute. A fine document from a master musician caught during one of the peaks of his career.
Starting Point
Tip! In 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpção to join their musical experiments in a basement under Sao Paulo’s Teodoro Sampaio Street. As teenagers, the trio had already been playing together in Hermeto Pascoal’s Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto’s direction that the Paulista rhythm section (as they were then kno…
Doctor Dancing Mask: Pianoisms
Neil S. Kvern’s Doctor Dancing Mask: Pianoisms is a near mythical marker on the map of late 20th century experimentalism transpiring in America’s Pacific Northwest. A sublime, spacious effort of left field DIY minimalism constructed from recurring piano pieces, hypnotic percussion, and a peppering of diverse instrumentation, vocals, and invisible effects, Doctor Dancing Mask illuminates a hidden but remarkable legacy of a young composer at the height of his creativity and consciousness.
Original…
Plastic Carved Out In The Shape Of The Music
6-panel digipack with a 12-page booklet. Edition of 500 copies * Plastic Carved Out In The Shape Of The Music compiles all the non-album releases of the 1990s by Dunedin free improvisation quartet-cum-trio, Sandoz Lab Technicians. One of many hermetic enclaves of creative endeavour in the nineties NZ underground, Sandoz Lab Technicians are James Kirk (also of King Loser, The Stumps, Black Boned Angel, Renderizors, etc.), Nathan Thompson (Sleep, Renderizors, Eye, Expansion Bay, etc.), Tim Corneli…
Bread Love And Dreams
"The debut album by this two-woman, one-man trio presented contemporary British folk with the slightest of pop and folk-rock edges. The most prominent pop embroidery was found in the occasional sweeping, haunting string arrangements; there were also dabs of organ, harp, and percussion here and there. It was pretty but somewhat bland music on the border of late-'60s British folk-rock, the songs faintly echoing those of U.K. peers such as Donovan and Bert Jansch.
Bread, Love and Dreams had a sligh…
Faintly Blowing
"Faintly Blowing contains music that openly cites the influences of the day, from the Beatles to the Bee Gees to Pink Floyd. However, what sets Kaleidoscope apart is how they are able to take what may sound familiar yet make it all their own. There are also happen to be some really great tracks on the album such as "Faintly Blowing", "A Love Song for Annie", "If You So Wish", "Snapdragon", and "Bless the Executioner". The quality writing of Peter Daltrey is apparent, and his gift of melody is co…
Four Letter Monday Afternoon
*2023 stock* "Four Letter Monday' was the third album by Out Of Focus and in sharp contrast to their previous two, expanded to an 11-piece group, adding an extra guitarist as well as a full brass section. This double album features the 2 side long epic track Huchen 55 (parts a, b and c) which is an amazing track and worth the admission alone. The rest of the album plays out covering quite a range (at times I hear early Chicago and sounds of Blood, Sweat & Tears). This wild album really hits all …