This is a softcover, hand-bound 140-page art book showcasing Han Bennink's visual art, designed by Irma Boom. It features a retrospective in book form of Han's visual art through the years. The 8th of October 2017 marked the official release of the book and to celebrate this the Kranenburgh Museum in Bergen, NL opened a unique exhibition of Han's creative output, featuring a "total artwork"Ê that unites music, rhythm, organization and visual art. Drawings, photographs, assemblies, installations …
2025 Stock. In Overtone Singing, ethnomusicologist and singer Mark van Tongeren provides a fascinating insight into the timeless and universal aspects of sound and vibration. Grounded in a decade-long study of Asian music, he draws upon various fieldwork experiences, interviews with eastern and western musicians, in addition to the work of numerous scholars. He presents a multidisciplinary vision on sound that runs from World and contemporary music to the science of acoustics and perception, to …
Originally released in 2012 on the artist's own Unseen label only in digital formats, »Moiety« by Helios aka Keith Kenniff is finally getting its physical release in a new 2022 vinyl edition, remastered by Taylor Deupree. In 2012, Kenniff shared this free, digital-only collection, which marked a notable shift in pace, both in output and style. Slower, more meditative than past work, Moiety honed in on Kenniff's proclivity as an ambient producer.
* In process of stocking. 70 copies limited edition * Originally released on CDR by Music Mundane in 2007. Recorded at home in Nottingham in 1992. Stewart Walden: Casio SA10
Free noise improvisation from the beginning to the end, if it's even ever ending. The sound continues its journey somewhere when the cassette stops. Broken melodies, noises and strange sounds coding the mind while the brains think it's already sleeping. Originally recorded to C90 cassette, but later both sides mixed together…
Aurinkovuosi brings together five cassette singles made by J. K., which were originally released in small editions (10 copies each) by Vuosi label during 2018–2022. These ten season-inspired minimal "audio vignettes" combine various electroacoustic sounds and techniques with field recordings. They are also experiments on short-form drone piece composing. The duration of the compositions were determined by the cassettes found at the flea markets on which the original recordings were released.
In …
**2025 Stock. Very last copies** A Monumental 52 CD + 2DVD + photo-book box (Every box is numbered and unique because Han Bennink himself painted each copy by hand! ) to celebrate 45 years of Instant Composers Pool - and worldwide delivery is included! "Improvisation is like daily life... like crossing a street" - says Han Bennink. The ensemble of the Instant Composers Pool, or ICP, improvises for 45 years now on the highest level. "These guys can swing like madmen and then all of a sudden play…
This CD was released as part of the ICP 30th Anniversary celebrations and came in a paper pocket fixed to the inside front cover of the Anniversary booklet.
track 1 recorded at Bimhuis, Amsterdam, NL on January 31, 1997track 2 recorded at Theater Romein, Leeuwarden, NL on April 1, 1992recorded by Dick Lucascover art by Han Bennink
Anthony Moore’s contribution to the post-punk pre-wave sound of London in 1979 – light with pop, fronted with meta-punk attitude and draped in strings of keyboard theory. As someone else said at the time, The perfect release! A lovely collision of art, pop and punk from the megacenter of all things in the rock and roll era.
*100 copies limited edition* Tibor Szemző is presenting two compositions on his new album Snap #2 – The Other Shore and the first release of his CUBA. As the title implies, Snap #2 can be considered a sequel to his cult album Snapshot from the Island (released in 1987, 2000 and 2020). In that first album the island was a metaphor for isolation and now Snap #2 offers Szemző’s reflections of his visits to real islands, Cuba in 1988-1990 and Japan in 1992-1994. As usual, Tibor Szemző processed the …
*In process of stocking* Recorded in 1969, these White Plains NY kids created a horror show of late psych, which they fully admitted to on “Freak Show,” a slow bluesy creeper with spirally spiderweb organ and the fantastic and sexy sorceress vocals of Lynn Boccumini. Recorded in New York’s Record Plant under the guidance of cult producers Jimmy Curtiss and Steve Kanyon (best-known for their involvement with popsike favourites the Hobbits and the New Hobbits), this Italian-American psych rarity …
*In process of stocking* Soft Machine performing two continuous sets of compositions, improvisations and dynamisms. All instruments, except saxes, variously processed with electronic effect devices Henie Onstad Art Centre, Høvikodden, Norway, 28th of February, 1971. Stereophonic ambient recording technique to Studer A62 Reel-to-Reel.
*300 copies limited release* Originally released in a tiny CDr edition in 2005 on the now impossible-to-find and almost literally named Vanished Records imprint, Excavation Patterns is a uniquely pervasive touchstone of Adelaide’s music culture, and has since put down roots around the world among devoted aficionados of minimalism, ambient music, and improvisation. At 52 sprawling minutes in length, it has been lovingly Direct Metal Mastered and exquisitely pressed by RAND in Leipzig, in a hand-n…
Big, big tip! "The Seventh Son" was originally release in 1980 on RA Records and became a true Jazz Holy Grail. For anyone collecting Spiritual Jazz this reissue is simply not to be missed. Malachi Thompson moved to Chicago as a child and credited his interest in the trumpet when he was 11 years old. Malachi worked in the rhythm and blues scene on Chicago’s South Side as a teen. In 1968, he joined the Association for the Advancement of Creative Musicians (AACM), spending some time in the AACM bi…
The legend of San Francisco’s Crime looms large among punk aficionados the world over. Formed in the mid-1970s, the band’s dual-guitar sound, confrontational image and sleazed methodology still serve as inspiration decades later. With only a handful of singles released during their active lifespan, Crime’s legacy grew significantly as archival recordings began to trickle out in the early 1990s. Of all these excavations, San Francisco’s Doomed was one of the first and certainly one of the most po…
Soon after their 1978 debut on the Brian Eno-produced No New York, a compilation that defined the No Wave scene, James Chance’s group Contortions had already evolved— getting sharper, tighter and just plain faster. Despite the loss of keyboardist Adele Bertei and bassist Geoge Scott (who refused to sign a new contract demanded by Chance and his then partner, band manager Anya Phillips) Contortions were firing on all cylinders, and their first full-length album, 1979’s Buy, is a marvel of hot-wir…
*All tracks previously unreleased. Stereophonic sound. In process of stocking* Featuring the classic KTG frontline of Marc Charig, Nick Evans and Elton Dean with rhythm section appearances by British jazz luminaries Jeff Clyne, Trevor Tomkins, Roy Babbington and Bryan Spring. These six previously unreleased live studio tracks were recorded for broadcast purposes in January and August of 1970, between the group’s two now seminal British jazz/rock releases for the Polydor and Vertigo labels respec…
Exquisitely melancholy, pre-war Japanese Ryūkōka Recordings, 1929-1938, delving deeper into the style’s fusion of traditional and classical Japanese and western blues x jazz on Death Is Not The End.
London's Death Is Not The End rope in folklorist Derek Piotr to curate another mystical collection of crackly mountain music from North Carolina. Powerful, soul-stirring unaccompanied vocal music.
Death is Not the End teams up with folklorist Derek Piotr once more for this bumper archive of North American folk music, this time focusing on every version they could find of the ballad 'Lamkin'. It's a fascinating study that displays how a standard was able to shift and evolve as it moved from person to person over the decades.
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
After the overwhelming success of last years 1971-74 box set release, containing the first four studio albums and for the first time ever this lost ‘last’ album recording, ‘Punkt’ gets a deserved and necessary stand alone release to the relief of fans and collectors and the undoubted future gratification of those yet to experience the magic in these recordings. 'While working on the “lost” album which the band recorded in Munich, it became clear that I was listening to the last ever made recordi…
Fellow humans, Bureau B invite you on an expedition to Silberland, a singular span of spacetime created by Germany’s sonic futurists of the seventies and eighties. Embracing the early electronics and tape experiments of the sixties’ avant-garde, these artists aimed to boldly go, eschewing small steps for giant leaps into a nebulous and novel sound.
1. Die Partei – Strahlsund2. Rolf Trostel – Two Faces (bureau b edit)3. Michael Bundt – Full Steam Ahead (bureau b edit)4. Moebius – Etwas (bureau b …
*In process of stocking* Dieter Zobel aka Didier Leboz: serial tinkler, inventor, freestyle freak Tension. Performance. Resistance - our Zonic Spezial documenting underground cassette culture in the latter years of the GDR caused quite a stir when it first appeared in 2006. A collaborative effort with the legendary ZickZack label and Verbrecher publishing house, “Spannung. Leistung. Widerstand. Magnetbanduntergrund DDR 1979-1990” (to give the work its full title) caused many listeners, especiall…
Softcover, English, 180 pages, A Slightly Curving Place asks what it means to listen to the past and its absence which remains. It responds to the practice of acoustic archaeologist Umashankar Manthravadi, whose life and work are a history of sound and technology through the second half of the twentieth century. As a self-taught acoustic archaeologist, he has been building ambisonic microphones since the 1990s to measure the acoustic properties of premodern performance spaces. Comprising a range…
2022 Repress * Softcover, English, 260 pages, B/W*An absolutely stunning achievement, “We Have Delivered Ourselves From the Tonal – Of, Towards, On, For Julius Eastman” - published by Archive Books and SAVVY Contemporary - gathers a collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman. Clocking in at 264 …
Available for the first time on CD, this is another collection of essential pieces from one of the originators and masters of this style. These recordings were selected from the personal collection of Tony Oxley and were mastered for this release with superb sound by Karsten Lehl under Tony’s supervision. Some of the pieces were edited into their final composed form many years after the original recording was made. Performed by a who’s who of European improvised music, this new release is an e…
500 numbered copies Remastered from the original tapes. Like many of his peers, Mino Di Martino first emerged within the context of popular music, working in numerous Italian beat bands, before finding enormous success as a pop star as a member of I Giganti, whose 1971 LP, Terra in Bocca, is often cited as a spark for the sea change in Italian music that would emerge over the coming years.
After his experience with Albergo Intergalattico Spaziale (together with the actress and singer Edda 'Terra…
500 numbered copies Remastered from the original tapes. Orange Vinyl During the 1970s, Italy was one of the most exciting and fascinating musical contexts in Europe, birthing seminal projects and artists like Franco Battiato, Aktuala, Lino 'Capra ' Vaccina, Giusto Pio, Roberto Cacciapaglia, Futuro Antico, and so many more. Defining the scene was an ethos that rigorously pursued creative freedom and experimentation, with its artists fluidly moving between popular music - rock, prog, jazz, etc. -…
Sigillum S, have been covering unknown territories among extreme electronics, fringe acoustics and occultist noise since 1985.The result has been an endless series of mutations, where, from the droning ritualism and ethnic explorations of the late ‘80s through the surreal science fiction soundtracks of the ‘90s, they have arrived at the super deep complexity of the new millennium.
*In process of stocking* The sole album by US Psychedelic Folk Rock unit was released in 1968 on Mainstream, the label ran by famous jazz producer Bob Shad. After launching a young Janis Joplin with the Big Brother And The Holding Company, he tried to repeat his commercial triumph with The Growing Concern. However, the band was a different proposition altogether with its emphasis on beautiful vocal harmonies and fantastic guitar and organ work. Consequently, Shad only allowed the group into the …
*In process of stocking* The final installment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the …
*In process of stocking* “Another psych holy grail, finally seeing the light of day. Oasis was an American rock band from Marin County, California active in the 1970s. They eventually morphed from the prog-folk ensemble R J Fox. Their self-titled debut album was released as a private press in 1973 by the Cranbus label in a small run of 150 copies, imagine that…The record was in fact never released in the States but only in Canada, such a mystery today. Coming from the west coast the band - led …
*2022 repress* O Bidú: Silêncio no Brooklin is the fifth studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with Brazilian rock band The Fevers as Ben's backing musicians and released in 1967 by Artistas Unidos, a small-market record label based in São Paulo.
The album was recorded while Ben was living in Brooklin, a neighborhood of São Paulo with Erasmo Carlos. Its title is a reference to a car that Ben owned at the time and the subtitle is a joke on a neighbor…
Tip! A poet, soothsayer, bicycle race tipster, actor, prolific drinker, self-taught guitarist, and living legend of Japanese sound, Kazuki Tomokawa catapulted into Tokyo’s avant-folk scene in the mid-1970s, forging a sound and sensibility marked by throat-wrenching vocals and searing ennui. Among his musical peers in postwar Japan, Tomokawa distinguished himself as a pioneer of radical individualism. He had “the personality of a hydrogen bomb”—as the notorious ultraleft band the Brain Police on…
Tip! At the tender age of twenty-five, while he was working part-time at an Italian restaurant in Tokyo’s Kamata district, Kazuki Tomokawa released his debut record, fittingly titled Finally, His First Album. While he had already penned hundreds of songs, including his first single “Try Saying You’re Alive!,” written on a long train ride past fields and rice paddies, it was this recording that introduced Japan to one of its most unique musicians of the postwar era. Each track, as record label …
Tip! In the 1970s, Kazuki Tomokawa catapulted into Tokyo’s avant-garde scene with his cathartic and utterly electrifying performances. Straight from the Throat, Tomokawa’s second album, released in July 1976 by Harvest Records, finds the musician in his truest form: as the “screaming philosopher” he would come to be called—cynical but fair, cheeky and melancholic, and looking at the world with truth-seeking eyes.
In Straight from the Throat, Tomokawa shrieks and shouts and wallows with ritualis…