**2025 Stock. Very last copies** A Monumental 52 CD + 2DVD + photo-book box (Every box is numbered and unique because Han Bennink himself painted each copy by hand! ) to celebrate 45 years of Instant Composers Pool - and worldwide delivery is included!
"Improvisation is like daily life... like crossing a street" - says Han Bennink. The ensemble of the Instant Composers Pool, or ICP, improvises for 45 years now on the highest level. "These guys can swing like madmen and then all of a sudden play the most sensitive ballads" according to trumpetplayer Dave Douglas.This is really an improvisational monster with ten heads! Furthermore co-founders Misha Mengelberg and Han Bennink are the true "Giants of European jazz"! ICP is historical, unique and there is nothing else like it in jazz.
About the history of ICP:
In 1958, guitarist Jim Hall, in liner notes to a Jimmy Giuffre album, used the termnstant composition to describe improvising. A few years later, Misha Mengelberg, knowing nothing of this, re-coined the term, and it stuck. A quiet manifesto, those two English words countered notions that improvising was either a lesser order of music-making than composing, or an art without a memory, existing only in the moment, unmindful of form. Misha's formulation posited improvisation as formal composition's equal (if not its superior, being faster).
Yes but: Misha says he was thinking of instant coffee, stuff any serious java drinker recognized as a sham substitute. He deflates his lofty idea even as he raises it. In the mid-1960s Mengelberg became involved with the Fluxus art movement, which he found inviting because it stood for nothing, had no ideals to defend. What bound together Fluxus's conceptualists, shock artists, early minimalists, musical comics et cetera was a need for a performance format that could accommodate them all. (Hence that symbol of '60s kookiness, the multimedia Happening.) Eventually he formed a band with that kind of flexibility: the modern ICP Orchestra.
ICP co-founders Mengelberg and drummer Han Bennink have played together since 1961; before long they'd played on Eric Dolphy 1964 Last Date and in a successful Dutch quartet, until they brought in the anarchistic young reed player Willem Breuker, whose disruptive presence tore the group apart. That was OK; Han and Misha liked musical confrontations. Mengelberg had studied composition at the Hague conservatory (alongside his friend Louis Andriessen); in his 60s game piece Hello Windyboys, two wind quintets variously engage in call and response, communicate in musical code, interrupt or block each other, or seduce their rivals into cooperating. They did formally what ICP's musicians now do informally.
Bennink, Breuker and Mengelberg founded the ICP co-op in 1967. In 1974 the saxophonist left to form the Willem Breuker Kollektief, longtime flagship of Dutch improvised music. Mengelberg (and Bennink) founded the raggedy ICP Tentet (including German saxophonist Peter Brozmann, and sometimes cellist Tristan Honsinger). That band matured into something very like the present-day ICP Orchestra in the 1980s, with the addition of younger players, some of whom have been there ever since: trombonist Wolter Wierbos, saxophonists/clarinetists Michael Moore and Ab Baars, and bassist Ernst Glerum.
| ICP 000 | |||
| 1-1 | Die Berge Schützen Die Heimat | 9:06 | |
| 1-2 | Jump Italiano | 5:43 | |
| 1-3 | Adebar Der Geheimnisvolle | 8:18 | |
| 1-4 | Piano Distance I | 5:27 | |
| 1-5 | Before Og 15 Kir | 9:56 | |
| 1-6 | September Song | 13:12 | |
| ICP 001 – Han Bennink / Willem Breuker – New Acoustic Swing Duo | |||
| 2-1 | Music For John Tchicai | 7:45 | |
| 2-2 | Felix Meritis And B.V. | 4:35 | |
| 2-3 | I.C.P. 1 For Maarten Derksen | 1:40 | |
| 2-4 | Singing The Impalpable Blues | 3:15 | |
| 2-5 | Mr M.A. De R. In A. | 3:20 | |
| 2-6 | Gamut | 21:16 | |
| ICP 002 – Han Bennink / Misha Mengelberg / John Tchicai – Instant Composers Pool | |||
| 3-1 | Amagabowl Part 1 No A B C D E | 10:20 | |
| 3-2 | Amagabowl Part 2 No F G H I J | 13:07 | |
| 3-3 | Sweet Smells | 10:39 | |
| 3-4 | Vietcong | 14:32 | |
| ICP 003 – Willem Breuker – Lunchconcert For Three Barrelorgans | |||
| 4-1 | Intermezzo Between Nothing | 1:10 | |
| 4-2 | Prelude I | 0:50 | |
| 4-3 | Prelude II | 2:30 | |
| 4-4 | Block Chorus | 5:50 | |
| 4-5 | In Memory Of John Coltrane | 5:08 | |
| 4-6 | Continuous C Sharp | 6:57 | |
| 4-7 | Talking | 4:50 | |
| 4-8 | Before Og 15 Kir II | 3:20 | |
| 4-9 | Psalm 1964 | 2:58 | |
| 4-10 | Cross | 0:17 | |
| 4-11 | Piece For Two Barrelorgans | 1:27 | |
| 4-12 | Piece For Three Barrelorgans | 3:10 | |
| 4-13 | Postlude For Three Barrelorgans | 1:04 | |
| ICP 004 – Derek Bailey / Han Bennink | |||
| 5-1 | An Old Woman Is Shelling Beans Inside Her Privy Parts. It Sounds "Like The Deep Croaking Of A Frog" | 14:40 | |
| 5-2 | Suki | 2:35 | |
| 5-3 | Gachi = Long Tin African Trumpet | 1:35 | |
| 5-4 | Kst, Kst | 1:30 | |
| 5-5 | Good Morning, Derek I | 10:45 | |
| 5-6 | Chonkichonki | 5:20 | |
| 5-7 | Tsk, Tsk | 2:30 | |
| ICP 005 – Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey – Fragments | |||
| 6-1 | Fragment A | 0:52 | |
| 6-2 | Fragment B | 8:43 | |
| 6-3 | Fragment C | 4:28 | |
| 6-4 | Fragment D | 1:12 | |
| 6-5 | Fragment E | 3:24 | |
| 6-6 | Fragment F | 3:43 | |
| 6-7 | Fragment G | 10:00 | |
| 6-8 | Fragment H | 5:07 | |
| 6-9 | Fragment I | 0:36 | |
| 6-10 | Fragment J | 0:57 | |
| ICP 006 – Misha Mengelberg, Peter Brötzmann, Evan Parker, Peter Bennink, Paul Rutherford (2), Derek Bailey, Han Bennink – Groupcomposing | |||
| 7-1 | Groupcomposing, Part 1 | 18:52 | |
| 7-2 | Groupcomposing, Part 2 | 23:48 | |
| ICP 007 – Various – Instant Composers Pool | |||
| 8-1 | Grüsse Aus Berchtesgarden | 2:09 | |
| 8-2 | Serendipity | 6:21 | |
| 8-3 | François Le Marin | 4:17 | |
| 8-4 | Nineteen Voices | 4:10 | |
| 8-5 | Introduction And First Entrance Of The Horsemen | 5:45 | |
| 8-6 | Song Of The Lusitanian Bully II | 24:50 | |
| ICP 008 – Various – Instant Composers Pool | |||
| 9-1 | Lass Mich Nicht Weinen IV | 20:40 | |
| 9-2 | Touches | 3:30 | |
| 9-3 | Fascinating Appie | 2:48 | |
| 9-4 | Title Song From The Movie "De Snelheid: 40-70" | 4:25 | |
| 9-5 | Gib Mir Noch Ein Spiegelei Mit Schinken | 1:15 | |
| 9-6 | Tussen De Dijen Van 'N Mokkel | 4:05 | |
| 9-7 | Five Songs From The Lusitanian Bully | 6:50 | |
| ICP 009 – Willem Breuker – The Message | |||
| 10-1 | Ouverture | 6:33 | |
| 10-2 | Suffering | 7:27 | |
| 10-3 | Suicide Song | 6:13 | |
| 10-4 | Collision Stomp | 5:15 | |
| 10-5 | Thanksgiving Aria | 6:00 | |
| 10-6 | Trauermusik | 10:34 | |
| 10-7 | Telephone Song | 1:11 | |
| 10-8 | Ominous | 2:36 | |
| 10-9 | Final | 5:08 | |
| ICP 010 – Han Bennink, Misha Mengelberg – Instant Composers Pool 010 | |||
| 11-1 | And The Great Spotted Woodpecker.......? "Tsjik, Tsjik, Tsjik" Or "Kik" And A Very Fast Roll | 19:33 | |
| 11-2 | Where Is The Police? | 19:53 | |
| ICP 011 – Han Bennink – Solo | |||
| 12-1 | Kit 1 | 2:39 | |
| 12-2 | Vlo Vlo Vlo Vlo Gaga | 0:50 | |
| 12-3 | Fiddleelddif | 13:02 | |
| 12-4 | Spooky Drums | 0:38 | |
| 12-5 | Nerve Beats | 2:18 | |
| 12-6 | Kit 2 | 1:20 | |
| 12-7 | Soft Trumpet | 1:08 | |
| 12-8 | Listen The Birds | 5:16 | |
| 12-9 | Kit 3 | 4:04 | |
| 12-10 | Khène + Voice | 4:55 | |
| 12:11 | Spooky Drums B | 0:50 | |
| 12-12 | Bumble-Rumble | 1:33 | |
| 12-13 | Lick | 0:53 | |
| 12:14 | Kit 4 | 2:57 | |
| ICP 012 – Maarten van Regteren Altena – Handicaps | |||
| 13-1 | Handicaps 1 | 17:35 | |
| 13-2 | Marja's Dream | 1:35 | |
| 13-3 | Strabasky | 2:47 | |
| 13-4 | Woody Woodpecker | 3:08 | |
| 13-5 | Basta | 1:41 | |
| 13-6 | Dog's Delight | 1:17 | |
| 13-7 | Handicaps II | 8:50 | |
| 13-8 | The Elephant | 1:20 | |
| ICP 013 - CD1 – Misha Mengelberg - Han Bennink – Een Mirakelse Tocht Door Het Scharrebroekse | |||
| 14-1 | Een Mirakelse Tocht 1 (A) | 7:34 | |
| 14-2 | Een Mirakelse Tocht 1 (B) | 7:35 | |
| 14-3 | Een Mirakelse Tocht 2 (A) | 7:37 | |
| 14-4 | Een Mirakelse Tocht 2 (B) | 7:23 | |
| 14-5 | Een Mirakelse Tocht 3 (A) | 7:19 | |
| 14-6 | Een Mirakelse Tocht 3 (B) | 7:09 | |
| ICP 013 - CD2 – Misha Mengelberg - Han Bennink – Een Mirakelse Tocht Door Het Scharrebroekse | |||
| 15-1 | Een Mirakelse Tocht 4 (A) | 7:34 | |
| 15-2 | Een Mirakelse Tocht 4 (B) | 7:36 | |
| 15-3 | Een Mirakelse Tocht 5 (A) | 7:33 | |
| 15-4 | Een Mirakelse Tocht 5 (B) | 7:36 | |
| 15-5 | Een Mirakelse Tocht 6 (A) | 7:36 | |
| 15-6 | Een Mirakelse Tocht 6 (B) | 7:32 | |
| ICP 014 – Misha Mengelberg / Han Bennink – Einepartietischtennis | |||
| 16-1 | Eine Flasche Für Die Lola | 19:28 | |
| 16-2 | Einepartietischtennis | 12:08 | |
| 16-3 | Vögeln | 10:20 | |
| ICP 015 – Eric Dolphy / Misha Mengelberg / Jacques Schols / Han Bennink – Playing: Epistrophy, June 1, 1964 In Eindhoven, Holland | |||
| 17-1 | Epistrophy | 17:52 | |
| 17-2 | Instant Composition 5/VI/'72 | 2:00 | |
| ICP 016 – Steve Lacy / Michel Waisvisz / Han Bennink / Maarten van Regteren Altena – Lumps | |||
| 18-1 | The New Duck | 3:30 | |
| 18-2 | Torments | 10:30 | |
| 18-3 | Lumps | 6:30 | |
| 18-4 | Snip | 10:00 | |
| 18-5 | Chops | 11:00 | |
| ICP 017 - CD1 – Han Bennink, Misha Mengelberg – Coincidents | |||
| 19-1 | Coincidents A | 40:41 | |
| ICP 017 - CD2 – Han Bennink, Misha Mengelberg – Coincidents | |||
| 20-1 | Coincidents B | 40:40 | |
| ICP 018 - CD1 – Han Bennink, Misha Mengelberg – Coincidents | |||
| 21-1 | Coincidents II A | 13:51 | |
| 21-2 | Coincidents II A | 5:15 | |
| 21-2 | Coincidents II A | 8:02 | |
| 21-3 | Coincidents II A | 9:40 | |
| ICP 018 - CD2 – Han Bennink, Misha Mengelberg – Coincidents | |||
| 22-1 | Coincidents II B | 4:17 | |
| 22-2 | Coincidents II B | 22:26 | |
| 22-3 | Coincidents II B | 18:28 | |
| ICP 019 – Maarten Van Regteren Altena – Tuning The Bass | |||
| 23-1 | Tuning The Bass | 2:30 | |
| 23-2 | Spaghetti | 3:12 | |
| 23-3 | The Grater | 1:15 | |
| 23-4 | Tuning | 0:18 | |
| 23-5 | Derek, Wilbur And The Blues | 8:12 | |
| 23-6 | Smoking The Cigar | 5:56 | |
| 23-7 | Tuning | 0:23 | |
| 23-8 | Ricordato | 2:47 | |
| 23-9 | Martinez | 3:07 | |
| 23-10 | CDL | 2:13 | |
| 23-11 | Handicaps III | 6:15 | |
| 23-12 | Macanudo | 1:31 | |
| 23-13 | The Elephant II | 2:28 | |
| ICP 020 – ICP Tentet – Tetterettet | |||
| 24-1 | Tetterettet V + VI | 4:53 | |
| 24-2 | Tetterettet IX | 4:36 | |
| 24-3 | Tetterettet XII | 1:03 | |
| 24-4 | Tetterettet XIV | 7:24 | |
| 24-5 | Tetterettet XV | 6:41 | |
| 24-6 | Alexander's Marschbefehl | 7:10 | |
| 24-7 | Rumboon | 3:34 | |
| 24-8 | Kwik Kwek Kwak | 3:17 | |
| 24-9 | Valse Trouvée | 2:31 | |
| 24-10 | Ludwig's Blue Note | 4:51 | |
| 24-11 | Dank | 1:17 | |
| ICP 021 – Dudu Pukwana, Han Bennink, Misha Mengelberg – Yi Yole | |||
| 25-1 | Yi Yole | 9:10 | |
| 25-2 | The King Of Weasle Is Called Easle | 10:38 | |
| 25-3 | Silopobock | 18:26 | |
| ICP 022 – ICP Orchestra – Live Soncino | |||
| 26-1 | Flute | 7:52 | |
| 26-2 | Brozziman | 5:30 | |
| 26-3 | Islay Malt Jetterburg | 5:31 | |
| 26-4 | Peer's Country Song | 6:47 | |
| 26-5 | Interplay | 12:06 | |
| 26-6 | Where Is The Police? | 3:50 | |
| 26-7 | Bean | 4:55 | |
| ICP 023 – Misha Mengelberg / Han Bennink – Bennink Mengelberg | |||
| 27-1 | Kroeg A | 4:42 | |
| 27-2 | Kroeg B | 9:47 | |
| 27-3 | Bim A | 7:50 | |
| 27-4 | Bim B | 11:04 | |
| 27-5 | Islay Malt Jitterbug | 3:06 | |
| 27-6 | Bim C | 7:14 | |
| ICP 024 – Misha Mengelberg & ICP Orchestra – Japan Japon | |||
| 28-1 | Salute To Fujisawa Shukoh | 2:45 | |
| Kwela | |||
| 28-2 | A) Hap | 3:24 | |
| 28-3 | B) Boodshappen | 7:00 | |
| 28-4 | C) Welkom | 1:52 | |
| 28-5 | D) Briefkaart | 3:43 | |
| 28-6 | E) Maurits | 1:39 | |
| 28-7 | Habanera | 6:19 | |
| 28-8 | Carnaval | 3:35 | |
| 28-9 | Japan Japon | 7:11 | |
| 28-10 | Zing Zang Zaterdag | 3:08 | |
| 28-11 | Brozziman | 11:37 | |
| 28-12 | Caravan | 7:05 | |
| ICP 025 – ICP Orchestra – Extension Red, White & Blue | |||
| 29-1 | Houseparty Starting | 8:04 | |
| 29-2 | Change Of Season | 5:10 | |
| 29-3 | Spinning Song | 4:52 | |
| 29-4 | Hangover Triangle | 6:39 | |
| 29-5 | Step Tempest | 5:45 | |
| 29-6 | 12 Bars | 5:11 | |
| 29-7 | Terpsichore | 5:13 | |
| 29-8 | 2300 Skidoo | 7:16 | |
| ICP 026 – ICP Orchestra – Two Programs: The ICP Orchestra Performs Nichols - Monk | |||
| 30-1 | Four In One | 4:29 | |
| 30-2 | Epistrophy | 4:07 | |
| 30-3 | Round Midnight | 5:14 | |
| 30-4 | Hornin' In | 3:27 | |
| 30-5 | 52+ | 6:53 | |
| 30-6 | Mysterioso | 7:35 | |
| 30-7 | Criss Cross | 5:03 | |
| 30-8 | Houseparty Starting | 7:53 | |
| 30-9 | Change Of Season | 5:06 | |
| 30-10 | 2300 Skidoo | 7:05 | |
| 30-11 | Spinning Song | 4:43 | |
| 30-12 | Hangover Triangle | 6:02 | |
| 30-13 | Step Tempest | 4:44 | |
| ICP 027 – Han Bennink – Solo 1990 | |||
| 31-1 DVD | Untitled | ||
| ICP 028 – ICP Orchestra – Bospaadje Konijnehol I | |||
| 32-1 | Bospaadje Konijnehol 1 | 1:55 | |
| 32-2 | Mooche Mix | 11:10 | |
| 32-3 | Moodmixes Indigo | 7:19 | |
| 32-4 | Mixed Caravan | 5:07 | |
| 32-5 | Happy Go Lucky Local Mix | 4:46 | |
| 32-6 | Mix Solitude | 4:13 | |
| 32-7 | It Don't Mix | 5:26 | |
| 32-8 | Zitten En Liggen | 4:42 | |
| 32-9 | De Poezenkant | 4:40 | |
| 32-10 | Het Kraken | 6:28 | |
| 32-11 | Vondsten In Het Binnenwerk | 4:30 | |
| 32-12 | Een Gewelfde Rugleuning | 0:34 | |
| 32-13 | Kale Plekken | 5:51 | |
| ICP 029 – ICP Orchestra – Bospaadje Konijnehol II | |||
| 33-1 | Kneushoorn | 2:58 | |
| 33-2 | Kachel | 3:13 | |
| 33-3 | Ktoel | 2:31 | |
| 33-4 | Kafel | 3:36 | |
| 33-5 | Kehang | 4:03 | |
| 33-6 | Kroket | 5:00 | |
| 33-7 | Kwela P'Kwana | 5:27 | |
| 33-8 | Kraaloog | 7:06 | |
| 33-9 | Worp En Wederworp | 6:06 | |
| 33-10 | Vergezel De Steen Omhoog | 2:52 | |
| 33-11 | Groei Kommer Dfafjes Uur | 5:03 | |
| 33-12 | De Bol Een Waaier | 4:07 | |
| 33-13 | Zing Zang Zaterdag | 1:30 | |
| 33-14 | Vieze En Lekkere Lucht | 2:28 | |
| 33-15 | Rollo 5 | 2:43 | |
| 33-16 | Back To Lippiza | 3:38 | |
| 33-17 | Kasten En Boeken | 3:11 | |
| 33-18 | Bospaadje Konijnehol 2 | 1:46 | |
| ICP 030 – Misha Mengelberg – Mix | |||
| 34-1 | Mix Azure | 34:37 | |
| 34-2 | Mix Canary | 34:37 | |
| ICP 031 – Misha Mengelberg & Han Bennink – The Instant Composers Pool 30 Years | |||
| 35-1 | Amsterdam | 33:34 | |
| 35-2 | Leeuwarden | 32:54 | |
| ICP 032 – Wolter Wierbos – X Caliber | |||
| 36-1 | A Demonstration | 22:10 | |
| 36-2 | Of Extreme | 10:22 | |
| 36-3 | Trombone Techniques | 30:34 | |
| ICP 033 – Tobias Delius Quartet – The Heron | |||
| 37-1 | Socks, Lamps, Beauja | 10:59 | |
| 37-2 | P Chats | 4:41 | |
| 37-3 | Plonk, Couples, Kintopp Continued | 8:54 | |
| 37-4 | The Heron | 4:59 | |
| 37-5 | F's & T's, New 1 | 7:02 | |
| 37-6 | Kafka 1, Kintopp | 7:06 | |
| 37-7 | Kitchen Sink, Fusspot | 10:02 | |
| ICP 034 – Tobias Delius Quartet – Toby's Mloby | |||
| 38-1 | Brrrrt / Toby's Mloby 3 / TWR | 8:09 | |
| 38-2 | Wink No. 50 / Toby's Mloby 2 / Wink No. 50 | 5:03 | |
| 38-3 | Salmon + Bear Suite | 10:50 | |
| 38-4 | Television | 2:09 | |
| 38-5 | Shrinkage / ¿Whither? | 3:38 | |
| 38-6 | Toby's Mloby 1 / Wireless / Antonelli's Night Out | 7:42 | |
| 38-7 | Faultier | 1:58 | |
| 38-8 | Dut | 2:59 | |
| 38-9 | Beehive | 10:43 | |
| 38-10 | Toby's Mloby 4 & 5 | 2:07 | |
| 38-11 | Schijf / Romy | 5:03 | |
| ICP 035 – Han Bennink – Solo | |||
| 39-1 DVD | Untitled | ||
| ICP 036 – Tristan Honsinger – A Camel's Kiss | |||
| 40-1 | Squitty Geshee | 1:58 | |
| 40-2 | Stopera | 11:42 | |
| 40-3 | Mary Contrairy | 3:00 | |
| 40-4 | Go East | 5:03 | |
| 40-5 | A Camel's Kiss | 8:48 | |
| 40-6 | Waves | 1:20 | |
| 40-7 | From Time To Time Suite | 7:33 | |
| 39-8 | Restless In Pieces | 12:45 | |
| ICP 037 – Steve Beresford & Han Bennink – B + B | |||
| 41-1 | Teas Not Made | 19:51 | |
| 41-2 | Billow Your Pillow | 2:54 | |
| 41-3 | Crumbs In Bed | 22:19 | |
| 41-4 | Hagelslag | 4:06 | |
| ICP 038 – Mary Oliver – Witchfiddle | |||
| 42-1 | A Viola | 2:47 | |
| 42-2 | B Violin | 3:24 | |
| 42-3 | C Violin | 3:23 | |
| 42-4 | D Viola | 4:00 | |
| 42-5 | E Hardangerfiddle | 6:56 | |
| 42-6 | F Viola | 2:01 | |
| 42-7 | G Violin | 0:50 | |
| 42-8 | H Viola | 4:35 | |
| 42-9 | I Viola | 3:52 | |
| 42-10 | J Violin | 5:21 | |
| 42-11 | K Viola | 2:31 | |
| ICP 039 – Tobias Delius 4 Tet* – Pelikanismus | |||
| 43-1 | Gestreken Eend | 3:35 | |
| 43-2 | Belly Can | 1:34 | |
| 43-3 | Samt | 3:28 | |
| 43-4 | Kopf | 4:59 | |
| 43-5 | Gras | 4:06 | |
| 43-6 | Mücke | 4:05 | |
| 43-7 | Die Like A Duck | 1:40 | |
| 43-8 | Back Horse - Chives | 17:10 | |
| 43-9 | Niggl | 4:59 | |
| 43-10 | Plush Fabrication | 2:18 | |
| 43-11 | Ringelnatter | 2:22 | |
| 43-12 | Lene | 6:24 | |
| 43-13 | Reciprocal | 4:46 | |
| ICP 040 – ICP Orchestra – Oh, My Dog | |||
| 44-1 | Write Down Exactly | 4:13 | |
| 44-2 | A Close Encounter With Charles's Country Band | 5:02 | |
| 44-3 | Precise Dimensions And Weight | 516 | |
| 44-4 | A La Russe | 2:16 | |
| 44-5 | Travel Agent | 9:00 | |
| 44-6 | Ham On Air | 2:58 | |
| 44-7 | Hand And Checked Luggage | 3:24 | |
| 44-8 | Oh My Deer! | 3:02 | |
| 44-9 | Wild Turkey | 3:21 | |
| 44-10 | Out Back/Chickadee | 1:10 | |
| 44-11 | Sparkling | 2:44 | |
| 44-12 | Oh My Dog! | 3:33 | |
| 44-13 | Happy Dreams | 15:26 | |
| ICP 041 – Mary Oliver / Thomas Lehn / Han Bennink – Pica Pica | |||
| 45- 1 | Sheow 1 | 12:41 | |
| 45-2 | Sheow 2 | 7:34 | |
| ICP 042 – ICP Orchestra – Aan & Uit | |||
| 46-1 | Aan & Uit | 0:21 | |
| 46-2 | De Sprong, O Romantiek Der Hazen | 5:21 | |
| 46-3 | Picnic: A Beautiful Day | 3:50 | |
| 46-4 | Let's Go To The River | 1:24 | |
| 46-5 | And Have A Picnic | 3:04 | |
| 46-6 | Play Some Badminton | 2:39 | |
| 46-7 | Let's Go Home Before | 5:24 | |
| 46-8 | The Sparrows Start Waving Their Pyjamas | 6:45 | |
| 46-9 | Tijd Voor De Quadrille | 1:50 | |
| 46-10 | Barbaric | 4:26 | |
| 46-11 | Back To Lippiza | 3:06 | |
| 46-12 | Vaetvient | 5:23 | |
| 46-13 | Ever Never | 3:52 | |
| 46-14 | Waar Bleef Je? | 3:32 | |
| 46-15 | Tuinhek | 5:42 | |
| 46-16 | Opa | 3:31 | |
| 46-17 | Let's Climb A Hill | 8:54 | |
| 46-18 | Aan & Uit | 0:19 | |
| ICP 043 – ICP Orchestra – Weer Is Een Dag Voorbij | |||
| 47-1 | Perdido | 12:20 | |
| 47-2 | Mistimar | 8:03 | |
| 47-3 | Criss Cross | 6:33 | |
| 47-4 | Abtomi | 6:05 | |
| 47-5 | Rumboon | 7:45 | |
| 47-6 | Peer's Counting Song | 4:19 | |
| 47-7 | Zombie Zua | 8:09 | |
| 47-8 | Weer Is Een Dag Voorbij | 3:38 | |
| ICP 044a – Asko Ensemble And The Instant Composers Pool – Live At Angelica Festival, Bologna, May 9th 2007 | |||
| 48-1 | De Hondenmepper | 6:04 | |
| 48-2 | Zeekip Ahoy | 7:50 | |
| 48-3 | Complex 8/WAM | 10:40 | |
| 48-4 | Met Welbeleefde Groet Van De Kameel | 21:05 | |
| 48-5 | Kraaloog | 8:30 | |
| 48-6 | De Sprong, O Romantiek Der Hazen | 4:43 | |
| ICP 045 – Alessandra Patrucco / Tristan Honsinger / Misha Mengelberg / Ab Baars / Han Bennink – Circus | |||
| 49-1 | Purple | 2:53 | |
| 49-2 | Super Market / Su Su Ven A Nan | 9:36 | |
| 49-3 | Blue Fish | 5:48 | |
| 49-4 | Breathing White | 3:44 | |
| 49-5 | Echo | 4:19 | |
| 49-6 | Spinazie / Trata Birata | 2:51 | |
| 49-7 | Desiderio | 5:48 | |
| 49-8 | Toddling | 6:03 | |
| 49-9 | In The Middle Of Nowhere | 5:35 | |
| ICP 046 – ICP Orchestra – Live At The Bimhuis | |||
| 50-1 | Jackying | 8:21 | |
| 50-2 | Met | 5:28 | |
| 50-3 | Op Naar De Mooche | 7:22 | |
| 50-4 | Jaloers? Ik? | 6:57 | |
| 50-5 | Rollo 2 | 0:41 | |
| 50-6 | Op Naar Aan/uit | 5:05 | |
| 50-7 | Reef | 1:43 | |
| 50-8 | Misha, Pass The Donkey | 6:43 | |
| 50-9 | Change Of Season | 4:59 | |
| ICP 047 – Oliver & Heggen – Oh, Ho! | |||
| 51-1 | Apneu | 2:06 | |
| 51-2 | Douchegordijn | 5:19 | |
| 51-3 | Vishnu Stockings | 7:00 | |
| 51-4 | Once Upon | 2:17 | |
| 51-5 | Basbil | 4:28 | |
| 51-6 | Perla Oscura, Perla Clara | 7:14 | |
| 51-7 | Motorboot | 6:32 | |
| 51-8 | Maybe | 2:58 | |
| 51-9 | Sisi | 2:30 | |
| 51-10 | Matti's Song | 3:27 | |
| 51-11 | As They Step Into The Same Rivers | 12:32 | |
| ICP 048 – Tobias Delius 4 Tet* – Luftlucht | |||
| 52-1 | Grey / Counter Meal / Mouse March / Bird Brain | 11:52 | |
| 52-2 | ¿Yellow? / Malvasia | 7:10 | |
| 52-3 | Poeing | 4:45 | |
| 52-4 | Cistern | 4:20 | |
| 52-5 | Friar / I Love You When You're Modest / Lullo's Page / Celsius | 8:34 | |
| 52-6 | Kit | 5:06 | |
| 52-7 | Befana | 3:37 | |
| 52-8 | Guest Room / Luftlucht | 5:46 | |
| ICP 049 – ICP Orchestra | |||
| 53-1 | Niet Zus, Maar Zo | 2:26 | |
| 53-2 | Wakeup Call | 4:36 | |
| 53-3 | Sumptious | 8:47 | |
| 53-4 | Hamami | 2:59 | |
| 53-5 | Busy Beaver | 5:43 | |
| 53-6 | Mitrab | 4:19 | |
| 53-7 | The Lepaerd | 5:27 | |
| 53-8 | Het Zoemen | 4:36 | |
| 53-9 | Erma | 2:17 | |
| 53-10 | No Idea | 7:00 | |
| 53-11 | Sonnet In Search Of A Moor | 4:59 | |
| ICP 050 – ICP – !ICP! 50 | |||
| 54-1 | Where Is The Police | 3:39 | |
| 54-2 | Arc-Eo | 9:37 | |
| 54-3 | Happy Go Lucky / Local | 6:52 | |
| 54-4 | Moeder Alle Oorlogen | 4:42 | |
| 54-5 | Barbaric | 5:01 | |
| 54-6 | 'Round About Midnight | 7:12 | |