Reissues

This release, Bremen to Bridgewater, contains two albums worth of previously unreleased live recordings made in Germany and England during two very different periods of the band’s career. The German radio recordings were made on June 20th, 1971 at Lila Eule (Lilac Owl), a well known jazz club in Bremen. The English recordings were made at the Bridgewater Arts Center, during two tours that the band made with different lineups in February and November of 1975, and feature some of the very last rec…

Acnalbasac Noom -- meant to be the German-English-American avant-pop group Slapp Happy's second album -- was originally recorded in 1973 but did not see release originally until 1980. Recorded with legendary German art-rock group Faust accompanying the Slapp Happy core of Anthony Moore on keyboards, Peter Blegvad on guitar, and Dagmar Krause on vocals, and with Faust's brilliant producer Uwe Nettelbeck at the helm, Acnalbasac Noom was initially rejected by the group's label Polydor as not being …

The history of the Long hair label starts with the release of recordings of more or less unknown bands from the late sixties/ early seventies, who run a band competition in former German radio station SWR (South West Broadcast) and received with the recordings a wider public. A few of them like My Solid Ground, Kraan, became famous and recorded a lot of albums on well known German Krautrock labels. Others like Coupla Prog, Puppenhaus, Papa Zoot or Jud´s Gallery played and recorded their music at…

Arnold Dreyblatt has been called "the most rock 'n' roll of all the composers to emerge from New York's downtown scene in the 1970s." Arnold Dreyblatt founded the Orchestra Of Excited Strings in 1979, harnessing unusual tuning intervals to an exuberant performance style. Propellers In Love, the Orchestra's second album – originally released in 1986 on the Stasch imprint, in conjunction with the contemporary art space Künstlerhaus Bethanien – develops Dreyblatt's rhythmically exacting exploration…

Wire were born at the dawn of punk, but they became the quintessential art band. In the three closing years of the 1970s, the English quartet had one of the greatest opening runs of any band, shifting to post-punk before punk began to go stale and forging three masterpieces in a creative furnace so hot it burned out by the end of 1980. Those albums-- Pink Flag, Chairs Missing, and 154-- still sound remarkably fresh, and have been re-mastered and reissued with their original vinyl tracklistings, …

La Grande Bleue - Musiques Imaginaires de la Méditerranée is a unique private press album recorded in the early 1980's in Montpellier, South of France, by a group of friends from different musical backgrounds. Enjoy a percussive folk-jazz trip through this one-of-a-kind imaginary folklore, between the Mediterranean world (Greece, Maghreb, Balkans...), global influences (Africa, India, Middle East) and homemade instruments. Official remastered reissue.

The Diva Faïrouz. Her real name Nouhad Haddad, she was born in the Zokak el Blat district of Beirut. The eldest of a modest Maronite family, she developed a passion for singing very early on. Her parents are too poor to afford the luxury of a radio, so she spends most of her time listening, her ear glued to the wall, to the neighbors. Nouhad quickly memorizes the songs she hears and gives a few samples at parties organized by her school. It was there that she seduced her comrades with her vocal …

**2022 stock. Edition of 150 copies ** In November of 1938, Samuel Barber's 'Adagio for Strings' was broadcast on radio for the first time. It was regarded as "full of pathos and cathartic passion", and "perfect in mass and detail". While it was generally well-received, it was also criticized as "suffering from repetitiousness", and being "dull and utterly anachronistic." It is often labeled as 'the saddest music in the world', and is one of the most recognizable pieces of popular classical musi…

**2022 stock. Edition of 400 copies ** "Pronounced ‘Variation’, Jeremy Bible and Jason Henry’s 2008 Ambient laptop dissection of piano, water pipes, wine glasses, rain on a window and a garage lamp, is a two-part exploration of these disparate elements. Vryashn has recently been rereleased on vinyl by Infraction, after a limited CDR release by Gears of Sand Recordings in the year it was produced. Having previously recorded together for the Gruenrekorder label, as well as Bible’s own Experimedia…

This bundle includes the following albums: Osmose (LP, 1978)Interfrequence (LP, 1980) Diving back into the depths of their incredible catalog of vintage Ariel Kalma, Black Sweat returns with much needed represses of “Osmose” and “Interfrequence”, two of the artist’s most beloved works, that remained out of print for a number of years.Astounding hybrids of minimalism, kosmiche, electronic avant-gardism, and new age / ambient music, they’re some of the deepest and most essential musical gestures f…

** Edition of 150 copies ** Previously issued in Poland in 2017 on the Requiem Records imprint as a CD only, "Black Lake" gets the vinyl treatment here. A pressing of 200 copies, with 150 copies on 180g black vinyl and 50 copies on gold vinyl. The sleeve will be a thick tip-on style with OBI with printed inner sleeve. Design and layout by Timothy O'Donnell. Bartosz Dziadosz may need some introduction, as although he has been extraordinarily prolific over the past 15 years, most releases have bea…

"Salvatore Sciarrino's Musiche per il "Paradiso" di Dante is divided in three movements: Alfabeto OscuroThe alphabet mentioned in the title (as if speaking, it’s written at the top of the score) refers to the language of sounds that desperately tries to transfigure into words: the orchestra seems to want to talk,” writes Sciarrino. “The nature of the instruments would not allow it, yet they obsessively act, and we hear almost without understanding. Almost. In their lack of humanity, the machines…

** Edition of 100 copies ** Drape's 3rd album for Infraction. This is a double vinyl & digital issue of the limited cassette release 'Forage' (Baro, 2016) on one LP, and then a new album 'Presence' on the 2nd LP. Spencer Williams and Ryan Gracey have expanded their sound with each successive release. Forage/Presence finds the duo (with contributions from Doug McDiarmid) working in an almost ethereal folk realm, using acoustic guitars, piano, woodwinds, female voices in addition to painting mini-…

In September 1968, Marion Brown, who moved to Europe two years earlier, recorded the soundtrack of the movie by Marcel Camus entitled 'Le Temps Fou' in the legendary Parisian studio Davout. The movie starring Nino Ferrer was released in 1970 under the title 'Un Été Sauvage'. Soon fallen into oblivion, 'Le Temps Fou' was printed in very few copies by the French arm of Polydor and is almost impossible to find in its original pressing. Finally, more than fifty years later, Le Tres Jazz Club has bro…

Dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

The Manchester trumpeter, composer and all-round northern new-music enabler Matthew Halsall might be a man with the open ears and eclectic energy to run a broad-based contemporary record label - but he's also a disciple of the meditative 1960s music of John and Alice Coltrane, which significantly steers his own ventures. Halsall's personal projects often come close to the Coltranes' most reflective later works, but his Gondwana Orchestra (including regular partners Rachel Gladwin on harp and sou…

Sending My Love (2008) and Colour Yes (2009) were his first releases and document Halsall’s first great bands featuring the likes of flautist Chip Wickham, saxophonist Nat Birchall, harpist Rachael Gladwin, bassist Gavin Barras and drummer Gaz Hughes. Joyful, life-enhancing albums, drawing on UK jazz and spiritual jazz influences but with a decidedly modern bounce, they introduced Halsall’s music to the world gathering support from the likes of Gilles Peterson and Jamie Cullum, Mojo, Straight No…

Tip! A collection of stunning Persian-tuned piano pieces cut from Iranian national radio broadcasts made for the Golha programmes between 1956 & 1965... Morteza Mahjubi (1900-1965) was a Iranian pianist & composer who developed a unique tuning system for the piano which enabled the instrument to be played in all the different modes and dastgahs of traditional Persian art music. Known as Piano-ye Sonnati, this technique allowed Mahjubi to express the unique ornamental and monophonic nature of Per…

* Much needed repress* First vinyl issue of these raw experimental dub collaborations between Muslimgauze and The Rootsman, written, recorded and mixed at the Third Eye Studio, Bradford, UK between 1997 and 1998. Originally released on CD by Russian label Aquarelist

Unreleased work from alto genius Joe Harriott – two different slices of material from a very under-recorded point in his career! The first five tracks feature Joe in that back to basics mode he was hitting at the time – working in a unique group that features Kenny Wheeler on trumpet and flugelhorn, Pat Smythe on piano, Ron Mathewson on bass, and Bill Eyden on drums – all players who are very open to modern ideas, but who also keep things on more of a groove here – with only a bit of the freedom…

A collection of improvised duets with guitarist Jim O’Rourke and reedist Mats Gustafsson. All of the material has been newly remastered for release on 2xLP & digital and marks the first ever vinyl pressing with previously unreleased tracks. Tracks A1, B3 (excerpt), C1, C2 and D3 (excerpt) were in parts or in its complete form released on legendary Incus label (1999) with a different mix and master. The duo recorded the improvised duets at Chicago’s Acme Studios during 1999, with Gustafsson on te…

Dripping sound... rippling into the womb and beyond Yutaka Hirose "Nostalgia" World's First Sound Source Simultaneously Released on CD/LP. Here is the culmination of Japanbient!

*300 copies limited edition* Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-…

Tip! *300 copies limited edition* Recorded in Stockholm on October 25, 1962, this session is one of Albert Ayler's earliest recordings, featuring a European backing group he assembled during his brief stay there, before returning to the States in 1963 and beginning his legendary run with ESP-Disk and Impulse. Though his genius is not yet fully formed, one can easily hear he's headed that direction, and this rare and long out of print recording is an essential piece of the history from one of Ame…

Tip! *300 copies limited edition* Recorded in Stockholm in 1962, and originally released on Sonet Records, these sessions stand as Ayler's first step into a new sonic world. This was when Ayler was still dealing with classic Jazz standards such as "I'll remember April", M Davis's "Tune Up" and "Rollins Tune", a declared tribute to the older master Sonny Rollins. His already super-strong tenor sax voice dominates a quiet, almost shy, local rhythm section featuring Torbjorn Hultcrant on bass and S…

For this "Library Vol. 1 / Espaces Urbains", we have gathered around this theme Parisian and French composers, subtractive jansenists obsessed by a certain idea of electronic and electroacoustic music, film music and illustration... the one that is made by turning potentiometers, manipulating waveforms, inventing oneself as a multi-instrumentalist and often as a home-studio wizard.A passionate, referenced and inspired machine song that often involves the computer only at the end of the chain, al…

One of the most influential and underground Hammond organists of the 1960's was "Big" John Patton as he was then known. If it was the groove that you wanted Patton was your Man and he made several albums for the legendary Blue Note label, many of which went on to sell for eye watering prices. As his style went out of favor, some of the recordings never saw the light of day until almost 20 years later and at the same time Patton slipped into the background. He resurfaced in the 1980s and went int…

*200 copies edition* In its own way the music of British duo brothers Mark and Clive Ives—known creatively as Woo—seemed destined for a digital world that the internet offers. They began making music together decades ago, but it’s only been within the last decade that they’ve started to receive the critical acclaim they rightly deserve. Their music is largely instrumental (though not always the case) and is perhaps the best example of “mood music” I can think of. Occasionally it’s meditative and…

*300 copies limited edition* A collection of the nineteen late poems (1992-2003) of the Renaissance man of music, art, dance and literature, Lou Harrison. Elegantly printed with color illustrations. Including the long ten-part tribute to the composer's longtime partner William Colvig, "The Path at West Holding."

William Farley’s 1986 documentary portrait of the Indian classical figure, who considered by many to be the godfather of drone. Featuring interviews with Terry Riley, Mariam Zazeela and La Monte Young.

This collection presents some of the best and unique music that could be found on rare records released by the Swedish Christian communities between 1969-1979. Between doubt and faith, there was way out pop, gospel, funk, rock and psychedelic sounds with wah-wah fuzz guitars and conga rhythms. The common determinator: to spread the Christian message through music. Several of these cuts are from ultra-rare records that are known only to collectors, while others are from records so obscure that on…

*2022 stock* First ever vinyl reissue of rare and sought after Swedish psychedelic / progressive / folk underground treasures from the early 1970s. From Swedish folk to epic full tilt fuzz guitar jams it’s all in here. Originally released in 1972 on the obscure Swedish Gump label with many talented musicians of the time on board. Led by Mats Glenngård on guitar and fiddle, the album shows an interesting musical transition period before he joined the legendary Kebnekajse. One time only limited pr…

* 2022 Stock * This soundtrack was originally produced by Mordant Music as part of the exhibition with the same title by Chris Petit at Decad in Berlin, inspired by a freeze frame accidentally rendered from Petit’s late-night viewing of Nicolas Roeg’s The Man Who Fell To Earth. "In a time of such free-floating anxiety and bad political hair, with everything running on empty, it’s hard to think of anything in terms of show or no show . . . I find myself thinking about an image of an entertainer, …

Alice Coltrane had an enormous legacy to overcome in her late husband- her debut album, "A Monastic Trio" stuck pretty close to what John Coltrane's last bands were doing the studio, "Huntington Ashram Monastary" finds her branching out. Recorded in mid-1969, a year after her debut and two years after the death of her husband, Coltrane performs on piano and harp and is backed by bassist Ron Carter and drummer Rashied Ali.Musically, it's a bit more relaxed than before, with Coltrane's playing a b…

*100 copies limited edition* "These liner notes needed to be a personal note, too. I first listened to Blecheintopf in 1983, at age 14, after someone had brought me the cassette tape from the Netherlands. As a German, I was immediately intrigued by its title. Then I got captivated by the soundscapes on tape: playful and dense at the same time, sometimes haunting, as if one was listening to an experimental post-apocalyptic science fiction movie without images. The sounds and the cassette tape hav…

Back in 1968 a pair of Germanic behind-the-scenes sound librarians called Horst Ackermann and Heribert Thusek left a tiny, but indelible, pinprick on the history of German Pop in the misshaped form of a sexy horror cash-in concept album called Dracula’s Music Cabinet. Shelved at a micro-cosmic axis where Krautrock meets easy listening meets psychedelia the delayed reaction of this mutant concoction eventually exploded in the mid-1990s in the hands of a generation of ‘record diggers’ sending curr…

Finders Keepers presents this uber-rare soundtrack to a film that never existed, performed by an imaginery pop group. Incredible Polanski inspired German hip hop psychsploitation beats from 1969.

*  Cardboard sleeve with Japanese replica obi strip and fold out liner notes sheet * Never-issued work from Don Cherry – and a really key piece of the puzzle in the career of this legendary trumpeter! The recordings were done for Swedish Radio, with great fidelity – more than just live tracks captured in a club, and instead some really thoughtful material that marks an early pairing of Cherry's talents with the Swedish scene that he would soon call home! Don plays cornet, and the music is maybe …

For their third release, after a few years of hard diggin’ and historical researches, they went deeper with Hong Kong Score, an introspection into the music in the chinese Cinema industry. A selection of tracks from Hong Kong, Singapore, and Taiwan, specially produced for movies and illustrations. The result is a compilation of 12 totally unknown gems sung mostly in mandarin and cantonese, from real deep instrumentals, Hip Hop breaks, Ethio style crazy drums, to heavy Bass à la Alain Goraguer (S…

In 1976 the Entourage Music and Theater Ensemble reached a creative zenith. The nomadic troupe had just released The Neptune Collection, its iconic second album for Moses Asch’s Folkways Records, and decided to present the music to audiences across the rust belt in its most miasmic, elemental form. Extended stretches of full-group improvisation mingled with folk-tune like melodies during these performances, which featured multiple dancers spontaneously interpreting the music, at times in elabora…