Reissues

A classic album recorded in 1976, featuring a superb lineup including Sam Jones, Kazumi Watanabe, and Fumio Karashima, with expansive cello solos. Highlights include an exhilarating duo number with the seasoned bassist Sam Jones, as well as Kazumi Watanabe’s hip guitar solos throughout. Label Introduction: East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a period of about…

World-famous pianist Tsuyoshi Yamamoto’s second East Wind release, "Life," appears in the lineup for "Spin This Now!" Vol. 9. Backed by a golden rhythm section with Sam Jones on bass and Billy Higgins on drums, Yamamoto delivers a supremely swinging performance. His delicate ballad playing on "If You Could See Me Now" is also essential listening. Label Introduction: East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and N…

A seamless blend of the avant jazz of David Murray (sax) and Steve McCall (drums) with the powerful prose and cadence of Amiri Baraka! This first ever reissue of poet and social/political activist Amiri Baraka’s electric live 1982 beat poetry reading is newly remastered and includes a zine-style poetry insert and liner notes by David Murray!  “The poetry I want to write is oral by tradition, mass aimed as its fundamental functional motive. Black poetry, in its mainstream, is oracular, sermonic, …

Often credited as the father of multi-media theatre, Alwin Nikolais (1910-1993) took complete creative control over his productions - including cutting-edge approaches to lighting and costume that transformed human bodies into shifting sculptural shapes, while also composing wildly innovative electronic music as accompaniment. After initially experimenting with musique concrète and tape manipulation (as demonstrated on the 1959 LP Choreosonic Music of the New Dance Theatre of Alwin Nikolais) Nik…

Telectu's 1984 manifesto, the double LP the duo paid for and released themselves: music for performance, concert, theatre and video, from miniatures named after demons to the side-long Palolo. Remastered, 300 copies, screenprinted fold-out cover.

Claire Rousay completes her trilogy with A Little Death, where field recordings intertwine with strings and piano like voices in a chamber ensemble. A return to her core practice after sentiment's pop forms, the album transforms tactile samples into emotional archaeology—fragile, honest, vital.

This is the fifth chapter, and one of the most assured. Wild Up's long reckoning with the music of Julius Eastman arrives at Gay Guerrilla, the work Eastman composed at the close of the 1970s and regarded as the point where his politics and his sound became indivisible. Eastman remains one of the singular figures of American experimentalism, an African American and openly gay composer who moved through the orbit of the Buffalo new music scene and the downtown minimalist world before dying destit…

To mark 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "Clarity / Circle / Triangle / Square", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. This album is like no other I know, a new world, finding a perfect balance between multiple genres. Moved-By- Sound is very excited and honored to be involved in releasing the first reissue authorized by Michael Gregory Jackson since the original release i…

Koyaanisqatsi is the soundtrack album to Godfrey Reggio’s 1982 experimental film. Composed by Philip Glass, the music accompanies a montage of stark, contemplative imagery without narration, aligning minimalist motifs with evolving cinematic sequences. The CD presents a suite of instrumental pieces that mirror the film’s themes of balance, urbanization, and nature, making it a standalone minimalist work as well as a companion to the visuals.

Stranded gave Roxy Music their first UK No’1 album and brought with it an undeniable presence that would eventually see Roxy Music’s American audience take note! It was becoming all too clear that Roxy Music were indeed a band ahead of their time.

Stranded gave Roxy Music their first UK No’1 album and brought with it an undeniable presence that would eventually see Roxy Music’s American audience take note! It was becoming all too clear that Roxy Music were indeed a band ahead of their time.

On Roxy Music's debut, the tensions between Brian Eno and Bryan Ferry propelled their music to great, unexpected heights, and for most of the group's second album, For Your Pleasure, the band equals, if not surpasses, those expectations. However, there are a handful of moments where those tensions become unbearable, as when Eno wants to move toward texture and Ferry wants to stay in more conventional rock territory; the nine-minute "The Bogus Man" captures such creative tensions perfectly, and i…

Falling halfway between musical primitivism and art rock ambition, Roxy Music's eponymous debut remains a startling redefinition of rock's boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures. Although no musician demonstrates much technical skill at this point, they are driven by boundless imagination -- Brian Eno's synthesized "treatments" exploit electronic instruments as electronics, inste…

Famed Jazz pianist Keith Tippett is one of the greatest and most innovative figures in modern jazz. His work has also seen him cross into the world of Progressive Rock, working with King Crimson and his own outfit Centipede. ‘Dedicated to You, But You Weren’t Listening’ took its name from the Soft Machine track of the same name and was the group’s second album. Recorded for the legendary Vertigo label, the album featured such celebrated alumni as Elton Dean on Alto Saxophone, Marc Charig on Corn…

Dating back to 1957, The Story Of Moondog followed up the previous year's More Moondog LP, setting its course for adventurous new sounds and homemade percussion meditations.The music is never a slave to any one fixed agenda and much of the material here sounds as if its gathered from some undiscovered culture - it's all-but impossible to compare this with anything else from the era, but when the longer-form pieces arrive they augment the more primal, outsider aesthetics with visceral, jazzy arra…

Moanin’ is the sound of Art Blakey turning a band into a congregation, with Lee Morgan’s trumpet, Benny Golson’s tenor saxophone, Bobby Timmons’s piano, and Jymie Merritt’s bass all testifying over Blakey’s unmistakable cymbal crashes and press rolls. From the call‑and‑response of the title track to the burning hard‑bop vehicles that follow, the record distils church‑infused, blues‑drenched celebration into a small‑group format. Each soloist brings a distinct voice – Morgan’s bright fire, Golson…

Out to Lunch! remains one of the most strikingly original statements on Blue Note. Eric Dolphy marshals Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass, and Tony Williams on drums into a unit that treats his knotty compositions as springboards rather than straitjackets. Themes like “Hat and Beard” arrive full of angular intervals and odd accents, while the rhythm team tilts and lurches under them, propelled by Williams’ restless cymbal work and Davis’ flexible g…

Nico's first solo album, from 1967, after her time with the Velvet Underground, with songs by Jackson Browne, Lou Reed, John Cale, Bob Dylan and Tim Hardin.

Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock’s artistry into a sweeping 35-minute musical journey. Joining Hancock on the voyage were three of his closest collaborators: …

On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’s piano balances delicacy with fo…

Touching homebuilt compositions from celebrated American novelist, playwright and poet Ishmael Reed, channelling a long life immersed in jazz culture.  A joint in-house production from ANF and NYC-based label Reading Group. You’re never too old to learn something new.  Reed credits bebop with keeping him and his friends out of reform school because they were too busy listening to records at each other’s houses to get into trouble.  Finding fame as a distinguished writer, he found his way back to…

Hardback book style packaging, 24 page booklet + 140 minutes of music - The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens. Over the last decade, Davachi has emerged as one of the most singular vo…

*200 copies limited edition* 40 years after its creation, Moß Garten – Sekvensstyrd 1981–1986 arrives as a compelling double vinyl LP, diving deep into the early Swedish DIY electronic scene. Inspired by pioneers such as Kraftwerk, Cabaret Voltaire, John Foxx, and The Human League, Mikael Isaksson developed a distinct sound situated between minimal electronics, industrial, synth wave, and experimental sound art. At its core was the sequencer: pulsing, programmed structures forming the backbone o…

Out of print since 2014!! Look Mom No Head! dresses rock ʼnʼ roll in its full regalia, with its many knobs, buttons and doo-dads. Man! The electric guitar sounds like it might launch a rocket! Replete with celebrations of intoxication and sexual prowess, The Cramps’ 1991 album sports “Dames, Booze, Chains and Boots” from the movie Hold Me, Thrill Me, Kiss Me, a torchy rendition of Jack Nitzscheʼs slow-fuck blues “Hardworkinʼ Man” and the cross-dressing classic “I Wanna Get In Your Pants.” Minute…

Originally planned for 1985 to join in the onslaught of Elvisʼs 50th Anniversary commemorative reissues, A Date With Elvis came out in early 1986 in Europe only, where it went on to sell more than 200,000 copies. The only album featuring The Cramps as a three-piece band (Poison Ivy doubled on bass), it careens from the sociopathic advice of “People Ainʼt No Good” (later covered by Nick Cave) to mind-on-vacation odes like “Aloha From Hell” and “Kizmiaz” (where The Cramps prove they were exotic wh…

Sublime frequencies from the golden era of ambient electronica. Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy and Cage through to Soft Machine, Incredible String Band and Eno. Recorded across va…

On Il ras del quartiere, Goblin reroute their horror‑prog DNA into neon‑lit funk and sleek electronics, rescuing a cult 1983 Vanzina film from VHS purgatory with a newly remixed, visually lavish edition that finally gives these four pieces their own stage.

The first ever reissue of one of the great hidden artifacts of early prog and fusion: 'Power On!', the second and final full-length by the little-known Frankfurt ensemble From, originally issued by the German arm of CBS in 1972 and now returned to print by Free Flow Archive. Building upon and radically expanding creative ground pioneered by Miles Davis on 'In a Silent Way' and Herbie Hancock on 'Mwandishi', alongside roughly contemporaneous efforts by Soft Machine and The Nice, the sounds of Fro…

A document of one of British folk-rock's great might-have-beens, captured just weeks before it ended. Recorded live at the Grugahalle in Essen on 23 October 1970, during the third Essen Pop & Blues Festival, Essen 1970 finds Fotheringay - the short-lived band Sandy Denny formed on leaving Fairport Convention - at the height of its powers, playing with the confidence of a group that believed it had years ahead of it. Within three months, it would be gone. Fotheringay took its name from Denny's ow…

One of the prized private press rarities of early 1970s American rock. Originally issued in 1972 on the tiny East Coast Records imprint, Keep On Truckin' is the lone album by Surprize, a Philadelphia five-piece whose single recorded statement - heavy, bluesy, psychedelic, and threaded with organ - has spent decades near the top of collectors' want lists, original copies nearly impossible to find and counterfeited more than once along the way. The band had been together only eight months when, in…

One of the strangest and most ambitious artifacts of American psychedelia. Originally issued by Monitor in 1967, Peak Impressions is the lone album by The Freeborne, a band of Boston teenagers - their ages ranged from seventeen to nineteen, three of them still in high school - who produced a record so overloaded with ideas that it has confounded easy classification ever since. Long a target of bootleggers, counterfeited repeatedly across the decades, it stands among the great cult objects of the…

Originally issued by Philips in 1973, Le Cimetière des Arlequins is the second LP by Ange, and the record that transformed a young band from Belfort into the defining voice of French progressive music. A gold record in its homeland, it remains one of the great theatrical statements of the European 1970s - a world of discordant organ, Mellotron, and feverish narration that owes as much to the chanson tradition as it does to the symphonic ambitions of its English contemporaries. The album announce…

This is one of the cornerstones of French progressive music. Originally issued in 1975, Émile Jacotey is the fourth LP by Ange, the band from Belfort that stood, by the middle of the decade, as the undisputed leaders of the French rock scene - and it remains among the most singular concept albums the era produced anywhere in Europe. The album's great achievement lies in how it binds together two major cultural currents of 1970s France: the national passion for progressive rock, and what came to …

Originally released in 1973, Fuente y Caudal is widely regarded as one of the most important recordings in the history of flamenco guitar. The album captures Paco de Lucía at the height of his early creative period, combining traditional flamenco forms with his own modern harmonic ideas and dazzling virtuosity. The album includes the legendary rumba “Entre Dos Aguas,” a groundbreaking instrumental that became Paco de Lucía’s signature piece and helped introduce flamenco guitar to a global audien…

Purple Vinyl! How do you make a documentary film about a man who was also a myth? About a musician who was more than a musician? About someone who asked us to trust our intuition more than our rational minds? This double LP contains the original soundtrack to the accompanying PBS documentary! Includes liner notes from executive producer Bradford Smith about the making of Sun Ra: Do The Impossible, interviews from members of the Arkestra and a BluRay disc of the doc! Firelight assembled an incred…

2026 Repress. Initially produced by Table of the Elements. Eliane Radigue's Adnos trilogy was composed between 1973 and 1980 and is among her finest compositions. Adnos is a deeply meditative work of infinite depth and sensitivity; one of the high points of modern minimal electronic composition. Packaged in a heavy duty 3CD jacket much like the recent Eleh releases and containing extensive archival materials.Eliane Radigue has composed for magnetic tape and electronic media since the late 1950's…

Available for the first time since its original release in 1980, this is compelling, funky, exploratory jazz from Melbourne, Australia. The album opens with the floating Song For Bobby, a downtempo gem with the heartbeat aura of Herbie Hancock’s Butterfly; Orchestral Excerpts (From The Symphony Of Life), In The Basement and City Of Stone are high-grade fusion jams with one eye on Weather Report and Return to Forever, the other on the organic Australian sound of Alan Lee and John Sangster. The al…

On Alice The Goon, Nurse With Wound stretch a single bad dream into half an hour of delirium: queasy not‑quite‑“easy listening” that mutates from lounge lilt to industrial throb, like a Popeye cartoon left to rot in a dripping underground cinema.

On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: three long, sample‑swollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of half‑remembered sound.

*30 copies limited edition* The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 3x13,50 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 22x33cm. open and 11x11 cm. closed, approximately (paper 80 gr. thick). Inside there is also a 12x12 cm. insert (200 grams thick) that reproduces in front and back two collages of M.B.