Reissues

A straighter album than some of the early experimental work of Jards Macale – but maybe a greater album as well – and one that really shows the singer coming into his own, and finding a way to nestle his fresh ideas within the best settings of 70s MPB! The shift's a bit like the maturation some of his contemporaries were going through at the time – like Caetano Veloso or Gal Costa – reaching for a new level of sophistication in his arrangements, which might tie him back to older historical modes…

This Brazilian classic finally gets a proper U.S. release -- one of the greatest psychedelic albums of the late '60s, and a key part of the Tropicalia movement as well! The record is easily the most tripped-out album ever from Gal Costa -- far more sinister than Gal's debut of a few months before. The session was still recorded with full arrangements by the legendary Rogerio Duprat (who'd worked previously with Costa, Os Mutantes, and others), but it also features a lot heavier guitar and a blaz…

First House is the final recordings from free jazz legend and Birmingham, Alabama native, Arthur Doyle. The LP was recorded live at the Stone July 11, 2012 and these six pieces are backed by His New Quiet Screamers, a Brooklyn-based ensemble adding muscle and movement to Doyle's always already free, non-linear saxophone, flute and vocal lines. Born in Birmingham in 1944, Doyle studied Music Education at Tennessee State University in Nashville. In his early years, Doyle worked with a wide array o…

During the 1970s, Tilahun Gessesse enjoyed a successful career in his native Ethiopia. Blessed with a sublime voice, he specialized in creating popular hybrids of hot American styles - most notably soul and jazz - with traditional Ethiopian styles. Sima!, which is named after one of his most revered 7" singles, gather together music from numerous releases throughout the 1970s. It boasts numerous gems that see Gessesse combine his bold, snaking vocals with rocking rhythms, modal jazz mysticism, a…

LP version. Bureau B reissues the first collaborative release by Dieter Moebius and Gerd Beerbohm, originally released by Sky Records in 1982. In the latter half of the 1970s, alongside their Cluster collaboration, Dieter Moebius and Hans-Joachim Roedelius embarked almost simultaneously on individual musical journeys. Roedelius focused primarily on solo projects, while Moebius preferred to engage with other musicians on equal terms. Strange Music -- as unimaginative as the title may first appear…

LP version, pressed on 180 gram vinyl. This is the first solo album by Dieter Moebius, recorded at Conny Plank's studio and originally released in 1983 on Sky Records. By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans-Joachim Roedelius formed Cluster, a seminal electronic/ambient duo, while Moebius was also a member of the so-called Krautrock supergroup Harmonia (with Michael Rother and Roedelius), as well as collaborating on…

The ex-Kraftwerk composer opens his notebook. 'Off the Record' reworks decades of unused sketches into pristine electro-pop: hooks honed to a gleam, machine-precise yet warmly melodic. Düsseldorf craftsmanship, quietly personal.

LP version. Tired of quarreling endlessly with his imperious brother Klaus, Thomas Dinger quit the production of Viva, the second La Düsseldorf album, and promptly set off for the south of France. Frustrated and far away from home, his mind turned to the possibility of a solo album. An album devoted to his own musical ideas, free from domineering voices telling him what to do. Presenting his own vision in the context of a La Düsseldorf LP would have been difficult at the best of times. "I wanted…

LP version. Things come full circle. In 1976 Thomas Fehlmannarrives in Hamburg to study art at the Hamburg University of Fine Arts. In 1979 he attends a guest lecture by Conrad Schnitzler, who demonstrates how the "extended definition of art" established by Joseph Beuys can be applied to music. This proves to be a crucial element in Fehlmann's decision to become a musician. And now, in 2015, over 35 years later, Fehlmann has compiled the fifth installment in Bureau B's Kollektion series, arrangi…

LP version. Includes CD. "In October 2014 an idea suddenly came to mind. Although I had spent much of my life performing, recording and producing music, my attention over the immediately preceding years had been focused on the philosophy and psychology of human nature. It was a rewarding exploration, but I missed being more creative -- suddenly I felt the urge to play music again. I built a recording studio in my basement and began writing material for the first time in a long while. In November…

LP version. Latecomers to the krautrock party, Circles created a manifesto of frenzied inertia in the late 1980s, swimming in the same gene pool as Cluster and Popol Vuh. Ambient music for the end of time does not get any more authentic than this. The Structures album is a time capsule unlocked, containing previously unreleased recordings from 1985 to 1989. Music that blends the extremes of end-times foreboding and drifting lightness to beguiling effect. Music that succeeds in sounding more cont…

Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…

LP version. Bureau B reissue Rolf Trostel's Inselmusik (1981). Rolf Trostel is a protagonist of the so-called Berliner Schule, or Berlin School (Tangerine Dream, Klaus Schulze). On his first album Inselmusik, he explores the sonic possibilities of the recently introduced PPG wavetable synthesizer. The music is based on live performances from the late 1970s by Trostel and Krautrock guitarist Günter Schickert. Formally speaking, Inselmusik is a demonstration of the PPG Wave Computer 360, a synthes…

LP version. Bureau B present a reissue of Rolf Trostel's second album Two Faces, originally released in 1982. While Inselmusik(BB 230CD/LP), released the previous year, was intended as a basis for live performance, Trostel composed and produced the five instrumental tracks on Two Faces exclusively for this album. The music is clearly a product of the Berlin School, yet it is more sophisticated and varied than its predecessor. Some new additions to Trostel's instrument collection are audible. Whi…

LP version. Bureau B present a reissue of Adelbert Von Deyen's debut album Sternzeit, originally released in 1978. Adelbert Von Deyen is a protagonist of the so-called Berlin School (Berliner Schule) of electronic music. On his debut album, he takes his time to develop sound structures, often drifting, floating blissfully into tonal interference. The listener also requires time and patience, but will be rewarded with a Zen-like state of contemplation. Adelbert Von Deyen's musical backstory follo…

LP version. Bureau B present a reissue of Michael Bundt's Electri City, originally released in 1980. Having played his way through the 1970s in various rock combos (Medusa, Nine Days' Wonder), Michael Bundt embarked on a solo career in the latter part of the decade, releasing three albums which saw him explore the vast potential of electronic music. Delightfully varied and typical of his willingness to experiment, his music orbits around krautrock, Berlin School electronica, space-futurism and s…

LP version. Bureau B presents a reissue of Sven Grünberg's Hingus, originally released in 1981. Sven Grünberg is a famous musician for film and theatre in Estonia - an old hand in the field of electronic ambient music. In 1974, whilst still a music student, he and Härmo Härm founded Mess, a progressive rock band. Grünberg was the first musician in Estonia to use a synthesizer. The ambient electronica of Hingus (Breath), recorded between 1978 and 1980, was spiced up with prog rock and a nod to th…

LP version. Bureau B reissue Rolf Trostel's Der Prophet (1982). Electronic pop was the musical goal of the Berlin School musician Rolf Trostel on Der Prophet, which was released in the same year as its predecessor Two Faces. Der Prophet is the culmination of this phase of Trostel's oeuvre, which was tightly coupled to the PPG Wave Computer. As on his previous releases, the sonic peculiarities and clanking sounds of wavetable synthesis are emphasized. Yet here they are obviously more interlinked …

LP version. Bureau B present Filmmusik 1, a selection from Conrad Schnitzler's archive. In Conrad Schnitzler's sprawling archive, there are two tapes marked Filmmusik 1975 A and Filmmusik 1980 B. It is hard to say which videos this music belongs to, particularly as the pieces have been left untitled. Perhaps there isn't really any film material at all. The dates are of no great help either, since the tapes feature the same tracks, albeit in varying degrees of quality. Filmmusik 1 presents an ini…

LP version. Includes CD. Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club in 1967/68, was a member of Tangerine Dream (with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. Schneider TM (Dirk Dresselhaus) has been invo…

From 1971 to 1977, Peter Baumann was a member of the legendary Berlin band Tangerine Dream. The group were pioneers of the so called Berliner Schule (Berlin School) which had such a profound impact on electronic music. He produced a number of momentous albums at his Paragon Studio (by the likes of Conrad Schnitzler, Cluster, Hans-Joachim Roedelius) and also enjoyed success as a solo artist. His first two solo works are now being reissued with extensive liner notes and rare photographs. The influ…

Tapete present a reissue of Slapp Happy's Acnalbasac Noom, originally released in 1980. Left-wing intellectual film critic Uwe Nettelbeck, who had good connections to Polydor, had set up his own studio in rural Wümme, disrupting the mainstream with pioneering sounds by the likes of Faust, inventively engineered by the "boffin's boffin", Kurt Graupner. By the time Anthony Moore, one of Nettelbeck's charges, approached his third album in 1972, Polydor's accounting department was fast losing p…

*LP version. 180 gram vinyl. Includes CD. Edition of 500.* Tapete present a reissue of Slapp Happy's Sort Of, originally released in 1972. Left-wing intellectual film critic Uwe Nettelbeck, who had good connections to Polydor, had set up his own studio in rural Wümme, disrupting the mainstream with pioneering sounds by the likes of Faust, inventively engineered by the "boffin's boffin", Kurt Graupner. By the time Anthony Moore, one of Nettelbeck's charges, approached his third album in 1972, Pol…

We Release Whatever The Fuck We Want Records presents the first ever vinyl release of the soundtrack for Hélène Cattet and Bruno Forzani's critically-acclaimed Belgian-French giallo Amer (2009). Filled with superb compositions by Italian movie score legends Ennio Morricone, Stelvio Cipriani, and Bruno Nicolai, all remastered for hardcore audiophile appreciation. Described by The New York Times as "a surreal cinematic tone poem that pays slavering homage to Italian giallo horror films of the 1970…

A sublime bit of Morricone experimental side, all in all this is pure genius! Cinedelic Records present a reissue of Ennio Morricone's soundtrack for the 1968 film Eat It (Mangiala). Even if you find the film Eat It, a film bit too weak-willed of social satire and advertising, the first and last of director Francesco Casaretti, you cannot miss out on the soundtrack from the two-time Academy Award winner Ennio Morricone, composed during his most prolific and experimental period, available for …

After 45 years, comes the soundtrack, from the original master tapes, of the truly mad and weird exploitation euro-erotic-horror cult movie filmed in 1971 (but released only in 1973) by Renato Polselli (Ralph Brown). Incomprehensible and inconceivable beyond the reach of the human intellect, Riti, Magie Nere E Segrete Orge Nel Trecento (The Reincarnation Of Isabel) shows a cult of pseudo-Satanists in tight red jumpsuit and black cape requiring the blood and eyes of seven virgins in order to …

Black Truffle present the first vinyl issue of Keiji Haino's Milky Way. Originally released as a limited CD in Japan by the short lived Mom 'N' Dad Productions in 1993, this release documents a blistering live performance recorded in Kyoto in 1973, five years before the formation of the first line-up of Fushitsusha, and eight years before Haino's first solo album. Working with a mysterious set-up including primitive electronics, homemade acoustic instruments, piano and voice, Haino lets loose a …

It will always be difficult to pinpoint where free jazz started, but it´s reasonable to say it was shaped and cultivated in New York in the late 1950s and early 1960s. Albert Ayler and Cecil Taylor were important players, as was Ornette Coleman. Axiom has significant historical importance by being what is quite possibly the first European free jazz record, even if it was not released at the time. Recorded in Copenhagen in October 1963, it should have been Tom Prehn Quartet's debut album for…

Summer of 1990 was glorious. The Legendary Pink Dots entered the studio on a high as The Crushed Velvet Apocalypse seemed to be embraced by a broad audience. Our label Play It Again Sam had been generous with the budget for a new record, and there was a spirit of daring adventure firing up the band. For the first month we pretty much jammed... and Bob captured many of these sessions on a small tape recorder placed in the middle of the studio. Bob had dusted off his sitar, Niels unearthed his mon…

CD edition. Bamboo present a reissue of the debut album by Annette Peacock & Paul Bley, Dual Unity, originally released in 1972. Annette Peacock's legacy may only just be courting recognition proper with the recent retrospective release of her solo debut I'm The One (1972). Hailed as a pioneer and artistic genius by many, her debut album and predecessor to I'm The One captures Peacock in her element alongside husband; Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision c…

This long-overdue vinyl reissue of Yoko Ono's seminal, but massively under-appreciated Plastic Ono Band has all the makings of a classic rock nostalgia trip:  Ono, John Lennon, Ringo Starr, Klaus Voorman and free-jazz legend Ornette Coleman. All the pieces are here to stir up a dangerous amount of nostalgia. But once the needle drops, the record achieves something exactly perpendicular to nostalgia.  Released in 1970, the album not only influenced the approach of other musicians for decades, it …

2010 release. Walter Marchetti is one of the most original and controversial pre-Fluxus authors. In this work he frees all of his sophisticated poeticism. In Terram Utopican includes "J'aimerais jouer avec un piano qui aurait une grosse queue" (1974/75) and "Per la sete dell'orecchio" (1981). The 16-page booklet presents the original score of "J'aimerais jouer," photos of the performances in Milano and at the Venice Biennale, and the reproduction of the original In Terram Utopicam LP layout.…

Maurizio Bianchi's complete studio recordings from 1981 to 1984, ten albums on ten CDs, made before he withdrew from music in 1983, in the line of musique concrète.

Originally released in 2003. The first electronically generated sounds that Charlemagne Palestine ever heard came from the machines he encountered in ordinary daily urban life. Machines like the refrigerator electric motor, or electrical generators; but it was especially the sounds of motion (race cars, motorcycles, war planes, rocket ships) that first excited his sonic imagination as a young teenager. Then he heard the electronic music of Tod Dockstader, Pierre Henry and Pierre Schaeffer, the f…

** in restock now, will ship on Tuesday** This entrancing 1983 recording by the legendary Fluxus artist Joe Jones is a must-have for anyone who picked up last year's vinyl reissue of the seminal 'Solar Music At Sierksdorf' once again showcasing a gauzy and cloudy shimmering wash of faux-gamelan, hums and whirrs, tribal percussion and homemade ethnodelic fantasies.On 26 June 1983, Joe Jones set up a solar orchestra in Erik Andersch's garden in Düsseldorf, North Rhine-Westphalia, Germany. Guests w…

Special limited edition of 300 signed and numbered copies, packaged in large oversized gatefold cover. Privately issued by the composer in collaboration with Sonnabend Gallery and issued in an edition of 300 signed copies in large silkscreened gatefold folio in 2002. This art edition was never officially distributed and after 10 years a limited amount of copies is now exclusively available for the first time from Alga Marghen. The first contact between Charlemagne Palestine and the Sonnabend…

Edition limited to 20 copies of which only 12 are available for sale, last copy left. Your chance to own now this uniquely resonating art multiple. Luxury metal box hand made by artist and sound sculptor Michel Vogel. This art edition, limited to 20 numbered copies, includes the first two record LPs by Vogel, or “Une petite musique de nuit” as well as the new “Ronde matutinal à Amillis / Berenice”. The box also includes an LP-size metal gong contructed by the artist, protected by a silk bag. Hi…

A previously unpublished and obscure sound work by the famous artist Brion Gysin... ‘Bruits du Beaubourg’ or, quite literally, the concrete noises coming from the builder’s yard of the Beaubourg recorded on location in June 1977. Different layers of sounds that, with the natural development of the piece, create an hypnotic soundscape. Abstract and concrete. The recording comes from the original masters that Ramuntcho Matta personally got as a gift from Gysin himself; and Matta generously offered…

few copies, factory sealed 1st edition, long out of print, legendary LP edition!! A hen’s teeth rare and long out of print set of historic recordings by  Bernard Heidsieck, Brion Gysin, Henri Chopin, François Dufrêne, Mimmo Rotella, Raoul Hausmann, Paul de Vree, Gil J Wolman, Bob Cobbing, Ladislav Novak, Hugh Davies, Bengt Emil Johnson, Sten Hanson, Jacques Bekaert, J.A. da Silva, William Burroughs, Ake Hodell, Charles Amirkhanian and Arthur Rimbaud in a limited Collectors Vinyl Edition. The pic…

This solo piano music has never been released before on disc. It covers a 40-year period stretching from 1976 to 2016 and contains both live concerts and studio sessions. "Paris / Debrecen are both Festival performances recorded at a period when I was concentrating on developing my own material / compositions, and before I had evolved my ‘with or without repertoire’ approach to solo playing, which explained in the ‘sleeve-note’ to Live With Repertoire on NoBusiness Records CD 58 (briefly: some p…