Reissues
The Suncrows Fall and Tree
* Edition of 75 * Originally released on CD in 2006 on Sedimental 'The Suncrows Fall And Tree' pushed Stefano Pilia to the forefront of the European experimental avant garde scene showcasing his incredible knack for creating beautiful soundscapes, blissful ambience and electroacoustic compositions that speak to the heart. His sound can aptly be defined ‘ecstatic', in the purest sense of the term, as a result of the exploration of these points of focus, through multi-instrumental practice and inv…
The harmless dust
The Harmless Dust is a unique release in the discographies of both David Grubbs and the Athens-based cellist Nikos Veliotis (Mohammad). In 2005 the duo were on tour in the U.S. in support of Grubbs’s album A Guess at the Riddle when they took a most productive break at John McEntire’s Soma Studios, over the course of a day laying down something utterly different from the song-based set they were playing most evenings. The Harmless Dust presents the same composition in two arrangements: one for p…
Arborvitae
This is the first LP release on Loren Connors’ and David Grubbs’ Arborvitae, originally released on CD by the Swedish label Häpna in 2003. Loren Connors and David Grubbs first performed as a duo on May 30, 2003 at the Green-Wood Cemetery Chapel in Brooklyn, N.Y. Green-Wood Cemetery is one of Brooklyn’s landmarks—it’s the highest natural point in the borough, and an unexpected expanse of tranquility in the midst of the city. The stone interior of the chapel makes the quietest of sounds audible, a…
It Was
Platform 23 is delighted to present music from Colin Potter with It Was, a collection of tracks chosen from his 1989 cassettes Recent History Volumes 1 & 2. After a burst of activity, mainly on his ICR label, from 1980 - 82, the tapes were the first released music in seven years and highlighted the intervening period. While much of his earlier recordings have now been reissued by Dark Entries, Deep Distance and Sacred Summits, It Was covers the period where Potter recordings were limited while w…
Gaznevada
* Limited to 100 copies * The end of the 1970s was an historical period of great social and cultural tensions and changes, the Gaznevada band was formed within this context. Their first recordings are collected in a K7 simply titled Gaznevada. Recognized by critics as the first publication of Italian punk rock, this production is a “time window” open to this historical period, it records intact the ingenuity and contradictions, but also expresses its creativity and energy. Released in 1979, the …
Kivikkat, The Greenland Experience
**100 copies, signed (by Hartmut Geerken) & numbered** Nuuk in the evening. The audience sits at round tables and drinks juices or beer. Kresten Osgood goes to the piano and immediately has the full attention. Hartmut Geerken with anklung, Tibetan short tube, Nubian Argool, Byzantine bells, waterphone and roll piano and the "Snoeleopard" on the electric guitar and various s.e. wind, percussion and string instruments, some of them self-made, answer, accompany, comment, and set new accents. The gr…
Long Time Ago
Azumah was the coming together of a group of talented young dancer-musicians from Soweto (South Africa) with musician and instrument-maker Smiles Mandla Makama of eSwatini (formerly Swaziland). Long Time Ago is the surprising and enticing, resultant album from 1985, recorded in the house of theatre stalwarts Des and Dawn Lindberg in Johannesburg. Produced by David Marks (3rd Ear Music, Hidden Years Music Archive Project), Des Lindberg and Smiles Makama, this album takes us back to a priceless mu…
Sick Soundtrack
* Edition of 300* The end of the 1970s was an historical period of great social and cultural tensions and changes, the Gaznevada band was formed within this context. Their first recordings are collected in a K7 simply titled Gaznevada. Recognized by critics as the first publication of Italian punk rock, this production is a "time window" open to this historical period, it records intact the ingenuity and contradictions, but also expresses its creativity and energy. Released in 1979, the K7 Gazne…
Le Frisson Des Vampires
**In process of stocking. Repressed owing to incredible demand. This black vinyl pressing follows hot on the heels of our instant sell-out transparent blood red vinyl pressing** The entire unreleased soundtrack for Jean Rollins 1971 ultimate French vampire hippy flick, Le Frisson Des Vampires. Embryonic psych funk recordings from Parisian teenage psych combo (including members of French No-No mod rockers Unity). Imagine an early Gong/Ame Son/Soft Machine session fueled by a 1000-year old, acid-i…
Gyllensköld, Geijerstam And I At Rydberg’s
* Silver & Black / White Vinyl. Metallic Gatefold sleeve. 200g 2LP. Augmented album * This 1983 period in which Gyllensköld was recorded was a fantastic time for the evolution of Steven Stapleton’s audio art. His collaborations with Diana Rogerson, Robert Haigh (Sema), David Tibet, and Thirlwell around this time elicited some of the most exciting work Nurse With Wound had yet recorded. Listen to this material and compare it to Chance Meeting and it becomes clear that in just a few years, Staplet…
Glowing Sounds
Harry Bertoia's Glowing Sounds LP contains three versions of the same composition, each transferred at different tape speeds in accordance with the artist's instructions. This is the third LP to be released from Bertoia's extensive tape archive and it's the first, of many, to be released using instructions left behind by the artist himself.
Bertoia wrote the concept for this Glowing Sounds LP on a note in 1975 and slipped it into the master tape case where it sat unread for 45 years. The idea wa…
Zamboni 22
*2022 stock* Climate-atmosphere is what we say. Soul with beautiful expression, is what they say in the modern jazz scene in the US. It’s a necessary component for good jazz, as well as for swing. But to achieve an organic atmosphere which is therefore vital and alive, a relationship of intentions and views, and a congeniality of thoughts are needed. When Tommasi was in Rome for a few days and had Santucci and Scoppa listen to the latest pieces he had composed, the three musicians ideas, a…
Ghoulies
* Limited Edition Half Speed Mastered 180g Pink Vinyl In Gatefold Sleeve with Obi and Video Store Stickers Record/Vinyl + Digital Album * WRWTFWW Records is ghoulishly happy to announce the first everl release of Richard Band’s full uncut soundtrack for cult horror comedy classic Ghoulies (1985).The limited edition pink-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers.The album is also available on CD house in a classic jewel…
I Belong To A World That's Destroying Itself
* 2021 Stock * Ironic Records presents I Belong To A World That's Destroying Itself (Aka Revenge) by Annette Peacock. Recorded simultaneously live at various studios in New York, 1968. Annette Peacock gets it right again. In the lyric booklet here she writes "This is my first record. It was the right album, in the wrong century." Startling but true. An earlier version of I Belong to a World That's Destroying Itself was released as Revenge by Polydor in 1971 - the same year as her classic I'm the…
I Have No Feelings
* 2021 Stock. Original 1986 copies * Ironic Records presents I Have No Feelings, a studio album released in 1986 by Annette Peacock. Line-up / Musicians: Annette Peacock / vocals, keyboards, bass, arrangements, programming, producing, Roger Turner / percussion. Artwork by Alfreda Benge. Recorded at Eel Pie Studios. Mastered at The Town House.
Born in 1941, Brooklyn, New York. American composer, arranger, producer, musician, lyricist, singer. Composer of Paul Bley's repertoire from 1964 - 73. Pro…
Roxy 22.05.83
O. Gudmundsen Minde is proud to present a lost chapter in Norwegian experimental and post-punk music – Autentisk Film. In the early 1980s the twin sisters Åshild & Anne Grete Kolås formed Autentisk Film. Inspired by both the new experimental electronic music of the time and arthouse cinema, the two set out to make a crossover project that worked with sound, performance and 8mm film. The music was often a mix of song-based, electronic and acoustic noise sections.
In a short, but intense, burst of…
1983
O. Gudmundsen Minde is proud to present a lost chapter in Norwegian experimental and post-punk music – Autentisk Film. In the early 1980s the twin sisters Åshild & Anne Grete Kolås formed Autentisk Film. Inspired by both the new experimental electronic music of the time and arthouse cinema, the two set out to make a crossover project that worked with sound, performance and 8mm film. The music was often a mix of song-based, electronic and acoustic noise sections.
In a short, but intense, burst of…
Landscape Sculpture with Fog Horns
In 1982, Bill Fontana mounted a monumental outdoor sound installation called Landscape Sculpture with Fog Horns that would near-impossible to realize today. Live audio feeds from eight foghorns around the San Francisco Bay were routed to a central listening arena on city’s waterfront at Fort Mason. As a pioneer in the developing field of Sound Art, Fontana’s fusion of sound and sculpture was virtually unheard of, much less on the region-encompassing scale that he was working with for Landscape S…
Hyperchromatica
On his latest recording, Hyperchromatica, Kyle Gann expands on Conlon Nancarrow’s work with player pianos and multiplies it. This expansive new work was written for three computer-controlled disklavier pianos that Gann tuned to an intricate system of his own design, with the express goal to “reinvent tonality.” Gann treats the work not as a piano trio but a work for a single instrument with 243 keys. Hyperchromatica extends the possibilities of the piano well beyond the range of human possibilit…
The New Age Is Shit
Proper, truckin’ psych techno bangers from Joachim Nordwall (The iDEAList) and Henrik Rylander’s cosmic incarnation, sent via Moscow’s Stellage portal. After seeing us off with last year’s ‘Your Skulls Are To Us What The Sun Is To You’ for Industrial Coast, the duo’s instinct for ace titles is in effect again on ‘The New Age Is Shit’, which pretty much sums up the record’s antithetical stance and the band’s scything iconoclastic approach to rhythm and noise-induced madness within.
‘Determinati…