Reissues

All of the sounds used in this composition were produced by recording the bioelectrical field of a specimen of the Peyote cactus (Lophophora williamsii). A fascinating work that takes the listener into normally unheard realms. One Hour As A Plant was composed in 2003 for Ben Green's Resonance  FM program called "One Hour As...". In 2005, Michael released a slightly shorter version (57:57 versus 61:02) himself on CDR under the title "One Hour As Peyote". After closely listening to both "OHAPlant"…

The album is a collection of works of Arturas Bumsteinas inspired by Central European cultural landscape (soundscape). It includes radio play "Wielka improwizacja" commisioned by Bôlt Records. "Wielka improwizacja" is based on the monologue from the 3rd part of the poetic drama "Dziady (Forefather's Eve)" by Adam Mickiewicz and the archival recording of its reading done by the Polish poet Miron Biaoszewski. Most parts of this composition were recorded in and around the site of the Basilian…

Dead stock of some ultrarare original editions of four jazz/easy listening Umiliani albums. Nearly impossible to find at reasonable prices, with this boxset you can get them all in a special and beautiful hand-screened box made especially for this occasion. After the four previous sold-out volumes, we are glad to announce the “Piero Umiliani - Lost & Found Volume V: The Jazz Library Records”. Some gorgeous Jazzy tunes from the mighty Piero Umiliani, plenty of trumpet and tenor lines throughout t…

In the spring of 1964 Pauline Oliveros organized a festival celebrating the work of pianist David Tudor, which featured compositions by Oliveros, George Brecht, Toshi Ichiyanagi, Alvin Lucier, and John Cage. The Tudorfest was a watershed event in the brief history of the San Francisco Tape Music Center, which not only provided its members with an opportunity to collaborate with Tudor, but also to promote their own work. Co-sponsored by KPFA, the Tudorfest demonstrated the artistic diversi…

A "classic" from the Sub Rosa catalog, never released on vinyl before. An astonishing piano-player drifts on beats and soundscapes. Recorded during a magical night in the courtyard of a Siena Renaissance Italian Palazzio where the lightness of Harold Budd meets Eraldo Bernocchi's deep electronics. Beats and bass, drones and soundscapes tie together harmonically to meet one of the most emotionally-involving piano players/composers.

A precious double picture disc LP and booklet of radio plays (Horspiele) from sound artist and poet Ferdinand Kriwet, presenting 6 works including Hortext I, and Rotoradios I & II. Ferdinand Kriwet (b. 1942, Dusseldorf, Germany) is a German visual and audio artist who has produced films and sound works for radio and television, in particular throughout the 1960s and 1970s. As a sound artist, Kriwet is more known for his Horspiele (radioplays) series named Hörtexte (Radiotexts) produced for G…

Re-release of ed. RZ LP Luigi Nono plus three remarkable recordings. All works by Luigi Nono: ("A Carlo Scarpa" for large orchestra), ("A Pierre" for contrabass flute, contrabass clarinet and live electronics), ("Guia Al Gelidi Mostri" for electronically treated winds, voices and strings). Plus an additional CD of compositions not on the original LP: "Caminantes" and "No hay caminos, hay que caminar." Regarding Nono's concept of "new listenings": "This no longer means revolutionizing the e…

Open-hearted, fresh, lovely, bumptious recordings of women’s singing, from Rang’ala village in southwest Kenya. ‘Dodo’ is a type of traditional Luo music mostly used for entertainment at weddings, drinking parties and wrestling festivals. Songs in praise of the happy couple, the hardest drinkers and the best wrestlers. Ogoya Nengo was born in 1943. Her vocal abilities were discovered when she was herding cattle, as she never attended school, though nowadays her professional name signals bot…

MILESTONE! Bureau B releases a limited 3LP box set to celebrate Hans-Joachim Roedelius' 80th birthday. During the legendary Forst years, Roedelius had a private workspace with a Farfisa organ, a Revox-A77 tape machine, an echo device and a synthesizer which he borrowed from the Cluster studio next door, now and again. Here he experimented, practiced, and allowed his imagination to flow at any hour of the day or night, whenever he was not in the studio with Dieter Moebius and/or Michael Rot…

Conrad Schnitzler's green album (aka Grün), originally released in 1981 on Edition Block. "Schnitzler's tracks in the 1970s were lengthy and shared a musical pattern which varied only minimally. Hence the green album has just one track on each side and any changes in melodic structure are subtle in nature. Both pieces are very much typical of Schnitzler in style, but less so tonally. An analog rhythm machine ploughs almost brutally through the astoundingly delicate electronic veil of 'Der…

Conrad Schnitzler's yellow album (aka Gelb), originally released in 1981 on Edition Block. "The chronology of Schnitzler's solo releases in the 1970s -- and even more so in the '80s -- resembles a book with seven seals. Schnitzler regularly issued his music on analogue cassette or LP, often on his own as 'private releases', without any help from a label or professional distributor. The yellow album, for example, was issued on vinyl in 1981 by René Block in Berlin on his art gallery label …

“Les Barricades Mistérieuses,” the harpsichord gem by French Baroque composer François Couperin, has been a long-running source of exploration for Fluxus musician Philip Corner, who for years has used it as a jumping-off point for piano improvisations. Through Two More-Than-Mysterious Barricades comprises two very different takes on the same piece. The first dates from 1992, in collaboration with dancer Paulette Sears (who provides the ‘singings and screamings’ of the album’s subtitle); it moves…

Forms of Forgetting is a studio construction investigating memory/forgetting and attention/inattention as catalysts for formal development in long-duration sound work. An extension of Seth Cluett’s gallery-based practice and created out of a sequence of materials developed for performance, the piece is the culmination of two years of in-situ live experimentation. Part site-specific performance, part modular, mobile form, this work employs techniques that aim to explore the fallibility of …

Portland guitar wizard Marisa Anderson's long-awaited solo guitar record. Marisa has been a fixture on many a music scene for years and years, playing with everyone from the Evolutionary Jass Band to Tara Jane O'Neil to The Dolly Ranchers. In any context, she can't escape her rag/blues/folk roots, no matter how hard she tries. On this LP featuring only guitar, no vocals, no overdubs, we are treated to a very intimate-sounding home recording filled with delicate grace. Comparisons to John F…

This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …

Of the famous "TV Cello," conceived by Nam June Paik for Charlotte Moorman as a "living sculpture," this CD offers an in-situ recording released on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on the 11th, 12th and 14th of September in 1982. This version contains, respectively, the "TV Cello Duets" with Paul Garrin and the "Concerto for TV Cello and Videotapes," largely improvised, "including a tape collage by Ornette Coleman prepare…

Atoll is one of the most renowned progressive rock bands to came from France and is also the only French band that had an English vocalist in its lineup. Atoll released five studio albums in all, and "Musiciens Magiciens" is their first, originally released in 1974. Featuring a unique, almost symphonic sound, with dynamic and melodic arrangements, Atoll are sure to appeal to fans of Genesis, and Yes, as well as fellow countrymen such as Mona Lisa, and Pulsar. Reissued in a deluxe gatefol…

Ptôse possess an early electro-wave-experimental sound with lots of primitive electronics, drum machines, and funny voices. It is all obviously influenced by The Residents as well as groups like Tuxedomoon, Der Plan, Pyrolater, etc, yet remains unmistakably French. This album probably resonates even stronger today in these post-post times than it did upon its original release in 1984. Reissued on 180 gram vinyl.

Zao was founded at the beginning of the seventies by Yochk'o "Jeff" Seffer (saxophone, clarinet) and François "Faton" Cahen (pianos), both ex-members of Magma's first era, which includes the albums "Kobaïa" (1970), "1001 ° centigrades" (1971) and "Uniweria Zekt-the Unnamables" (1972). In this first album from Zao, "Z = 7L" (1973), the very complex melodic instrumental layers are enriched with the wonderful voice of Mauricia Platon (with its kobaïan accents). Zao’s progressive/zeuhl sound has lon…

Etron Fou Leloublan were a French avant-rock band founded in 1973 by actor and saxophonist Chris Chanet. They were one of only four bands invited by Henry Cow to perform at 1978’s Rock In Opposition festival. This, their third album, was recorded live while on tour in the United States. Recorded in public at the Squat Club, New York City, Trinity College, Hartford, Conn. in November 1979, “En public aux états-unis d'amérique” is the perfect introduction to the group’s avant-rock mayhem. Reissued…

This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…

This CD highlights an exceptional document, a performance recorded by radio station WBAI in New York on September 12th, 1964. This event superbly represents the type of repertoire that Charlotte Moorman and Nam June Paik cultivated and proposed in the U.S., in the years following their meeting, in their memorable "duo" exhibitions. The program of the concert presented several true war-horses of their exhibitions like "26'1.1499 for a String Player" by John Cage, "Duet II" by Toshi Ichiyana…

"One of Cecil Taylor's earliest recordings, Looking Ahead! (1959) does just that while still keeping several toes in the tradition. It's an amazing document of a talent fairly straining at the reins, a meteor about to burst onto the jazz scene and render it forever changed. Looking Ahead! is a vital recording from the nascence of one of the towering geniuses of modern music and belongs in any jazz fan's collection." --AllMusic

Jazz Advance is the debut album by pianist Cecil Taylor recorded for the Transition label on September 14, 1956. The album features performances by Taylor with Buell Neidlinger, Dennis Charles and Steve Lacy. "Though many did not understand his approach at the time, the passing years temper scathing criticism, and you can easily appreciate what he is accomplishing... With Jazz Advance, the revolution commenced, Taylor was setting the pace, and the improvised music world has never been the sam…

Jazz Advance is the debut album by pianist Cecil Taylor recorded for the Transition label on September 14, 1956. The album features performances by Taylor with Buell Neidlinger, Dennis Charles and Steve Lacy. "Though many did not understand his approach at the time, the passing years temper scathing criticism, and you can easily appreciate what he is accomplishing... With Jazz Advance, the revolution commenced, Taylor was setting the pace, and the improvised music world has never been the sam…

Among the releases of 1993 under the name Slaughter Productions, there is also Insanatorivm, a tape issued by Marco Corbelli under the name of Kranivm. This side project, conceived and completed in little more than a year, released other two tapes, Brighter The Edge Of Death and I - The Blood. This last one was finally reprinted in 1997 by the French label The Family Erzsebet with the title Chapter Blood, and a few tracks taken from the first two cassettes. Insanatorivm and Brighter The Edge …

CD edition. Bruce Lacey is the quintessential British eccentric. Bruce Lacey is an artist, a musician, a filmmaker, a shaman, a genius and visionary. Since the 1950s he's made film, music, art and performances, and collaborated with everyone from The Beatles to Throbbing Gristle. He was part of the groundbreaking Cybernetic Serendipity exhibition in 1968. He even built a robot that won the Alternative Miss World. This is the first time his extraordinary music has been released. Made and rec…

, vol 2. **From proto-techno/electro to alien monophonic synth scapes: an incredible collection of eldritch DIY synth and electro-acoustic music circa 1970s by a little-known collaborator with The Beatles, Ivor Cutler, Ken Russell, the Goons… Don't sleep on this one!!!** Jonny Trunk speaks: "Welcome to the most excellent strange and unique world of Bruce Lacey. Aretist, musician, sage, shaman, inventor, film maker and all round British eccentric, Bruce has always followed his own mind, wal…

, vol 1. Bruce Lacey is the quintessential British eccentric. Bruce Lacey is an artist, a musician, a filmmaker, a shaman, a genius and visionary. Since the 1950s he's made film, music, art and performances, and collaborated with everyone from The Beatles to Throbbing Gristle. He was part of the groundbreaking Cybernetic Serendipity exhibition in 1968. He even built a robot that won the Alternative Miss World. This is the first time his extraordinary music has been released. Made and record…

"In 1972, Sun Ra inked a high-profile deal with ABC / Impulse, bringing his recorded work to the widest audience he’d had to date. A slew of Saturn back catalog titles and two newly-recorded albums (Astro Black, Pathways To Unknown Worlds) were issued before ABC cancelled the contract, dumped the records into the cut-out bins, and left the unreleased albums to languish. Now, over four decades later, Roaratorio is proud to offer one of the lost Impulse recordings for the first time. Sign…

"In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise arti…

Over the last four years, Seattle synthesist Panabrite (aka Norm Chambers) has become one of America’s most prolific and proficient creators of transcendent electronic music. Although under-appreciated in his own city, Chambers has been gaining fans and critical respect worldwide with a torrent of releases that evoke the prime work of ambient music’s pioneers, the top tier of kosmische-musik makers, and the more mystical end of the new-age spectrum. He is a disciplined student of a wide r…

Nazoranai comprises three gentleman, three friends and three fans of each other's creative output. The Most Painful Time Happens Only Once Has It Arrived Already..? is the second release from Nazoranai, a power proposition made up of three sound/song heavyweights: Keiji Haino, Oren Ambarchi and Stephen O'Malley (no introductions necessary, intimidation checked in at the door). Recorded by Chris Fullard at CCSO, Birmingham, July 9th 2013, The Most Painful Time... expands the trio's devastating ex…

As a long-time fixture at the far end of collectors Euro electronic shelf this Gallic magnetic conceptual synth-pop classic has been in risky disc-jockey orbit waiting over thirty years for the right time to touchdown on planet earth to refuel.  With the recent critical resurrection of Jodorowsky’s un-made version of Herbert’s sci-fi blast masterpiece and more and more electronic music fans veering from dance music into the sub-genres of PINA and dark ambient the eve of the original novel’s fift…

Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. Notes by Kat Epple When originally released, one music reviewer described Whispered Visions as: “A cosmic tapestry of sound, wov…

Cross-pollinating the wants lists of art/jazz/print and architecture enthusiasts this seldom sighted 45 single is regarded as the rarest “lost” recording by American jazz trumpeter and global communal music missionary Don Cherry as he collaborates with French piano improv genius François Tusques. A missing link in the pre-formative years of improvised jazz this mythical private pressing unites two of the key exponents of both American and French free jazz – two entirely independent musical art f…

A full-length overview of the avant-garde piano repertoire of Nelly (aka Pétro) van Doesburg, performed at various De Stijl, Dada and Bauhaus events in Europe between 1920 and 1925. Born in the Netherlands in 1899, Nelly met De Stijl founder Theo van Doesburg in 1920. Over the next decade the couple lived in Wiemar, where Theo was an associate of the influential Bauhaus art and architecture school, and then Paris. A conservatory-trained pianist, Nelly often accompanied her husband's lectures wit…

Musique de la Rose + Croix is a double disc set of solo piano music collecting Satie's enigmatic Rosicrucian pieces (1891-1894), together with an instrumental version of his ballet score Uspud (1892) and the meditative works collected as Pages Mystiques (1893). For a short period Erik Satie was appointed official composer for the esoteric Ordre de la Rose-Croix Catholique du Temple et du Graal, founded in Paris by the flamboyant mystic 'Sar' Joséphin Péladan. The first Salon de la Rose-Croi…

This full-length archive CD explores the highly influential Bauhaus school of art and architecture, which operated in Germany between 1919 and 1933. The spoken word element centres on a revealing talk by Walter Gropius, the architect and theoretician who founded the Bauhaus in 1919. The album also includes contributions from the school's third and final director, architect Ludwig Mies van der Rohe, as well as teacher Josef Albers. All interviews are in the English language. The musical con…

Surrealism Reviewed is a collection of spoken word recordings by Surrealist artists, writers and poets. Made between 1929 and 1963, these historic audio recordings include poetry readings, interviews, lectures and manifestos. Most are in the English language, though some are in French (marked FR below). The remarkable contributions by Robert Desnos and Herbert Read were feared lost for several decades, unheard since they were cut onto acetate discs in the 1930s. Running for 74 minutes, wit…